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stealthyfrog

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Posts posted by stealthyfrog

  1. 2 minutes ago, Royce said:

     

    Disney themselves don't consider it to be animated...

     

     

    https://variety.com/2020/film/box-office/frozen-2-biggest-animated-movie-ever-disney-box-office-1203456758/

     

    Most publications are now considering F2 to be the highest animated grosser

     

    And it deserves that record way more than TLK 2019

    TLK 2019 is animated despite Disney pretending it is "live-action"

     

    But its being considered live-action means that quality wins so whatever

  2. 3 hours ago, lorddemaxus said:

    Probably neither. James Cameron's name only works when the movie is revolutionary. Terminator, Titanic, and Avatar are all technical revolutions and while Interstellar is extremely well made, its not as innovative as those three movies (except for the black hole sequence). And the reason Titanic and Avatar became such huge hits were their legs, not their opening. I don't see your hypothetical situation giving a much different outcome than what we got because Interstellar didn't get the WoM or legs Titanic and Avatar got.

    Part of why I'm more pessimistic about Avatar 2 is because I don't see the big technical revolution yet. They are hyping up the underwater capture technology, but will the difference between how Avatar 2 does it versus other movies like Aquaman be obvious to the general audience? Maybe there will be great CG but other franchises certainly have not been slacking in that department.

  3. 3 hours ago, Eric Laurence said:

    https://www.boxofficepro.com/long-range-tracking-does-the-invisible-man-show-breakout-potential-updates-on-bad-boys-for-life-dolittle-and-more/

     

    8-Week Tracking and Forecasts

    Release Date Title 3-Day (FSS) Opening Tracking Range 3-Day (FSS) Opening Forecast % Chg from Last Week Domestic Total Range Domestic Total Forecast % Chg from Last Week Distributor
    1/10/2020 1917 (Wide) $24,000,000 – $29,000,000 $27,000,000 13% $90,000,000 – $120,000,000 $100,000,000 6% Universal / DreamWorks
    1/10/2020 Just Mercy (Wide) $11,000,000 – $16,000,000 $12,000,000 -14% $45,000,000 – $65,000,000 $51,000,000 -14% Warner Bros.
    1/10/2020 Like a Boss $15,000,000 – $20,000,000 $13,500,000 -21% $45,000,000 – $60,000,000 $45,000,000 -12% Paramount
    1/10/2020 Underwater $5,000,000 – $10,000,000 $6,500,000   $12,000,000 – $25,000,000 $14,000,000 -22% Fox
    1/17/2020 Bad Boys for Life $21,000,000 – $31,000,000 $32,000,000 28% $70,000,000 – $100,000,000 $85,000,000 33% Sony / Columbia
    1/17/2020 Dolittle $25,000,000 – $45,000,000 $28,000,000 -30% $90,000,000 – $140,000,000 $102,000,000 -30% Universal
    1/24/2020 The Gentlemen $10,000,000 – $15,000,000 $12,000,000   $30,000,000 – $50,000,000 $38,000,000   STX
    1/24/2020 The Last Full Measure   n/a     n/a   Roadside Attractions
    1/24/2020 Run   n/a     n/a   Lionsgate / Summit
    1/24/2020 The Turning $10,000,000 – $15,000,000 $14,000,000   $25,000,000 – $40,000,000 $38,000,000   Universal
    1/31/2020 Gretel and Hansel $5,000,000 – $10,000,000 $5,500,000   $10,000,000 – $20,000,000 $11,000,000   United Artists Releasing
    1/31/2020 The Rhythm Section $10,000,000 – $15,000,000 $12,000,000   $30,000,000 – $45,000,000 $38,000,000   Paramount
    2/7/2020 Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) $40,000,000 – $60,000,000 $49,000,000   $100,000,000 – $150,000,000 $125,000,000   Warner Bros.
    2/14/2020 Fantasy Island $17,000,000 – $22,000,000 $17,000,000   $44,000,000 – $57,000,000 $44,000,000   Sony / Columbia
    2/14/2020 The Photograph $13,000,000 – $18,000,000 $15,000,000   $30,000,000 – $42,000,000 $35,000,000   Universal
    2/14/2020 Sonic the Hedgehog $20,000,000 – $30,000,000 $26,000,000   $65,000,000 – $100,000,000 $86,000,000   Paramount
    2/21/2020 Brahms: The Boy 2 $7,000,000 – $12,000,000 $8,000,000   $15,000,000 – $28,000,000 $17,800,000   STX
    2/21/2020 Call of the Wild $15,000,000 – $20,000,000 $15,000,000   $50,000,000 – $65,000,000 $50,000,000   Fox
    2/28/2020 The Invisible Man $20,000,000 – $40,000,000 $30,000,000 NEW $60,000,000 – $105,000,000 $80,000,000 NEW Universal

