Because Nobody Asked For It: The Panda's Top 250 Movies of All Time - COMPLETE

[The Panda]

I'd just like to point out that I could make a legit argument for any of the movies in my top 10 as being my favorite of all time.  They're all very close for me.

 

Number 8

Monty Python and the Holy Grail (1975)

 

"Your mother was a hamster and your father smelt of elderberries!"

 

Most Valuable Player: The Screenplay

Box Office: N/A

Tomatometer: 97%

Notable Awards: Number 102 on IMDb Top 250

Synopsis: King Arthur and his knights embark on a low-budget search for the Grail, encountering many, very silly obstacles.

Critic Opinion: "The Monty Python team's first original film is one of the most original, hilarious and visually striking comedies ever made. The extraordinary thing about the Monty Python crew’s first proper film (we don’t count 1971’s stilted sketch round-up ‘And Now For Something Completely Different’) isn’t how funny it remains 40 years on – though it is stupidly, ingeniously funny. No, what’s most striking is how unnecessarily gorgeous it is. Wreathed in Scottish mist, shot through with shafts of golden light and drenched in authentic medieval mud, there are moments where it feels like Tarkovsky with drag and farting. At a time when the cutting edge of TV-to-film adaptations was ‘Mutiny on the Buses’, making a film this lovely was a bold move. " - Huddleston, Time Out

User Opinion: "My favorite movie. It's absolutely riotous every time." - Spaghetti

Reasoning: Monty Python and the Holy Grail is absolutely the funniest movie I've ever seen in my life, and it's a film that only gets funnier every single time you see it.  Thus, this is the highest ranking comedy on my list, for rather obvious reasons.  When every single scene of a movie is a comedic highlight of a film, and thus you can pick no "best part", you know you have a comedic masterpiece on your hands.  This movie deserves your respect.

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 26, 1970s: 28, 1980s: 37, 1990s: 34, 2000s: 34, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 15, 1970s: 14, 1980s: 6, 1990s: 14, 2000s: 13, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 5, 1970s: 9, 1980s: 2, 1990s: 3, 2000s: 8, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 3, 1970s: 1, 1980s: 1, 2000s: 6, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1970s: 1, 1980s: 1

 

 

 

 

 

[franfar]

Of course

[The Panda]

Number 7

Eternal Sunshine of the Spotless Mind (2004)

 

"What a loss to spend that much time with someone, only to find out that she's a stranger."

 

Most Valuable Player: Charlie Kaufman for the Screenplay

Box Office: 34.4m (47.9m Adjusted)

Tomatometer: 93%

Notable Awards: Won 1 Oscar

Synopsis: When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.

Critic Opinion: "The leads alone would make this movie, but the supporting cast enacts a parallel drama that adds dissonances and echoes all over the place. And I've never heard a score quite like Jon Brion's, which is weirder than his work on Punch-Drunk Love. A mixture of pop songs and chamber music, it seems to be carrying on a whimsical conversation of its own in a parallel universe, with hints of calliopes and silent horror movies. The music peaks in the scene in which Dunst recites the lines from Pope and Joel has a vision of himself and Clementine on the street amid a parade of circus elephants—an exhortation, perhaps, on behalf of memory. I thought Kaufman's Adaptation (2002) was wildly overrated, but it obviously did wonders for his confidence: He has the fearlessness now to move the boundary posts of romantic comedy. This is the best movie I've seen in a decade. For once it's no hyperbole to say, "Unforgettable!"" - Edelstein, Slate

User Opinion: "Holy fucking shit its great" - Ethan Hunt

Reasoning: This is the highest ranking movie from the 21st century on my list, and thus the only one to make it onto my top 10 of all-time (Or.... Is It????).  The film is pure cinematic poetry and perfectly en-captures the feelings of relationships between people and how they progress with time.  While it's a sci-fi film, I'd really say barely so, as it only uses its small sci-fi/fantasy element to explore more deeply the workings of the human mind.  Each of the film's scenes are visually creative, with a whimsical score that plays back and forth of the moods and feelings as Joel slowly sees his memories of Clementine erase (both the good and the bad).  It's an emotionally moving film, and one of the few that can consistently bring a little tear.  This is another movie that I had an incredibly difficult time ranking, because I legitimately can see this film ranking anywhere on my top 10 depending on the day, including number 1.

