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WEEKEND THREAD | Weekend actuals (pg. 87 onward) - Dunkirk: 26.6M; The Emoji Movie: 24.5M; Girls Trip: 19.6M; Atomic Blonde: 18.2M; SM Homecoming: 13.2M; War For The POTA: 10.4M; Despicable Me 3: 7.4M; Valerian: 6.3M; Baby Driver: 3.9M; Wonder Woman: 3.3M

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50 minutes ago, redfirebird2008 said:

Wow, RTH's 12.2 number would be over 50% increase for Dunkirk which puts $29m+ weekend in play. 

I can safely say I'll be doing my part tomorrow. Taking 9 others to see IMAX 70mm.

 

Again.

 

:ohmygod:

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16 minutes ago, El Panda Machos said:

Three favorites of the year so far

 

A small budget stunner about race relations

 

A true cinematic experience

 

and

 

A family drama about the beginning of the relationship between the writers of the movie

TFW I think we agree :ohmygod: (Swap BD and Get Out tho) (Don't tell me you're talking about Dunkirk)

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4 hours ago, Diana Prince said:

Thanks for the breakdown. How much of the domestic box office goes to the studio vs. overseas box office? I heard/read somewhere (I really do not recall where) that the studio only makes 25% of the profits from China. How does China compare to other overseas markets? Is it on par or exceptional? Thanks! Either way, maybe Apes will do better overseas. I know it started slow, but who knows?

Studio get about 53% of the domestic box office (it varies quite, small documentary get almost nothing, independants movies can get 35% but studio release is usually between 50-55%)

 

Studio movie tend to get around 40% in average overseas outside China, Sony rentention rate for is biggest title (like James Bond) looked like this:

Japan 49%
South Korea 47%
Germany 45%
Austria 45%
Australia 44%
UK 44%
Switzerland 44%
Belgium 43%
Spain 43%
Russia 42%
Brazil 41%
Italy 41%
Netherlands 41%
France 39%
Mexico 38%
China 25%

 

For is total annual slate it is a bit lower, but not that much, it looked like this:

Japan 47%
South Korea 47%
Germany 44%
Spain 44%
Belgium 43%
Switzerland 42%
Russia 42%
Austria 42%
Italy 41%
Australia 41%
Brazil 40%
Average 43%
Netherlands 40%
UK 40%
France 39%
Mexico 37%
China 25%

 

 

Has you see China seem to be quite a different case with 25%, but when you look at the profit margin (rental - cost of distributing the movie in the market) on a movie annual slate it look like this:

 

T Retention rate Profit margin
Switzerland 42% 29%
Netherlands 40% 28%
Austria 42% 27%
Belgium 43% 26%
UK 40% 23%
Australia 41% 22%
Russia 42% 22%
Germany 44% 22%
China 25% 21%
     
South Korea 47% 19%
France 39% 19%
Japan 47% 15%
Spain 44% 13%
Mexico 37% 13%
Brazil 40% 13%
Italy 41% 11%

 

Average 40% 23%

 

In term of net return it is just below the average and not that different that the rest (or worst than domestic), what make China a weaker market for most movie is the post theatrical (dvd/tv/etc...) not the box office.

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Here's a thought: SPA's last fully animated movie Hotel Transylvania 2 had about $170M domestic run, Smurfs finished at $45M, Emoji is looking at $70M-$80M, and if we assume The Star does $50M. Their combined total might be under HT2.

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8 minutes ago, YourMother said:

Here's a thought: SPA's last fully animated movie Hotel Transylvania 2 had about $170M domestic run, Smurfs finished at $45M, Emoji is looking at $70M-$80M, and if we assume The Star does $50M. Their combined total might be under HT2.

And with a higher combined budget too! 

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200m for Dunkirk anyone?? The best comparision i've found is M:I-Rogue Nation. Let's say 29.5m weekend for Dunkirk

 

After second weekend

 

M:I-RN  107m after a 28.5m weekend (-48%)   Final gross: 195m

Dunkirk    104m after a 29.5 weekend (-42%)   Final gross: ????

 

This is gonna be a fun run to follow

 

 

 

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