dudalb
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Everything posted by dudalb
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Absolutely. I find the whole the evil Netowrk execs trying to sabotage the show angle to be silly. why the hell would they spend the money Just to make Michales fail rather then just not give him the money in the first place. ANyway, I find the whole "Evil suits versus the creative artist" to have become a tired cliche. It's not that simplistic in real life
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Not very subtle, is he? He is going to find out that one of the hardest things in show biz is to convince people to pay for somehting they previusly got for free. He will get few new subscribers to Max and a lot of ill will by the general public. I would not be surprised if the loss of advertising revenue from the CN is far greater then the money he gets from new subscribers to MAX. Zaslev is convinced he can shove anything down the public's throat and they will accept it. He is going to find out otherwise. I was skeptical about the theories he is trying to destroy Warners to sell off the individual parts, i put his mistakes down to being new to running a studio, but I am coming around to his being a wrecker. Be interesting to see how his fanboys here defend his latest crap. I gave him the benefit of the doubt at first, because when a company is in deep debt problems you have to take some pretty brutal actions to stop the bleeding..some thing a lot of people here did not get...but I am though giving him the benefit of hte doubt. He is the kind of guy who, sady, give Capitalism a bad name.
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Question is how well Zaslev is handling it. And he seems not to be handling it well. I agree previous managment is what got WB into this mess, and a lot of people here forget that. SOme have tried to blame all of WB's problems on Zaslev, which is stupid. But he was brought in to fix the situation, and he seems to not be doing a good job of doing that. I gave the benefit of the doubt when he came on baord, and wrote off some of his early actions as necessary; even if the cancellations of some projects pissed off the fanboys, but I am past that. Zaslev is not doing the job he was hired to do. Even if you write off the fanboy hatred becasue Zaslev cancelled some shows the hardcore geeks liked ( but the GA did not) Zaslev has not performed very well. WB should be doing better then it is.
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I don't care who it is, whoever gets the Alec Baldwin role will come nowhere close to equalling what Baldwin did in the original.One of the greats rants/monogoues in screen history.
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Waiting for him to call Trump a Hockey Puck.
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Something tell me the amount of chaos before the first show has really been upped beyond what happened. I alos find the whole "THye want you fail" since the youth demo the show was aiming for was the demo that every network wanted. I still wonder if Howard Shore will be a charecter in this, since was the Musical Director for the SHow in it;s early year.
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That, and the he handled the "Retro" sitcom scenes in "Wandavision" is what got him the job. Though, come to thnk of it, Wandavisio has apretty disfunctional family also. And that is the main thing about the classci Fantastic Four. They are often disfunctional, they fight all the time, both Johnny and Ben have walked out on occasion, but the family is reall threatened they all come together. Reed is the often impatient father, Sue is the mother, Johnny is the young kid who often has a too high opinion of himself, and Ben is the grumpy uncle.
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Yeah, that is wierd. Lionsgate was right in not spending a dime more then the minimum or marketing for this turkey. When you are aware you have a stinker on your hands, and clear the Lionsgate did, you cut your losses and don't add to the ren ink by trying to save it when that seems hopeless. Don;t know why they are lying about this, it's is standard SOP in the film business when you think you have a bomb at your hands (the exception is where you have spent so much on a film that you have to try to save it. Borderlands does not fall into that territory). And I got a feeling that Lionsgate witt have another big fail with The Crow. Not a good summer for them at all.
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They have never been the same since their whole selling off the regional rights to the film business model stopped working. Thye are no longer shielded from having to pay for their mistakes the way they once were. Selling off the regional rights covered most of their production costs at the expnese of lesser profits, but it stopped owrking when distributors got wise to the tactic and stopped buying the regional rights.