Wednesday 4 Jan SW R1 4.237 | Sing 3.61 | Pass. 1.747 | LLL 1.437 | Moana 1.39 | WhyHim? 1.377 | Ass.Creed .966 | Fences .948 | FB .505

[terrestrial]

The Numbers ‏@MovieNumbers  9m9 minutes ago

http://www.the-numbers.com/movie/Rogue-One-A-Star-Wars-Story#tab=box-office … Rogue One is projected to do $4.2m dom and $7.5m int'l for Wed, Jan 4th for an estimated worldwide total of $829.1m

Edited January 5, 2017 by terrestrial

[terrestrial]

Exhibitor Relations ‏@ERCboxoffice 13 minutes ago

Eleanor Coppola's feature debut, PARIS CAN WAIT, rolls into theaters 5/12/17 from Sony Classics. Diane Lane, Alec Baldwin star.

[terrestrial]

Exhibitor Relations ‏@ERCboxoffice 18 minutes ago

ROGUE ONE daily docket: Domestic ($451.4M) Int'l ($377.7M) WW ($829.1M) Invades China tomorrow...

[terrestrial]

 

[terrestrial]

Quote

Film rating that highlights role of women gains support

5 January, 2017 | By Orlando Parfitt

The ‘F-rating’ has been adopted by cinemas, festivals and IMDb.

 

http://www.screendaily.com/news/film-rating-that-highlights-role-of-women-gains-support/5112571.article?blocktitle=LATEST-FILM-NEWS-HEADLINES&contentID=44435

[terrestrial]

Art Directors Guild nominations

its lengthy = in spoiler-tags

 

Spoiler

Quote

FEATURE FILM

Period Film

CAFÉ SOCIETY
Production Designer: SANTO LOQUASTO

FENCES
Production Designer: DAVID GROPMAN

HACKSAW RIDGE
Production Designer: BARRY ROBISON

HAIL, CAESAR!
Production Designer: JESS GONCHOR

HIDDEN FIGURES
Production Designer: WYNN THOMAS

JACKIE
Production Designer: JEAN RABASSE

Fantasy Film

ARRIVAL
Production Designer: PATRICE VERMETTE

DOCTOR STRANGE
Production Designer: CHARLES WOOD

FANTASTIC BEASTS AND WHERE TO FIND THEM
Production Designer: STUART CRAIG

PASSENGERS
Production Designer: GUY HENDRIX DYAS

ROGUE ONE: A STAR WARS STORY
Production Designers: DOUG CHIANG, NEIL LAMONT

Contemporary Film

HELL OR HIGH WATER
Production Designer: TOM DUFFIELD

LA LA LAND
Production Designer: DAVID WASCO

LION
Production Designer: CHRIS KENNEDY

MANCHESTER BY THE SEA
Production Designer: RUTH DE JONG

NOCTURNAL ANIMALS
Production Designer: SHANE VALENTINO

TELEVISION

One-Hour Period Or Fantasy Single-Camera Series

GAME OF THRONES: “Blood of My Blood,” “The Broken Man,” “No One”
Production Designer: DEBORAH RILEY

STRANGER THINGS: “The Vanishing of Will Byers,” “Holly, Jolly,” “The Upside Down”
Production Designer: CHRIS TRUJILLO

THE CROWN: “Wolferton Splash,” “Hyde Park Corner,” “Smoke and Mirrors”
Production Designer: MARTIN CHILDS

THE MAN IN THE HIGH CASTLE: “The Tiger’s Cave,” “Land O’ Smiles,” “Fallout”
Production Designer: DREW BOUGHTON

WESTWORLD: “Pilot”
Production Designer: NATHAN CROWLEY

One-Hour Contemporary Single-Camera Series

BETTER CALL SAUL: “Inflatable,” “Fifi,” “Klick”
Production Designer: TONY FANNING

BLOODLINE: “Part 16,” “Part 21”
Production Designer: TIM GALVIN

HOUSE OF CARDS: “Chapter 41,” “Chapter 47,” “Chapter 48”
Production Designer: STEVE ARNOLD

MR. ROBOT: “Eps2.0_unm4sk-pt1.tc,” “Eps2.4_m4ster-slave.aes,” “Eps2.9_pyth0n-pt1.p7z”
Production Designer: ANASTASIA WHITE

PREACHER: “See,” “South Will Rise Again,” “Finish The Song”
Production Designer: DAVE BLASS

Television Movie Or Limited Series

AMERICAN HORROR STORY: ROANOKE: “Chapter 4”
Production Designer: ANDREW MURDOCK

BLACK MIRROR: “Nosedive,” “Playtest,” “San Junipero”
Production Designers: JOEL COLLINS, JAMES FOSTER, NICHOLAS PALMER

