Takes its time during the first hour, but embraces its play origins in the final 30 minutes which are perfectly staged and performed. Darkly hilarious yet still dramatic, since the characters are always kept from being lowered to the level of simple trailer trash dumbasses (with the exception of Thomas Haden Church, who embraces the stereotype and is absolutely hysterical, yet still kinda disturbing at times - such as in the "I got him, Joe!" moment). Pretty fucked up and insane, yet never exploitative. I've always liked Emile Hirsch and he does a strong job again; Juno Temple is a bit of a revelation, especially after her forgettable part in TDKR; it's great to have Gina Gershon back and so committed. McConaughey's amazing here - if he should be nominated for awards for any movie this year, this should be the movie. But I doubt most people from the industry would even touch this movie, and I'm sure some consider Friedkin to be a totally lost lunatic. But personally, I love the fact that he's pretty much found his second little career after all his 1990's flops, and now gets to do something so deranged, uncompromising and fully controlled and put it out to some faithful fans and even critical appreciation. With Killer Joe, he is a 78-year-old director who could give anyone younger than him a run for his money.