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rukaio101

Rukaio's Reviews (Take Two)

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    But honestly, I'm more surprised that ALTDF, a fun little filler I sort of dumped in February, is actually #2. In fact, everyone but Numbers seemed to really like it. Maybe a dark horse campaign for JLaw in Best Supporting Actress is in store...

     

    I didn't review this year, but I read that one and loved it :D

     

    Curious to see where MLP would've fallen if I hadn't revealed it was a copy+paste. Thanks for the Army of Two mention though!

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    Okay, I said I was going to do an Oscar Special so I am. I'm going to go over each category and look at which films I think have the best chance of being nominated/winning. Because I like talking about things like I know what I'm doing. Naturally, since Numbers, Spaghetti and Hiccup haven't yet done their lists, nothing is set in stone and there's plenty of room for things to change. These are just my predictions from what I've already seen looking at top lists and review threads. I'd also note that my personal choices will probably end up differing from who I think will probably win.

     

    We'll start biggest with Best Picture.

     

    Pretty much locked for nomination

     

    The Giver

     

    Duh. It's currently the highest scoring film in the critical consensus and the only one to appear in the Top 5 for all three lists. The Giver is a pretty obvious frontrunner at this point. Whether the hype will it for last is not entirely certain (although I suspect it will), but its nomination is basically confirmed.

     

    Likely to be nominated

     

    The Legend of Redwall

    The Bronx is Burning

    Mushishi

    Resonance

     

    The highest scorers outside of The Giver, each of these seems pretty likely for nomination. CAYOM has been known to have animated films nominated in the past and the very positive reviews for Redwall puts it in a pretty prime spot. Despite being an animated fantasy story, I think it could pull through a nomination. The Bronx is Burning and Mushishi are both prime Oscar contenders and have been scoring pretty highly across the board. The only possible issue is the lack of Top 5's they've been in so far (1 for Mushishi and none for Bronx). But I'd be surprised if they didn't make it.

     

    Resonance is probably the one I'm most iffy about. While it seemed like a near lock in Q3, since then hype for it has died down a bit, especially now there's a lot of competition for it. I still suspect it'll get a nomination, but I'd be surprised if it ends up taking home the gold. 

     

    Fighting over those last places

     

    Cinema Studies

    The Deadline

    Hand Drawn Heroes

    Starcraft: Brood War

    Flowers for Algernon

     

    Ironically, despite every #1 of the year so far being one of his, it's kinda questionable whether Spaghetti will even get a nomination. Each of his films seems to be absolutely adored by 1 or 2 people and either thought of as average, okay or bad by the rest. HDH seems to be the only exception to this, but it's also being overshadowed by Redwall. The one film I think of his that is most likely to get a nomination is below in the 'Dark Horse' category.

     

    Out of the live-action blockbuster category, Starcraft is the most likely to take a nom (although Uncharted isn't too close behind). However, with the higher number of straight, more Oscar appropriate films, I don't think it'll make it.

     

    Most likely to be a Dark Horse: The Academy

     

    I know what you're thinking. It's currently joint 5th on the Critical Consensus. How is it a Dark Horse? Well, I already know that Numbers and Riczhang (if he does a list) both heavily disliked it and it got mixed GA reviews. It's pretty much the Cloud Atlas of CAYOM, you either love it or hate it. And I think the love it side may be able to push it just far enough to get a nomination. It obviously has no chance of winning, but it may sneak a nomination.

     

    Most likely winner: The Giver

     

    While there's every possibility things will change, this film seems to be the very obvious front runner and a reasonable safe bet.

    Edited by Za Rukaio!
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    When looking at films like The Academy, I always try to see both the pros and the cons. For one, the technical aspects, acting, and scope feel superb but the story is all over the place and does't really have any time for anyone to breate and think over. I agree it is like Cloud Atlas. I hust don't think it has the right material yo make it an a+ movie.

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    Best Animated Film comes next. Also, in light of Spaghetti's list, I've added Flowers to Algernon to the 'Fighting over those last places' section in Best Picture.