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 26, 1970s: 28, 1980s: 37, 1990s: 34, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 15, 1970s: 14, 1980s: 6, 1990s: 14, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 5, 1970s: 9, 1980s: 2, 1990s: 3, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 3, 1970s: 1, 1980s: 1, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1970s: 1, 1980s: 1, 2000s: 1

 

 

(^^If I had to rank my favorite scenes of all time, that would be in my top 3)

[chasmmi]

Always nice to see Casablanca finish high

[Ethan Hunt]

 

(Me and Panda after the Eternal Sunshine ranking)

Edited April 10, 2017 by Ethan Hunt

[franfar]

I watched Lawrence of Arabia on our 51" back at home. Still doesn't do it justice.

[The Futurist]

Tele and his desert movies ...

 

[The Panda]

Number 6

The Shawshank Redemption (1994)

 

"I guess it comes down a simple choice: Get busy living, or get busy dying."

 

Most Valuable Player: Frank Darabont for Directing and Writing

Box Office: 28.3m (57.6m Adjusted)

Tomatometer: 91%

Notable Awards: Nominated for 7 Oscars, including Best Picture

Synopsis: Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Critic Opinion: "Our Flick of the Week is "The Shawshank Redemption," and this is simply marvelous entertainment that breathes life into a genre that I thought had been dead for a decade-the prison picture. But to call "The Shawshank Redemption" a prison picture is as accurate as calling "One Flew Over the Cuckoo's Nest" a hospital picture. Those are the settings of these similar films, but they really are inspirational dramas of individuals struggling against overbearing authority.  Tim Robbins, one of our best, most casual, young actors, plays a banker in the 1940s who is falsely sent to Shawshank Prison for the death of his wife and her lover. In this maximum security penitentiary, Robbins is harassed by the warden, beaten by guards, and sexually abused by inmates. The first and best friend he makes is the elder statesman of the yard, a longtime convict played by the great Morgan Freeman. Over time, Robbins will make other friends, some of whom will be absolutely paralyzed by freedom in the straight world. Even better than "Birdman of Alcatraz," "The Shawshank Redemption" creates the world of overbearing closure that is prison." - Gene Siskel

User Opinion:  "This was one of my most amazing movie-going experiences ever. My wife and I went to see it knowing little except that it starred Tim Robbins and Morgan Freeman. Sitting in the theater as the film wrapped up, the sense of joy and release was stunning."

Reasoning: An absolutely stunning and inspirational motion picture, it's a movie that I'd say would be incredibly hard not to love (Which explains it being the #1 ranked film on IMDb). While there's an impending sense of brutality and the overbearing weight of the prison walls throughout the entire film, it encaptures you with the relationships formed between the characters, and the subtle build that never comes across as boring.  When the peak moment of the film finally releases, you end up feeling as if you're escaping the prison for yourself, it's a film that makes the audience feel unrightfully imprisoned and then sets them free.  I'm glad the first time I saw this film that I saw it alone, because when the ending credits finally began to roll, I was left in shambles.  It was the most emotional I've ever gotten from watching a film, and it's hard to really explain why, except that the craft of the movie expertly makes you feel the relief and pain of the characters.  Again, this is a movie that I could see myself saying is my number 1 favorite depending on the day of the week, I feel as if I am cheating each of these movies in my top 10 by not saying they are.

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 26, 1970s: 28, 1980s: 37, 1990s: 35, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 15, 1970s: 14, 1980s: 6, 1990s: 15, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 5, 1970s: 9, 1980s: 2, 1990s: 4, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 3, 1970s: 1, 1980s: 1, 1990s: 1, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1970s: 1, 1980s: 1, 1990s: 1, 2000s: 1

 

 

 

 

[The Panda]

Number 5

Schindler's List (1993)

 

"Whoever saves one life, saves the world entire."

 

Most Valuable Player: Steven Spielberg's Direction

Box Office: 96.1m (198.9m Adjusted)

Tomatometer: 96%

Notable Awards: Won 7 Oscars, including Best Picture

Synopsis: In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.

