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Year-end Market Reports (Brazil goes up, Italy goes down)

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NETHERLANDS

Buoyant box office sees increased admissions and better performances from Dutch films.

The Netherlands box office showed widespread improvement in 2011, according to an annual review from the Eye Film Institute Netherlands.

Box office increased by 9.4% year-on-year to €239.9m and admissions increased by 7.96% to 30.4m.

For the first time since 1986’s Flodder, a Dutch feature - Gooische Vrouwen - attracted more than 1.9 million cinema-goers, making it the number one film at the box office, ahead of Harry Potter and the Deathly Hallows: Part 2.

National films fared well, posting a 61% year-on-year increase in box office to €52m and a 7% increase in the total market share.

Warner Bros’ easily claimed the largest distributor marketshare at 24.71% and released the most films with 34. Average ticket price increased by 1.29% to €7.88 while IFF Rotterdam was the country’s best-attended festival with 340,000 attendees.

The box office improvement can in part be put down to marginally higher ticket prices, the success of Dutch films, the proliferation of 3D and the increasing numbers of screens and chairs. In the past five years, 13,000 seats and 96 screens were added.

Despite the box office success in 2011, the industry is bracing itself for upcoming cuts to film subsidies which the report warns could result in a decrease in national productions.

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The report for Romania is not yet public, but it should be by next month. Till then here's the 2010 one:There were 68 theaters open in Romania in 2010, less than in 2009 when there were 74.Total admissions 2010: 6,508,7472009: 5,279,9322008: 3,79 million2007: 2,92 million2006: 2,77 millionTotal gross 2010: 111,640,783 RON ( 26,581,138 € )2009: 86.940.607 RON ( 20,700,144 € )2008: 53,1M RON ( ~14,351,351 € )2007: 34,3M RON ( ~10,393,393 € )2006: 28,2M RON ( ~8,057,142 € )The source of this (it's in Romanian): http://www.cinematog...mult-la-cinema/In 2011 I expect a number close to the 2010 one, but a bit lower, mostly because of the salary cuts and lay-offs the government has made.

Edited by DoctorWho
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EU box office inches to record high in 2011

as European comedies provide welcome relief and 3D matures

2011 was a year of stabilisation at the European box office as the marked upward trend of GBO of the past two years slowed down significantly, resulting nevertheless in an overall year-on-year increase. Based on provisional data the European Audiovisual Observatory estimates that EU gross box office returns increased marginally by 0.7% from EUR 6.37 billion to EUR 6.4 billion, still the highest level on record. Cinema attendance remained stable with an estimated 962 million tickets sold.

Though the number of 3D releases as well as 3D screens increased notably in 2011, the format seemed to be maturing in some markets like the UK, where, despite an increasing number of 3D releases - from 28 in 2010 to 47 in 2011 - 3D share dropped from 24% to 20% of total GBO. As a result 3D failed to further swell average ticket prices as had been the case in 2009 and 2010, with the EU-wide average ticket price increasing by only 0.5% to EUR 6.6.

On the level of individual European markets, 2011 cinema-going trends varied significantly, with admissions decreasing in 11 and increasing in 15 EU markets for which data were available, while GBO increased in 14 and decreased in 12 markets. Theatrical markets which performed particularly well were France (GBO record up 4.7%), the UK (+5.2%) and Germany (+4.1%) while Spain and Italy experienced a significant decline in both admissions as well as GBO.

GBO, admissions and national market share in European countries 2010 – 2011

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Top 20 films by admissions in the European Union in 2011

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Top 20 European films by admissions in the European Union in 2011

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Full report: http://www.obs.coe.int/about/oea/pr/mif2012_cinema.html

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Table updated with 2012 for Romania

 

 

General data

 

 

 

2008

 

 

2009

 

 

2010

 

 

 

2011

 

 

2012

 

Number of active cinemas

 

 

75

 

 

74

 

 

68

 

 

75

 

 

81

 

Seats

 

 

46 782

 

49 871

 

50 733

 

56 728

 

58 096

 

Admissions

 

 

3 797 586

 

5 279 932

 

6 508 747

 

7 235 382

 

8 348 538

 

Gross box office (RON)

 

53 114 230

 

86 940 607

 

111 640 783

 

124 706 985

 

144 793 811

Average admissions per inhabitant

 

0,18

 

0,24

 

0,30

 

0,38

 

0,43

Average ticket price – national curency

 

13,99

 

16,47

 

17,15

 

17,24

 

17,34

 

 

Edited by DoctorWho
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Israeli box office

theatres

screens

seats

admissions

change in admissions

change in admissions since 2006

population

Admissions per capita

2006

59

313

52,213

9,031,844

NA

NA

7.117M

1.27

2007

48

275

44,911

9,142,974

1.2%

1.2%

7.244M

1.26

2008

54

300

48,313

9,737,561

6.5%

7.8%

7.412M

1.31

2009

50

277

44,565

10,680,840

9.7%

18.3%

7.552M

1.41

2010

50

294

46,400

12,707,140

19%

40.7%

7.695M

1.65

2011

49

286

45,953

12,462,537

1.9%

38%

7.837M

1.59

2012

50

298

47,642

13,415,054

7.6%

48.5%

7.981M

1.68

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Europe:

EU gross box office hike came to a preliminary halt in 2013

EU gross box office declined in 2013 for the first time since 2005. GBO takings in the 28 EU Member States fell to an estimated EUR 6.29 billion, a 4.3% drop compared to 2012's record high of EUR 6.57 billion. In the past five years GBO growth has been primarily fuelled by increasing ticket prices which kept box office growing despite falling admissions. This was no longer the case in 2013 when the average ticket price in the EU actually marginally decreased for the first time since films like Avatar kick-started digital conversion in 2009.

While the novelty factor of digital 3D blockbusters initially boosted underlying cinema attendance to 982 million in 2009, admissions have been decreasing more or less continuously since then. First they dropped to around 965 million in 2010 and 2011 before falling in a more pronounced manner to 945 million in 2012 and ultimately 907.1 million in 2013, the lowest level since 2005.

Admissions decreased in 20 out of the 28 EU Member States with only Italy registering a significant year-on-year increase in cinema attendance (+6.6 million). The overall drop in EU admissions was primarily caused by declining markets in Spain (-15.4 million), France (-10.0 million), the UK (-7 million) and Germany (-5.4 million).

As often in the past years, significant growth was only achieved outside of the EU. With admissions growing by 10.4% to 177.1 million tickets sold in 2013 the Russian Federation overtook the UK as the second largest European market in terms of admissions. Box office records were also broken in Turkey, with cinema attendance growing by 14.8% to 50.4 million admissions, the highest level in the past few decades.

http://www.obs.coe.int/-/pr-cannes-cinema-market-trends-2014

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Edited by lab276
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