     

    Pretty much locked for nomination

     

    The Legend of Redwall

    Hand Drawn Heroes

     

    Again, duh. Both of these have excellent reviews across the board

     

    Fighting over those last places

     

    Catch the Pigeon

    Thomas was Alone

    Chessmen

    The Creators

     

    I think these four are the only other animated movies (aside from Film's contributions) to be released this year. (If I've missed one, someone tell me). Ironically, there are only 3 remaining places available. Out of the 4, I'd say Thomas was Alone and Catch the Pigeon are the most likely to get a nom, the former due to having a fanatic fanbase to balance out the other more middling reviews and the latter because it seems to be getting solid (albeit not outstanding) reviews across the board. As for who will take the last place between Chessmen and the Creators, it could be either. I have no idea.

     

    Potential Dark Horses: Any of Film's films.

     

    It's possible, Films. 

     

    Most likely winner: The Legend of Redwall

     

    Again, at the moment, it's the obvious frontrunner. There's every possibility things could change though.

     

    I think I'll go for Best Actor next. That should be interesting.

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    And here comes Best Actor

     

    Pretty much locked for nomination

     

    Colin Ferrell- Mushishi

    Stanley Tucci- The Bronx is Burning

    Liam Neeson- Resonance

    Jared Leto- Flowers for Algernon

     

    Ferrell, Tucci and Neeson are all the leading men in the big Oscar contenders this year and all are given more than enough to shine and make them worthy of a nomination. As for Leto, Flowers is practically a platform for him to get this nomination and is quite competent enough film that I think it'll work.

     

    Fighting over those last places

     

    Preston Bailey- The Giver

    Nicholas Hoult- The Who's Tommy

    Orlando Bloom- Midnight in the Afghan Valley

    Ezra Miller- The Deadline

    Zac Efron- Death Note: The Game Begins

     

    Bailey's potential nomination comes from being in one of the biggest Oscar front runners, but there's not too much to his character and he's still a kid, so I'm sceptical as to whether he'll be able to get that nom. The other four, on the other hand, are in vehicles that really give them a full chance to shine and work for that nom, but that otherwise aren't as successful as they need to be to make their nominations definite. Who'll take that last spot? I have no idea.

     

    Potential Dark Horse: Robert Downey Jr- The Dresden Files: Stormfront

     

    It could happen. RDJ got quite a bit of praise, plenty of room to shine and it's not as if people haven't been nominated for blockbusters before. He's not going to win, but he could snatch a nom.

     

    Most Likely Winner: No idea

     

    Honestly, any of the four at the top could take it and I'd understand. While obviously they're all standouts from the pack, none of them standout from each other enough to make me think they're definitely going to win. It's going to make voting a pain, let me tell you

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    And I suppose Best Actress must follow. Not that wide a selection to pick from this year, let me tell you. 

     

    Pretty much locked for nomination

     

    Isla Fisher- Flowers for Algernon

    Anna Sophia Robb- Cinema Studies

    Sigourney Weaver- Mushishi

    Mia Wasikowska- Two Way Road

     

    I'm very confident these four will make it in, if only because there's barely anyone really eligible. Cinema Studies and Two Way Road are both reasonably successful vehicles for their stars, Fisher has plenty to do in Flowers to stretch her acting chops and, while Sigourney has the smallest part by far, it's also probably the most meaty role and gives her plenty to make her shine (metaphorically and literally).

     

    Fighting over those last places

     

    Rose Byrne- The Who's Tommy

    Natalie Portman- Dracula

     

    These two are here because there's not really anyone else.... (in an eligible-ish role)

     

    Potential Dark Horse(s): Jessica Chastain- The Dresden Files: Stormfront/Jennifer Lawrence- A Love to Die For

     

    Couldn't decide which of these two was the most likely and/or biggest dark horse, so I put them down. Like RDJ, they're from blockbuster movies, but they put in a good performance and, considering how small the field is, there's every opportunity for one of them to slip in and steal that final nom from Byrne/Portman.

     

    Most Likely Winner: Isla Fisher... maybe

     

    Like Best Actor, this one's very close, specifically between Fisher, Robb and Weaver. Robb has the biggest role but, on the other hand, her role as viewpoint character leaves her with a lot of scenes where she doesn't have much to do to shine. Weaver, on the other hand, is the opposite, having the smallest role, but plenty to do with it and a real chance to make an impression with her short screentime. Fisher is more of a compromise between the two, not having too little screentime, but also still having a good amount of meat the role, so I went for her. It's more than possible for either of the three to to take it though.

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    I think I'll do Best Leading Voice Actor/Actress next.

     

    Pretty much locked for nomination

     

    Jessie Eisenberg- The Legend of Redwall

    Neil Patrick Harris- Hand Drawn Heroes

     

    Do I really need to say why?