Critic Opinion: "For this film Spielberg has done the best directing of his career. Much of his previous work has been clever and some of it better than that, but Schindler’s List is masterly. He has, with appropriate restraint, shot it in black and white (except for two closing sequences in color). Janusz Kaminski’s superb cinematography uses shadows like prosody—illuminates with shadows. Michael Kahn has edited with intensity and line, never breathless, always fast. (One demurral: the intercutting between a Jewish wedding in a camp, a wild German officers’ party and a German officer’s boudoir romp is heavy.) John Williams has arranged a score, with Itzhak Perlman doing violin solos, that for the most part is quiet: Jewish melodies on woodwinds or a small children’s chorus under scenes of inhumanity." - Stanley Kauffman, New Republic

User Opinion: "One of the most emotionally draining movies I've ever seen, but also one of the best viewing experiences I've had. Such a poignant piece of film history done with class. Neeson and Fiennes haven't been better and should've won in their respective categories. The cinematography is one of my favorites of all time, and the girl with the red coat is one of my favorite scenes of all time. Every person should see this at least once in their life. Speilberg hasn't made a better film since." - acsc1312

Reasoning:  Spielberg continues to pop up on my list, and for obvious reasons, he's a master of filmmaking like no other, and Schindler's List is his masterpiece.  Everything about the movie just works to the utmost level of perfection.  This is the greatest historical picture ever made, no other movie manages to so delicately and precisely encapture an event in history like Spielberg was able to do with Schindler's List.  Beyond the haunting nature of so much of the tragedy that you see happening on screen, the film is also not one that ever manages to delve into sentimentality or forced emotion, everything in the movie is quiet and honest, making it that much more powerful.  And beyond that, Schindler's List is never a straight picture about the horror of humanity's nature, but it's just as much a movie about the goodness and compassion that humans can show to each other in times of strife.  Again, I have a hard time picking the order for my top 5, as I could make an argument for any of these films as being the greatest ever made.

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 26, 1970s: 28, 1980s: 37, 1990s: 36, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 15, 1970s: 14, 1980s: 6, 1990s: 16, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 5, 1970s: 9, 1980s: 2, 1990s: 5, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 3, 1970s: 1, 1980s: 1, 1990s: 2, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1970s: 1, 1980s: 1, 1990s: 2, 2000s: 1

 

 

 

 

 

[The Panda]

Number 4

Before Sunrise (1995)

 

"I like to feel his eyes on me when I look away."

 

Most Valuable Player: Richard Linklater for Directing and the Screenplay

Box Office: 5.5m (11m Adjusted)

Tomatometer: 100%

Notable Awards: Ranked #216 on IMDb Top 250

Synopsis: A young man and woman meet on a train in Europe, and wind up spending one evening together in Vienna. Unfortunately, both know that this will probably be their only night together.

Critic Opinion: "Directed by Richard Linklater, from a script he wrote with Kim Krizan, Before Sunrise deftly balances wide-eyed romanticism with the resignation of experience. The movie’s beauty is that it both treasures and mourns its moments at the same time. Because Jesse and Celine’s few hours together exist under a self-imposed deadline – he has a plane to catch in the morning – their words are at once flush with eager excitement and solemnly measured with great care. It’s like watching a flirtatious first date that in some weird sort of time warp is also taking place at a lifelong spouse’s death bed.  In many ways, Delpy and Hawke are giving two halves of one performance, so intertwined are their contributions to the success of the film. It’s not a matter of chemistry as much as it is cooperation. Delpy and Hawke are playing distinct characters, yes, but they’re also working together to nurture a single fictitious relationship, from its early heedlessness to its stretch of awkwardness (“This is a nice bridge”) to its full-fledged infatuation to its cruel, sudden decay. The two actors are in lock, every step of the way.  It’s our luck that they, and Linklater, allow us to listen in. One of the lovely little touches in the film is the few minutes Jesse and Celine spend in a record store’s listening booth. It captures the intimacy of such a simple act, as well as the melancholic reality of all music, especially the good songs. At some point, they end." - Josh Larsen

User Opinion:  "I've just now had the pleasure of viewing this wonderful meditation on love and existence. It's very funny, thought-provoking, and one of the greatest romances ever put to screen. I look forward to seeing the finale on the big screen even before having seen the second one all the way through." - tribefan695

Reasoning: The Before Trilogy is quite possibly the most criminally overlooked trilogies/movie series in existence, the films don't seem to be truly appreciated for the masterworks of subtlety and human emotion that they really are.  While I love the entire thing, there is something about Before Sunrise that just makes it a bit more magical than the other two, and it really stands on its own in a way that the other two do not (which isn't really a knock on them, as they are both ranked highly on my list).  It's weaved with the poetic dialogue of human conversation, and it remains electrically engaging, despite just being a movie about two strangers meeting and spending a day together in Vienna.  There's so much brilliance in the uncertainty of where the relationship may end up in the future, and it's charmingly intoxicating and personally affecting.  It's a movie for all of those temporary relationships that come and go within life, but remain none-the-less lifechanging. 

