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About AndyChrono

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  1. Sure they could do that. Or they could just have a guy film a bit at the actual place and have the VFX team work on the animals instead.
  2. Probably the Kilimanjaro shot. From the teaser/movie: Real location: Different camera angles/zoom. But its pretty clear to see the mountain shape is exactly the same.
  3. SPOILERS obviously. The Lion King is a technical masterpiece that unfortunately is really held back by some sub-par (voice) acting, singing, and directing choices. The core story line is 99.9% the same as the animated version. No real surprises here. I was worried about whether Chiwetel Ejiofor could replace Jeremy Irons, but overall I think l he did Scar proud. He, along with Timon (Billy Eichner) and Pumbaa (Seth Rogen) are the clear standouts among the voice cast. On the flip side, Donald Glover really phones it in and is shockingly bad as adult Simba. Beyoncé has no acting chops at all and she isn't playing Nala so much as just playing Beyoncé. The rest of the cast - Alfre Woodard, James Earl Jones, etc - are solid. Let's talk about the songs which IMO are a huge hit and miss in this version. The opening Circle of Life was IMO the best of the soundtrack, so the film definitely started on a high note. I Just Can't Wait To Be King has some great energy and keeps the momentum going. At the end of this, I was feeling really great about the movie. Unfortunately it is all downhill from there. Be Prepared is shockingly bad as they cut the entire song down to just a speech and 30 seconds of actual singing. Hakuna Matata tries to recapture some of the momentum but IMO it really lacked the carefree energy the song should have. Can You Feel The Love Tonight is absolutely butchered. Donald Glover is Emma Watson level bad at singing, and Beyoncé injects way too many vocal runs into her parts. The entire thing just lacks sincerity and sounds like stuff you would hear on American Idol. Spirit is the new Beyoncé song, and after listening to the full length version on YouTube, it's decent. The problem is that in the movie they cut it down to only a ~30 second snippet so it never even has a chance to hit your emotional chords and make an impact. My reaction in the theater was basically: "Oh new song! Wait... that's it!???" Overall, they made some really questionable choices with the songs. I think most folks going into this are going to want to see the classic song set pieces recreated as faithfully as possible. And indeed, they did this with Circle of Life, I Just Can't Wait To Be King, and to a lesser extent Hakuna Matata. That's probably why I found those songs to be the better ones. What they should have done is continued to do this so that we got a full length version of Be Prepared instead of this neutered version. Can You Feel The Love Tonight should have been sung with more sincerity (and not in the daytime...). They also should have let Spirit be a full length song so that there is actually something new that folks can take away from this. That brings me to the directing. In addition to the poor choices with the songs, the film also makes poor choices with many of the scenes. Many scenes like Mufasa teaching Simba the lesson, the stampede, Simba vs Scar's battle, Simba climbing Pride Rock at the end, etc. are literally EXACTLY the same as the animated version. And I stress both "literally" and "exactly"! Such a blatant copy of the scenes just takes you out of your immersion in the film because your reaction isn't going to be what the filmmaker intended, but instead it's going to be "I've seen that before." Now while it sounds like a contradiction, the reason you can copy the musical scenes closely and not run into this problem is precisely because they have songs! Music can instantly set the mood, and when the songs are playing the audience is engaged via the music so they remain immersed in your film as long as you don't murder their beloved songs. Particularly in the case of such classic songs, most folks are probably hoping you DON'T change too much. Thus, instead of making some changes to the scenes between the songs and keeping the song numbers similar... they instead opted to make the intermittent scenes exactly the same while making drastic changes to some of the classic songs. IMO this was a serious mistake and should have been the other way around. They compound this by cutting short the one new part they DID add... namely Beyoncé's new song number. Again, I think it should have been a full length song number to inject some novelty into the film. Just for a contrast, whatever you may think of the live-action Aladdin remake and the new song Speechless from that film, they did give it a full 2+ minute scene so that it had enough time on screen for the audience to give it a chance. Heck, one of the criticisms I heard was that they literally stopped the movie so that they could highlight that song! That's a fair criticism, but the point is the film spent time to give the song a fair chance, and from the word of mouth for that movie it appears to have worked! All-in-all, The Lion King lacks any big defining moments/scenes that you can point to and say "Wow that was awesome!", and IMO it is the blatant copies of classic scenes that is the primary cause of that. Couple that with the hardcore changes to some of the classic songs and that's a recipe for disaster. A couple of the classic songs in the beginning are faithfully recreated and will get you nostalgic, but not to the point where you will be awed like the first time you heard them. Beyoncé's new song is cut down so much that just when you think you might get a new epic song to add to the Disney canon, they pull the rug out from under you. Much has been said of the lack of emotions conveyed by the realistic animals. I wasn't bothered too much by it during most of the film, except during very emotional scenes (e.g Mufasa's death) where the limitations were really highlighted. Ultimately, this new Lion King is more of a whimper than a roar. 6/10 C
  4. I want that 4x off of a holiday boosted opening weekend: $366,003,716
  5. Jury is still out on Little Mermaid, Mulan, etc. As far as the ones already released, IMO Aladdin will be the only one fondly remembered decades from now because it's the only one that has made good changes & additions on the music side. I found the new Arabian Nights to be a vast improvement over the old one with offensive parts removed and extra verses to flesh out the song. A whole generation (girls in particular) are going to grow up with Speechless, and when Disney does another reboot in ~27 years or whatever, folks will be saying please don't screw up this song! If you look at the top selling songs for BatB and TLK, not surprisingly it's the classics like Beauty and Beast, Circle of Life, Hakuna Matata, etc. that are the most popular, and one would expect that A Whole New World would be the top seller on the Aladdin soundtrack... but it's not! When the top selling song on the soundtrack is the new song, that's when you know they made a worthy addition to the Disney canon. By comparison, the new songs in BatB were duds, and the ones in TLK seem to be pretty meh as well. They just aren't of the caliber of the classics even with big household names singing them.