    Dolittle about to live up to its name

  4. 9 minutes ago, WittyUsername said:

    So, between the Star Wars ST or DC’s Snyderverse, which one would people say has proven to be the bigger mess at the end of the day? Keep in mind, this isn’t necessarily a question over which one was better. It’s more a question over which one had the least flattering end result, once you factor in things like development, the press releases, PR, damage control, etc. 

    DC course corrected. Lucasfilm hasn't had the chance yet. Let's see how they handle the next Star Wars movies, Disney+ series, etc first.

  5. 11 minutes ago, Nova said:

    I just don’t get my hopes up with January releases. Hopefully the tide is turning similar to how February or September were once dumping months but not anymore. But yea what’s even more shocking is they had a turkey with Cats yet that still kept the holiday release. Dolittle can’t be worse than Cats. Should have switched their release dates imo Dolittle would have def made more than Cats did during the holidays. 

    Dolittle seems to have had a rough production but it won't be nearly as bad as Cats

  6. Quote

    Dec. 18:

    Dune

    With 2020 being the first year in five years with no Star Wars movie closing out the year - and with the long-awaited Avatar sequel still a year away, this gives the opportunity for the long-awaited Dune remake to stake its claim to the box office crown. While the original 1984 adaptation of Frank Herbert’s epic opus was not a big hit ($30.9 million from a $40 million budget), this adaptation has all the elements that could lead to Dune being both a critical and commercial success. The cast is perhaps one of the best of the year (Rebecca Ferguson, Timothee Chalamet, Zendaya, Dave Bautista, Josh Brolin) and Denis Villeneueve continues to make a case for being our greatest living director. While I don’t think it will end up being the biggest hit of the year…. I think it will be a close second. $113.6 million domestic, $472.6 million domestic

    https://www.ign.com/articles/2019/12/30/2020-movies-box-office-predictions

     

    I want to know what IGN is smoking.

  7. 10 minutes ago, reddevil19 said:

    Guys, off topic, but really, I'm bored of SW atm anyway... Instead, I want to broach the subject of interesting sci-fi projects. Namely, can anyone who hasn't watched Netflix's Lost In Space give it a try? I really want a third season.

     

    The second season was a marked improvement on the first, especially in terms of acting (the season finale was fantastic all around on that front). Hell, that season finale had superb special effects (without exaggeration, this could easily pass for a good budget theatrical release), good acting, emotional scenes touching on familial themes, wonderful pacing, and a great cliffhanger. I REALLY want a third season. Please, give it a chance if you haven't already. 

    Halfway through

     

    Just like S1 the visuals and soundtrack are on point

     

    It feels like they turned the melodrama dial up to 11 though, found myself laughing at some moments that were meant to be emotional

  8. 11 minutes ago, Zakiyyah6 said:

    I don't think spending 300mil per picture in the future will be a smart idea until they right the ship. Mandalorian is a television thing and I don't think has much barring on the theatrical films unless they use those same people to make the films. FB3 is a guarantee flop. WB better lower the budget a lot.

    Yeah, better to make the next mainline Star Wars below $200M and don't commit to a full trilogy.