SHERLOCK: “The Abominable Bride”
Production Designer: ARWEL W. JONES

THE NIGHT OF: “Pilot”
Production Designer: PATRIZIA VON BRANDENSTEIN

THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY: “100% Not Guilty,” “Marcia, Marcia, Marcia,” “Manna From Heaven”
Production Designer: JEFFREY MOSSA

Half Hour Single-Camera Series

MOZART IN THE JUNGLE: “Now I Will Sing”
Production Designer: TOMMASO ORTINO

SILICON VALLEY: “Two In The Box,” “Vachmanity Insanity,” “Daily Active Users”
Production Designer: RICHARD TOYON

TRANSPARENT: “If I Were A Bell”
Production Designer: CAT SMITH

THE LAST MAN ON EARTH: “Pitch Black,” “The Power of Power,” “Mama’s Hideaway”
Production Designer: BRUCE ROBERT HILL

VEEP: “Kissing Your Sister”
Production Designer: JIM GLOSTER

Multi-Camera Series

2 BROKE GIRLS: “And The 80’s Movie,” “And The Godmama Drama,” “And The Two Openings: Part Two”
Production Designer: GLENDA ROVELLO

BABY DADDY: “Love & Carriage,” “Room-Mating,” “Stupid Cupid”
Production Designer: GREG GRANDE

THE BIG BANG THEORY: “The Positive Negative Reaction,” “The Big Bear Precipitation,” “The Fermentation Bifurcation”
Production Designer: JOHN SHAFFNER

THE GREAT INDOORS: “Pilot”
Production Designer: GLENDA ROVELLO

THE RANCH: “Leavin’s Been Comin’ (For A Long, Long Time)”
Production Designer: JOHN SHAFFNER

Awards Or Event Special

BEYONCÉ: LEMONADE
Production Designer: HANNAH BEACHLER

GREASE LIVE!
Production Designer: DAVID KORINS

HAIRSPRAY LIVE!
Production Designer: DEREK McLANE

THE 68TH PRIMETIME EMMY AWARDS
Production Designers: TAMLYN WRIGHT, BAZ HALPIN

THE OSCARS
Production Designer: DEREK McLANE

Short Format: Web Series, Music Video Or Commercial

ADIDAS: BASKETBALL NEEDS CREATORS
Production Designer: RUTH DE JONG

BEYONCÉ: LEMONADE “6 Inch”
Production Designer: JC MOLINA

BEYONCÉ: LEMONADE “Denial”
Production Designer: JASON HOUGAARD

BEYONCÉ: LEMONADE “Hold Up”
Production Designer: JASON HOUGAARD

iPHONE 7: BALLOONS
Production Designer: JAMES CHINLUND

Variety, Reality Or Competition Series

AMERICAN GRIT: “Ruck Up”
Production Designer: MERCEDES YOUNGER

PORTLANDIA: “Weirdo Beach”
Production Designer: SCHUYLER TELLEEN

SATURDAY NIGHT LIVE: “Larry David/The 1975,” “Peter Dinklage/Gwen Stefani,” “Tom Hanks/Lady Gaga”
Production Designers: KEITH IAN RAYWOOD, EUGENE LEE, AKIRA YOSHIMURA, N. JOSEPH DeTULLIO

THE ELLEN DEGENERES SHOW: “Ellen’s Halloween Show”
Production Designer: KAREN WEBER

THE TONIGHT SHOW STARRING JIMMY FALLON: “Ep. 0417,” “Ep. 0461,” “Ep. 0493”
Production Designers: EUGENE LEE, PETER BARAN

THE VOICE: “The Blind Auditions, Part 3,” “The Battles Premiere, Part 2”
Production Designers: ANTON GOSS, JAMES PEARSE CONNELLY

 

 http://deadline.com/2017/01/art-directors-guild-nominations-2017-full-list-1201878962/?utm_medium=twitter&utm_source=dlvr.it

[Daxtreme]

-76.6% week-to-week drop, ouch

 

and a 32% drop from yesterday

 

No matter how you look at it, it's a pretty bad drop. Seems like the movie is finally course-correcting for the end of the holidays.

 

Still, Monday was unusually high so it got that as a buffer

 

Those international holds are great too

 

edit: well, those week-to-week are in line with TFA so, I'd say it's "average" instead

Edited January 5, 2017 by Daxtreme

[terrestrial]

Quote

The Producers Guild of America has unveiled its PGA Awards nominations in its TV categories, ahead of the winners being revealed January 28 at the Beverly Hilton. The guild’s film noms will be announced January 10, and its documentary noms were revealed in November.

 

TV is also lengthy, but as not film:

http://deadline.com/2017/01/producers-guild-tv-awards-nominations-2017-pga-full-list-1201879129/

Edited January 5, 2017 by terrestrial
marked the area for the nom date

[WrathOfHan]

Told you guys the holds were going to be worse than expected.

