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PenguinHyphy

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  1. And if the same percentage stays consistent for The Color Purple as it did for The Woman King, then it still gets to $180,000,000+. So, what is so hard to get about that?
  2. It is hilarious seeing the pivoting from the earlier pages to now. You had people stating that this is going to be huge because it is giving Hispanic patrons. Even when people stated that Cubans, Mexicans, Puerto Ricans and Venezuelans are not the same and do not see each other as the same, you had people pushing against that. Now they are essentially agreeing with that same sentiment
  3. Raunchy comedy sucked during its heyday, and they probably still suck now. People have finally matured and are resolutely rejecting it, so studios need to stop trying to have it happen again. They went from Coming to America, Plane, Trains & Automobiles, Clueless, Mean Girls and other comedy that relied on characterization, cleverness, pointedness and timing to Step Brothers like crassness. America Pie and Judd Apatow are the two worst things that have ever happened to studio comedy because none of that was timeless, and you are seeing the effects now of what happens when you rely on gimmicky humor
  4. Those are projects are more so hurt by people not caring about the Oscars anymore than they are because of a change in consumer habits. All of those projects got boosts from nominations and wins at awards ceremonies. None of them set the box office ablaze from the jump. Air and The Woman King both grossed a higher total than Michael Clayton and have pretty comparable grosses to Moneyball, so streaming is not the biggest problem affecting those problems. By all accounts, the Oscar projects are not performing great on streaming either
  5. I do not get all of the so-and-so-has-to-breakout-because-everything-else-is-faltering posts. Audiences have made clear that the days of going to theaters just because are not a thing anymore
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