36.
Marc Forster's
WORLD WAR Z
Starring: Brad Pitt, Mireille Enos, Daniella Kertesz, Pierfrancesco Favino
Box office: $202M
Rotten Tomatoes: 68%
"We just woke the dead. Please turn off all cellphones and pagers."
It went through a million production hurdles, passing through various writers and reshoots, and while the stitches haven't dissolved, the Hollywood machine didn't stop World War Z from being a surprisingly intelligent and articulate blockbuster, serving as a reminder that not all $200 million films have to beat you round the face with their clammy hands until you're as dumb as a rock. The source text - Max Brooks' provocative 2006 novel - would have been exceptionally difficult to successfully take direct to screen, so the film's structure doesn't much resemble anything that the book's fans would recognise. But the throughline of the novel - its heavy political subtext, and its wide array of apocalyptic ideas - remains, and it's what powers this steaming action romp - and it is full of well-directed action - at its core. Although the film charges from setpiece to setpiece at a startling place, it's philosophically and geopolitically light on its feet: it dips into ideas of how various cultures would respond to an apocalypse, and how in humanity's final hours, we must slow down and think in order to survive. Zombie entertainment throughout the past decade has mostly taken survival ideas literally; World War Z thinks bigger. And despite the popular claims that the film's final act is anticlimactic and out of place, frankly I couldn't want anything more.