Edited January 5, 2017 by WrathOfHan

[terrestrial]

Quote

.....Rogue One: A Star Wars Story earned another $4.2 million at the domestic box office yesterday. That's a drop of 32% from yesterday and 76% from last Wednesday. That's a harsher comparative drop than Sherlock Holmes: A Game of Shadows (-21%/-69%) and about in line with King Kong (-28%/77%). That brings its domestic total up to $451.4 million, crossing the $450m mark on its 20th day of release.

That's just behind The Avengers (17 days), Jurassic World (15 days), and The Force Awakens (9 days). The next would-be milestone will be passing the $486 million cume of Finding Dory to become the biggest domestic hit of 2016. After that, it's just a question of whether it can get to $500m faster than Avatar (32 days). On the all-time charts, the Walt Disney blockbuster just passed The Dark Knight Rises ($448m) to become the 11th-biggest release ever, not accounting for inflation and 3D bumps.

It'll probably need until Friday to top the $459 million gross of Avengers: Age of Ultron and Star Wars ($460m) to enter the top 10.  It is all-but-guaranteed to end up at least the 7th-biggest movie of all time, behind The Dark Knight ($534m) and it may even get one spot higher.....

 

http://www.forbes.com/sites/scottmendelson/2017/01/05/faster-than-dark-knight-but-slower-than-avengers-rogue-one-tops-450m-in-20-days/#258c9a0565e9

[terrestrial]

Exhibitor Relations ‏@ERCboxoffice2 hours ago

Zhang Yimou's $150M action pic, THE GREAT WALL, has already toppled $161M worldwide ($148M in China). Domestic date is set for February 17.

China Box Office ‏@ChinaBoxOffice3 hours ago

ROGUE ONE: A STAR WARS STORY earned est. ¥3.2M ($0.46M) from Thursday midnight screenings #RogueOne

 

[terrestrial]

Deadline Hollywood ‏@Deadline1 minute ago

‘Arrival’, ’13th’, ‘Hidden Figures’ Among 2017 Humanitas Prize Finalists http://deadline.com/2017/01/finalists-announced-for-2017-humanitas-prize-1201878947?utm_source=dlvr.it&utm_medium=twitter …

[Captain Craig]

Well with that harsh drop who wants to open up the What Went Wrong thread for Rogue One? 

[redfirebird2008]

20 minutes ago, terrestrial said:

 

 

Hmmm...curious how that will work. Already bought a ticket for Rogue One and Dunkirk in IMAX Laser on Saturday January 14th. Maybe La La Land is only in certain IMAX theaters.

[a2k]

Spoiler

#NotAnEvent

 

[terrestrial]

Quote

Daily Domestic Chart for Wednesday January 4th, 2017

 

		Movie	Distributor	Gross	Change	Thtrs.	Per Thtr.	Total Gross	Days
-	(1)	Rogue One: A Star Wars Story	Walt Disney	$4,200,000	-33%	4,157	$1,010	$451,370,302	20
-	(-)	The Edge of Seventeen	STX Entertainment	$5,416	+2%	71	$76	$14,426,610	48
-	(-)	Believe	Smith Global Media	$154	-23%	4	$39	$890,197	34

 

#1 still only estimates

 

Drop in the curve is to see... but IMHO not a reason for any 'WWR'-threads 

 

Quote

Chart Date	values
Dec 16, 2016	$71,094,394
Dec 17, 2016	$117,402,509
Dec 18, 2016	$155,081,681
Dec 19, 2016	$172,677,831
Dec 20, 2016	$190,260,809
Dec 21, 2016	$205,226,599
Dec 22, 2016	$221,999,674
Dec 23, 2016	$244,859,930
Dec 24, 2016	$260,168,438
Dec 25, 2016	$286,033,442
Dec 26, 2016	$318,119,079
Dec 27, 2016	$340,634,691
Dec 28, 2016	$358,656,173
Dec 29, 2016	$375,378,705
Dec 30, 2016	$393,603,022
Dec 31, 2016	$408,235,850
Jan 1, 2017	$424,987,707
Jan 2, 2017	$440,901,381
Jan 3, 2017	$447,170,302
Jan 4, 2017	$451,370,302

 

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

 

[redfirebird2008]

RIP to Baumer's club.

[titanic2187]

30 minutes ago, terrestrial said:

 

i think la la land could turn into a cultural phenomena.........

[elcaballero]

I believe that weather is playing a role as well. A lot of the Pacific Northwest is snowed in right now.

[terrestrial]

1 minute ago, redfirebird2008 said:

RIP to Baumer's club.

$451,370,302

 

I think he wont have a problem with that.