     

    Fighting for the remaining spots

     

    Demi Lovato- Hard to Find

    Andy Serkis- Catch the Pigeon

    Nicholas Hoult- Chessmen

    Jay Baruchel- The Creators

     

    These guys are here because they're pretty much the only ones left, outside of Film's films. HtF and CtP were well received enough that I'd be surprised is Lovato and Serkis don't make it in. (Ironically, both films are currently drawing on the Critical Consensus) As for which one won't make it in, I'd probably say Jay Baruchel over Hoult since the latter has a much meatier role. It's not entirely sure though.

     

    Potential Dark Horse (for the Winner): Andy Serkis

     

    There's little point in talking about potential nomination Dark Horses since there are so few other entries, so instead I'm going to to talk about the Dark Horses to take the Oscar itself. One thing I noticed going through the nominations is that many of the entries seem to be the awkward, insecure character like Eisenberg, NPH, Hoult and Baruchel and I think Serkis could end up bypassing them all by offering something completely new and enjoyably fun. In addition, playing multiple parts in the same movie may give him an extra subtle edge to leapfrog his opponents to the gold. He's still a dark horse though, especially since he might not even get a nomination...

     

    Most Likely to Win: No idea

     

    It's probably going to be either Eisenberg or NPH (unless Serkis Dark Horses them), but the two roles are so similar I honestly can't separate them.

     

    I think I'm going to take a brief break from actors and take a look at Best Director next. 

    Edited by Za Rukaio!
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    I think I'll do Best Leading Voice Actor/Actress next. Pretty much locked for nomination Jessie Eisenberg- The Legend of RedwallNeil Patrick Harris- Hand Drawn Heroes Do I really need to say why? Fighting for the remaining spots Demi Lovato- Hard to FindAndy Serkis- Catch the PigeonNicholas Hoult- ChessmenJay Baruchel- The Creators These guys are here because they're pretty much the only ones left, outside of Film's films. HtF and CtP were well received enough that I'd be surprised is Lovato and Serkis don't make it in. (Ironically, both films are currently drawing on the Critical Consensus) As for which one won't make it in, I'd probably say Jay Baruchel over Hoult since the latter has a much meatier role. It's not entirely sure though. Potential Dark Horse (for the Winner): Andy Serkis There's little point in talking about potential nomination Dark Horses since there are so few other entries, so instead I'm going to to talk about the Dark Horses to take the Oscar itself. One thing I noticed going through the nominations is that many of the entries seem to be the awkward, insecure character like Eisenberg, NPH, Hoult and Baruchel and I think Serkis could end up bypassing them all by offering something completely new and enjoyably fun. In addition, playing multiple parts in the same movie may give him an extra subtle edge to leapfrog his opponents to the gold. He's still a dark horse though, especially since he might not even get a nomination... Most Likely to Win: No idea It's probably going to be either Eisenberg or NPH (unless Serkis Dark Horses them), but the two roles are so similar I honestly can't separate them. I think I'm going to take a brief break from actors and take a look at Best Director next.

    I also wouldn't rule out George clooney for the Normans which was a voice only role. The film is getting some buzz
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    I also wouldn't rule out George clooney for the Normans which was a voice only role. The film is getting some buzz

     

    Don't think so. Generally the voice actor has to play an actual character, not just a narrator.

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    Like I promised, here's Best Director

     

    Pretty much locked for nomination

     

    David Lynch- The Giver

    Martin Scorsese- The Bronx is Burning

    Guillermo del Toro- Mushishi

    Darren Aronofsky- Resonance

     

    These are pretty much the big four live action films for this year's Oscars. So it goes without saying that they'll probably be nominated. Especially Lynch, Del Toro and Aronofsky, since the effectiveness of their films lies very much on their direction.

     

    Fighting over the remaining spots

     

    Soren Ville- The Legend of Redwall

    Tim Burton- Flowers for Algernon

    Richard Linklater- The Deadline

    Danny Boyle- The Who's Tommy

    Rash & Fixon- Cinema Studies

     

    The remaining nomination is pretty much going to be a free-for-all between every other Oscar eligible film. Who wins? Hell if I know.

