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Everything posted by Lavochkin
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Neat. I do hope that the sequences shot in IMAX are fully shot in IMAX. I hate it when films use IMAX in a scene but have the shots split up among shots of a different ratio. Like in The Dark Knight or Dunkirk, where the screen edges keep changing every few seconds, because they mix in shots from IMAX and regular. I may be in the minority but I find it very jarring and pretty distracting when the borders keep moving. It would not be so bad if entire segments of the film were IMAX, only switching back and forth a few times.
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It's not their fault, it's the dumb and close-minded blockbuster horror films that are pumped out at lightspeed for casual audiences to consume. I'm talking about the 'Truth or Dare's, the 'Satanic's or the Insidious 32 or whatever we are at now. When you see enough of the same thing, anything different becomes too foreign to accept, therefore you see causal audiences rejecting a lot of the more art-house, indie, or just plain different horror films. I used to be a casual viewer. Eventually I expanded out but i'll admit it is hard to watch some different films. You become so used to seeing one particular style or tone, that when something that is on the other end of the spectrum comes along, you don't really know what to do with it.. and for most people that means dismissing it without giving it any though - so the cycle beings.
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I've seen it. Personally I LOVED it - best horror film in years (will join the ranks alongside It Comes at Night, It Follows and The Witch for me). Most of the crowd around me? Not so much. For the first third, people seemed to get pretty bored quickly. I'll admit it is a slow burn drama for the first section, something that I loved, but I could sense others getting restless (crinkling food wrappers, phone lights, whispering). The film really picked up in the final third, and it seemed people were mostly into it. I think the last part of the film is what people thought the whole movie was going to be. The first part is what makes the last parts so great, but I don't think general audiences either A), anticipated the pace being slow for most of the movie; or B), knew that this would be more of a physiological drama first and supernatural horror second. My friend went to a showing today and he said that two couples left the cinema; one at the half way point, and one about 20mins before the credits (the last couple seemed disgusted by what they saw). Nobody left in my showing, and I think most were pulled in by the end, but I can not see this getting anything more than a B- on CS.
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Seeing this tomorrow night. I'm very excited because I loved The Witch and ICAN. Been hearing it is similar in terms of atmosphere and execution.
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No - he's just The Futurist.
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Do Paramount still have the home video release rights for international markets? Or will this be another "sorry you can only watch this on Netflix forever" type deals? I heard that Paramount still have home media release rights to Cloverfield Paradox but this is a different scenario. I'm betting that i'll love this film and i'll be double pissed (on top of not being able to see it in theaters) if I can't own physical media of it without importing.
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BOT Golden Globes - Ceremony Discussion Thread!
Lavochkin replied to Ezen Baklattan's topic in And The Winner Is...
Man, del Toro's speech made me tear up. Congrats to him -
MURDER ON THE ORIENT EXPRESS | 10 NOV 2017 | Fox
Lavochkin replied to kayumanggi's topic in Box Office Discussion
This was a weird one. At times it was great. Fun, energetic and exciting. Other times it really dragged and struggled to keep the suspense high enough for me to give a shit. I thought they really botched the ending. Really over the top and I ended up laughing for the majority of the final 20 minutes. But that mustache.. mmm. -
I actually really enjoyed this movie. It was a lot of fun. It was very well made and superbly written and thoroughly entertaining. It didn't take itself too seriously which was refreshing and was very witty in the way it delivered it's story. The cinematography was very 'documentary' style which surprised me but I really dig it. It was very in your face and fast which fit the story well. It worked well for the comedic moments to. I'm not usually a big fan of Cruise but I thought he was perfect for this role and was spot on with his comedic deliveries. I'm honestly surprised I liked it so much. Definitely go see it!
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Seeing this tomorrow. I only just watched the trailer and I have to say i'm pretty excited. Looks like a lot of fun.
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Certified Fresh Baby! TOMATOMETER 98% Average Rating: 8.3/10 Reviews Counted: 90 Fresh: 88 Rotten: 2 Critics Consensus: Stylish, exciting, and fueled by a killer soundtrack, Baby Driver hits the road and it's gone -- proving fast-paced action movies can be smartly written without sacrificing thrills.
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I have a lot of casual movie-going friends that refer to this as 'that cool lookin' car chase movie' and they all want to check it out purely because they saw a trailer for it in-front of Transformers. These same people didn't know the name 'Edgar Wright' when I mentioned his filmography. People are aware of it. Just because people aren't profusely talking about this film or worshiping it's director doesn't mean they won't go see it.