  6. $1b is pretty much locked and it's looking more and more like 1.050b is the target. Aladdin was at 922.7m at the end of last weekend and is now at 960.2m (est.) at the end of this weekend. That means it made 37.5m (probably more with actuals) over the past week and would only need better than -48.5% week-to-week drops to reach $1b. Thus far it has been dropping at roughly half of that. With ultra leggy markets like Japan and South Korea carrying the OS grosses, expect the weekly declines to continue to be small. If week to week drops are: 48.5% -> 1.000b finish (from above) 45% -> 1.006b finish 40% -> 1.016b finish 35% -> 1.030b finish 30% -> 1.048b finish 25% -> 1.072b finish And just for shits and giggles... 21.1% -> 1.100b finish!
  7. I've been one of the more pessimistic folks regarding it's chances all along, but this should lock up the WW record. 4.5m WW weekend with 7.2m to go means EG just needs a 2.6x off of this weekend worldwide which is easily achievable. Even a hypothetical total collapse at say a 2x will get it within 2 million or so of the record. I never believed in the 10m push/fudge or whatever you want to call it, but 2m would definitely get Wrinkle-in-Timed by Disney so either way the record should be secure. Congratulations to the new Kings of the World! P.S: The timing is perfect for Disney since EG should take the record right before it releases on home video July 30th so you should see the marketing reflect this.
  8. Probably because of Speechless Search "Speechless Korean" on YouTube and there's a bunch of covers with millions of views. I believe a couple of those are actual (lesser known) k-pop singers doing covers.
  9. The problem with that "unnecessary" critique is that while it might be their honest opinion, it is basically just a strawman. Whether a movie should exist or not has nothing to do with the quality of the acting, directing, writing, cinematography, music, VFX, etc. If the critics find those aspects bad, then it's fair game. Thus far, the primary substantive complaint seems to be the uncanny valley regarding the animal expressions - particularly during the songs. That's a fair criticism and one that could impact audience enjoyment of the film.
  10. Needs -38.4% hold or better for Wednesday which should be doable. It's Wednesday holds so far (not counting last week because of holidays) have been -37.9%, -34.6%, -31.5%, -34.7%, and -37.3% so I'd expect it to land somewhere in this range again to stay over 1m on Wednesday. Thursday will be pretty tough because it might lose some screens to the new openers in the evening. However it's still possible with say a -35% Wednesday and -5% Thursday would get it to $1,003,815 and squeak by!
  11. Spider-man 2 is easily the best of the live-action Spidey movies and one of the GOAT superhero movies. Holland's MCU version just has too much humor for my tastes. I tolerated it in HC, but when you consider what has happened to the character in the MCU canon since then, you would think there would be some more seriousness and maturity.
  12. Sure, sometimes. However, I've yet to see evidence that this would be one of those times. Since folks were bringing up Mexico numbers earlier, here's the weekend numbers for Mexico which has been one of EG's stronger markets. As we can see, EG dropped over 90% (!!!) in Mexico, which strongly suggests that theaters basically mass dumped it. Weekend numbers from Russia are not yet available, but EG dropped from over 200k last weekend to making just 2k on Thursday, which would suggest the weekend would have also been a 90%+ drop. I suspect these are not the only cases like this. It seems like some countries are just playing EG for a week to cash in and then slashing all of its screens.
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