     

    Potential Dark Horse: Andrew Niccols- The Academy/Shane Black- Dresden Files: Storm Front

     

    Dresden Files seems to be appearing in this section a lot. But it's a popular film and there was a lot of talk in reviews about how perfectly suited Black was to this film, so it's possible he could get a nom. (I doubt it though. The competition in this specific category is very strong. But hey, that's why it's called a Dark Horse.) Niccols is here for the same reason The Academy is the dark horse of the Best Picture nom.

     

    Most Likely Winner: Lynch or Del Toro (although I wouldn't rule out Aronofsky)

     

    Again, a pretty close one to decide. Like I mentioned before, the effectiveness of The Giver, Mushishi and Resonance lies much heavier on their direction than Bronx so that'll probably shut Scorsese out of the win. And, of the three, Resonance is (currently) the least favourite by a small margin. So it comes down to Lynch vs Del Toro. Despite Bronx rising in the rankings, I still think The Giver is going to win Best Picture, thanks to appearing in 4 Top 5's. On the other hand, I suspect Mushishi may be able to sweep the technical categories and possibly pull a Gravity for the Best Director award. So it's pretty uncertain which'll take it. But, like I said, I'm not ruling out Aronofsky to come from behind and take it.

     

    I'm going to take a short break now. When I come back, I'm either going to do Supporting Actor, Screenplay or something like Ensemble or Action. Although I might end up going to bed. It's getting pretty late. If I do then the first topic I'll probably do is Best Original Score so if you're planning on adding a small description of your score to the FYC page, like some people have, I'd do it now. 

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    Best Animated Film comes next. Also, in light of Spaghetti's list, I've added Flowers to Algernon to the 'Fighting over those last places' section in Best Picture.

     

    Pretty much locked for nomination

     

    The Legend of Redwall

    Hand Drawn Heroes

     

    Again, duh. Both of these have excellent reviews across the board

     

    Fighting over those last places

     

    Catch the Pigeon

    Thomas was Alone

    Chessmen

    The Creators

     

    I think these four are the only other animated movies (aside from Film's contributions) to be released this year. (If I've missed one, someone tell me). Ironically, there are only 3 remaining places available. Out of the 4, I'd say Thomas was Alone and Catch the Pigeon are the most likely to get a nom, the former due to having a fanatic fanbase to balance out the other more middling reviews and the latter because it seems to be getting solid (albeit not outstanding) reviews across the board. As for who will take the last place between Chessmen and the Creators, it could be either. I have no idea.

     

    Potential Dark Horses: Any of Film's films.

     

    It's possible, Films. 

     

    Most likely winner: The Legend of Redwall

     

    Again, at the moment, it's the obvious frontrunner. There's every possibility things could change though.

     

    I think I'll go for Best Actor next. That should be interesting.

    don't count out my animated adaptations. Gonna to sneak in a nod for Avatar (Which was actually adapted..., not just a plain old copy-and-paste like I'd usually do.)

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    don't count out my animated adaptations. Gonna to sneak in a nod for Avatar (Which was actually adapted..., not just a plain old copy-and-paste like I'd usually do.)

    Knew I'd forgotten something. I think Avatar has every chance of getting a nom. MLP, on the other hand, is more unlikely.

     

    Anyway, I know I said I was going to Best Original Score when I woke up, but I feel like doing Best Original Screenplay instead. Because it'll be easier.

     

    Pretty much locked for nomination

     

    Resonance

    Cinema Studies

     

    These two are the biggest Oscar contenders up for this category and I'm relatively sure they'll make the nomination. The only thing holding Resonance back is the fact that a large part of its effectiveness comes from its mindfuckery nature rather than its screenwriting. But it should still make the nom

     

    Fighting over the remaining places

     

    The Deadline

    Midnight in the Afghan Valley

    Life

    The Concert's End

    Two Way Road

     

    Because they're pretty much the only other Oscary contending nominees left with at least decentish reviews. At the moment I'm leaning towards Deadline, Two Way Road and either Concert or Afghan.

     

    Potential Dark Horse: The Academy

     

    At least I assume this is an original screenplay. (You really need to add it to your FYC page, Spaghetti). Anyway, same reasons it's the Dark Horse for Best Picture apply here.

     

    Most Likely Winner: Cinema Studies

     

    Like I said, Resonance is more about the mindfuck while CS is about the writing. So I wouldn't be surprised if it took it. It's popular enough.

    Edited by Za Rukaio!
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    If both my movies get into screenplay, I'm more than happy. Nothing in this game rewards the player more than the screenplay Oscar, to be honest.

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