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 26, 1970s: 28, 1980s: 37, 1990s: 37, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 15, 1970s: 14, 1980s: 6, 1990s: 17, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 5, 1970s: 9, 1980s: 2, 1990s: 6, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 3, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 1

 

 

 

 

 

Edited April 16, 2017 by 2 Panda 2 Furious

[The Panda]

SO MUCH STRUGGLE PICKING THE ORDER FOR THE NEXT THREE

 

A Musical

A Western

A Blockbuster

[franfar]

4 minutes ago, 2 Panda 2 Furious said:

SO MUCH STRUGGLE PICKING THE ORDER FOR THE NEXT THREE

 

A Musical

A Western

A Blockbuster

La La Land

The Good, The Bad, and The Ugly

Avatar

[Plain Old Tele]

8 minutes ago, 2 Panda 2 Furious said:

SO MUCH STRUGGLE PICKING THE ORDER FOR THE NEXT THREE

 

A Musical

A Western

A Blockbuster

 

Trick question. It's gonna be THE UNSINKABLE MOLLY BROWN in all three spots.

[baumer]

14 minutes ago, Tele Came Back said:

 

Trick question. It's gonna be THE UNSINKABLE MOLLY BROWN in all three spots.

 

When did she sing on the Titanic?  When it was docked in Tombstone Arizona?

[Plain Old Tele]

Just now, baumer said:

 

When did she sing on the Titanic?  When it was docked in Tombstone Arizona?

 

Bad Baumer. Bad. Do not pass go, do not collect $150 (Can$200).

[baumer]

I'm here all night.  

Don't forget to tip your waitress.

[The Panda]

Number 3

C'era una volta il West (Once Upon a Time in the West) (1968)

 

"How can you trust a man that wears both a belt and suspenders? Man can't even trust his own pants."

 

Most Valuable Player: Sergio Leone for his Direction

Box Office: N/A

Tomatometer: 98%

Notable Awards: Ranked #30 on IMDb's Top 250

Synopsis: A mysterious stranger with a harmonica joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad.

Critic Opinion: "Leone employs his florid, expressionistic directorial style to convey an overriding tone of wistful resignation over the land barons’ arrival. Although Mr. Morton, the sickly railroad tycoon who wants McBain’s strategically-situated plot of land, pays the dastardly Frank to do his dirty work, Leone reserves compassion for this frail man intent on fulfilling his dream of seeing the Pacific Ocean before he dies of tuberculosis. Morton—who doesn’t entirely agree with Frank’s methods, and dies as a result of his naïveté and bad luck—isn’t evil but merely pathetic, and his quest to trample through the West is portrayed not as reprehensible but merely inevitable. West recognizes that Morton is only the first in what will be a long line of industrialists plundering the land, and that the future he brings is no more distasteful, and might be slightly more tolerable, than the ugliness, corruption, and immorality of the old world embodied by Frank." - Nick Schager, Slant

User Opinion:  "One of the three or four greatest films I've ever seen. First time I watched it, I wasn't entirely sure what to expect (out of eone's films I'd only seen A Fistful of Dollars prior to it) and had a somewhat mixed reaction - the cinematography, the music, _that_ flashback scene, Bronson's coolness, Fonda's evilness, Robards' likability and Cardinale's beauty all instantly knocked me off my seat, but the very deliberate pacing and storytelling had me scratching my head. Still, there was a certain magnetic quality to the film that left me convinced I was going to return to it before long, and sure enough, by the third viewing I admired every single thing in there and wished I could spend as much time as possible in the film's world. A magnificent epic on the passing of the mythic Old West and the archetypes that inhabited it, with some of the finest cinematography and original music of all time." - Jake Gittes

Reasoning: C'era una volta il West, or Once Upon a Time in the West, is a film that is to be slowly savored and not necessarily one to watch one and fall in love with.  The film moves slowly, instead of giving you the finished painting with its cinematography, it paints the pictures as you watch, and it leaves you completely enamored.  The film is the most technically brilliant piece of filmmaking I've perhaps ever seen, and it manages to create something absolutely vivid and surreal out of a fairly conventional Western plotline.  While, most people know about Leone for his Fistful of Dollars trilogy, this is the movie that is his masterpiece, and not only that but it is the pinnacle of the Western genre, perhaps even filmmaking itself.   The movie encaptures just about everything I love about cinema, slowly building up and immersing you into a powerful experience you'll just keep on going back to.  Ennio Morricone's score is absolute perfection, and perhaps even the great composer's finest work.  From a technical standpoint, this is my favorite film of all-time, barely losing out to the next two simply because of more deep-rooted emotional connection to them.