    • Like 1
  9. 4 hours ago, Valonqar said:

    If Disney ruins FS and Fox so fuckin what? There are plenty of studios churning out prestige movies, Oscar baits, etc. I don't understand crying over Disney domination when it isn't like only they make movies. I see plenty of movies that don't have their logo or follow similar formula and still make money. 

    Fox Searchlight is the biggest producer of "Oscar bait." Its closure would be a huge blow to the sub-genre. The runner-up is, what, Annapurna? Lol

    • Like 1
  10. 5 hours ago, YourMother the Edgelord said:

    So let me get this straight:

    - Fox is downsized with half of the product going to Disney+/Hulu with a franchise focus in mind

    - Animation studios which some argued Universal would kill like Locksmith is only getting one film and Blue Sky potentially only doing sequels 

    - Lumberjanes adaptation cancellation hurts

    - Deadpool potentially in limbo

    and

    - a satire from the studio favorite like Waititi already has doubts, which Searchlight being the only clear survivor may be unsure.

     

    dISneY bUYiNg FoX IS oNLy GoOd (actually though Comcast would’ve been slightly worse but it’s still bad)

     

    It's not great, but the other two options were Comcast (would have been worse than the Disney acquisition, probably) and Fox completely imploding in a couple years as they fail to adapt to the age of blockbuster franchises.

  11. On 8/12/2019 at 7:57 AM, Valonqar said:

    Nothing is purely down to one person.  I'm just sayin that this is the first post-MCU role for RDJ so there will be interest. Unless the movie looks like total trash that even star power cannot salvage. We'll see. Doolittle is a brand again so it won't be the best indicator either way. Some brands are just weak (Mary Poppins) so no matter who you cast people simply have no interest.

    Does RDJ have that much star power these days? He was a big star before Iron Man and for a couple years after, but he's been exclusively Iron Man for a while now.

  12. 2 hours ago, Avatree said:

    I'm not sure which orifice you're pulling your figures from, but the average legs domestic is 2.3-2.4x for a F&F movie. That would put it at 141M. I can't be arsed to look up what it does legs-wise OS so lets just use that 2.3 as a base line, which puts OS at 282M, combined together for 423M.

    Remaining markets with figures dropped equally from F8 to Hobbs as in America (-35%):

     

    China - $255M

    France - $20M

    Belgium - $4M

    Italy - $11M

     

    So altogether this pessimistic prediction, ignoring the fact the movie has 0 competition for an entire month, would put Hobbs & Shaw at $713M. So how is $750M unlikely?

    And since when did anything under $750M mean a bomb?

    Not a bomb by any means, but certainly an underperformance for the franchise. Maybe it would have done better if they called it Furious 9 instead?

    • Like 1
  13. 14 hours ago, Inceptionzq said:

    I still wouldn’t look into it too much. The alternate channels for the Frozen 2 teaser had a massive amount of views and likes.

     

    Frozen 2 teaser:

    Main YT: 41M views/852K likes

    Alt YT: 40.6M/658K likes

    Alt YT: 21.5M/157K likes

    Twitter: 19.1M

    Facebook: 18.5M

    Alt YT: 10.3M/37K likes

    Instagram: 6.4M

     

    157.4M views/1.7M likes

     

    We know that it had 116M views in the first 24 hours, and obviously not all of those are from what I listed. That means it had a massive amount of views after the 24 hour period.

     

    Frozen 2 trailer: 

    Main YT: 41M views/807K likes

    Alt YT: 20.1M views/182K likes

    Facebook: 9.2M views

    Twitter: 6.7M views
    Instagram: 3M views

    Alt YT: 2.8M views/24K likes

    Alt YT: 1.4M views/19K likes

     

    84.1M views/1.03M likes

     

    We already knew that the Frozen 2 trailer didn’t make as much of a splash. But it also looks like it had a big drop.

     

    Doesn’t mean interest has died down of course. But there was a huge curiosity factor with the first teaser like TLK.

    I still haven't watched the Frozen 2 trailer lol (the teaser already sold me)

    • Like 1
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