Decade Count: 1930s: 12, 1940s: 17, 1950s: 20, 1960s: 27, 1970s: 28, 1980s: 37, 1990s: 37, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 4, 1940s: 5, 1950s: 10, 1960s: 16, 1970s: 14, 1980s: 6, 1990s: 17, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 3, 1940s: 4, 1950s: 6, 1960s: 6, 1970s: 9, 1980s: 2, 1990s: 6, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1940s: 3, 1950s: 2, 1960s: 4, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1940s: 1, 1960s: 1, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 1

 

 

 

 

 

 

 

 

 

[franfar]

1 minute ago, 2 Panda 2 Furious said:

Number 3

C'era una volta il West (Once Upon a Time in the West) (1968)

 

 

 

 

 

 

[The Panda]

Number 2

The Wizard of Oz (1939)

 

"Toto, I've a feeling we're not in Kansas any more."

 

Most Valuable Player: Judy Garland's Lead Performance

Box Office: N/A

Tomatometer: 99%

Notable Awards: Won 2 Oscars, nominated for Best Picture

Synopsis:  Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.

Critic Opinion: "They're touching on the key lesson of childhood, which is that someday the child will not be a child, that home will no longer exist, that adults will be no help because now the child is an adult and must face the challenges of life alone. But that you can ask friends to help you. And that even the Wizard of Oz is only human, and has problems of his own.  “The Wizard of Oz” has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them. As adults, we love it because it reminds us of a journey we have taken. That is why any adult in control of a child is sooner or later going to suggest a viewing of “The Wizard of Oz.”" - Roger Ebert

User Opinion: "I watched The Wizard of Oz once again last night, and I have to say its one of those movies where you totally understand why it has reached the iconic status it has. The whole movie is just pleasure from start to finish, leaving no dead scenes or awkward, useless moments. Its the real deal. As far as kids movies go it doesn't get much better than The Wizard of Oz: there are likable characters, colorful, detailed environments, fun songs that stay in your head, scary bits and menacing villains and there's always something going on. I bet even the most ADD kid wouldn't be bored watching Oz.   The effect Wizard of Oz has had on popular culture can't probably be measured. Every scene in the movie has been referenced at least once in some tv show, movie, podcast or cartoon. All the characters have become iconic images of cinematic history, and the songs still hold up and are well remembered by everyone who has seen the film.  Wizard of Oz is actually a movie I'd consider perfect. I cant find a single flaw in it." - Jack Nevada

Reasoning: This is the first movie that I ever remember seeing, I remember sitting in front of the TV screen completely enamored by all of the fantasy taking place in the film.  It didn't boggle my mind how old the movie was, only that I was in a new and wonderful land, and there was this nasty old witch with terrifying flying monkeys.  Since that time, I've consistently gone back to watch this movie, and I never love it any less than I did that first time I watched it, way back yonder.  I've performed as the Tin Man in a stage version of this during High School, I've happily performed Somewhere Over the Rainbow a number of times, and I constantly hate on all the Oz adaptions and how they ruin my childhood, because none of them are any good (including that awful musical, Wicked).  Beyond the sentimentality, The Wizard of Oz is also simply a perfectly made movie, there's a reason it has endured over 80 years as a staple in modern culture.  It's simply the finest work of family and musical entertainment ever created.

Decade Count: 1930s: 13, 1940s: 17, 1950s: 20, 1960s: 27, 1970s: 28, 1980s: 37, 1990s: 37, 2000s: 35, 2010s: 31
Top 100 Decade Count: 1930s: 5, 1940s: 5, 1950s: 10, 1960s: 16, 1970s: 14, 1980s: 6, 1990s: 17, 2000s: 14, 2010s: 14
Top 50 Decade Count: 1930s: 4, 1940s: 4, 1950s: 6, 1960s: 6, 1970s: 9, 1980s: 2, 1990s: 6, 2000s: 9, 2010s: 4
Top 25 Decade Count: 1930s: 1, 1940s: 3, 1950s: 2, 1960s: 4, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 7, 2010s: 2
Top 10 Decade Count: 1930s: 1, 1940s: 1, 1960s: 1, 1970s: 1, 1980s: 1, 1990s: 3, 2000s: 1

 

 

 

 

 

[franfar]

1 minute ago, 2 Panda 2 Furious said:

Number 2

The Wizard of Oz (1939)