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2018 - Yearly Rankings and Statistics of Overseas Markets

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Indonesia (source: twitter @bicaraboxoffice)

 

There are no offical total gross and admissions for 2018, but the estimated numbers are,
Total gross: $399 million
Total admissions: at least 137 million (local market share around 37%)
Both are new records.

 

Total admissions for local movies released in 2018 is 50,151,978 (+17.6% from 2017), a new record (broke 2017's record), and already more than 3 times the number in 2015 (16m admissions). Local film industry is booming right now. I hope it continues in 2019.

 

Top 15 Foreign Movies of 2018:

Bumblebee will pass $10m soon so there will be 9 movies above that mark, which broke the previous record of 6 movies in 2017. For comparison, 2015 only had 2.

 

Top 15 Local Movies of 2018 (by admissions):

Spoiler

1. Dilan 1990 - 6,315,664
2. Suzzanna: Bernapas dalam Kubur (Buried Alive) - 3,343,661
3. Danur 2: Maddah - 2,572,672
4. Si Doel the Movie - 1,757,653
5. Asih - 1,714,798
6. #Teman tapi Menikah (Friends but Married) - 1,655,829
7. Wiro Sableng: 212 Warrior - 1,552,014
8. Jailangkung 2 - 1,498,635
9. A Man Called Ahok - 1,465,145
10. Sabrina - 1,337,510
11. Kuntilanak - 1,236,000
12. Sebelum Iblis Menjemput (May the Devil Take You) - 1,122,187
13. Eiffel… I'm In Love 2 - 1,008,392
14. Milly & Mamet - 1,008,119
15. Yowis Ben - 935,622

There are 14 movies (soon will be 15) with more than 1 million admissions. Also broke the record of 2017 with 11 movies. Again, for comparison, 2015 only had 3 movies.
 

I'm comparing those numbers with 2015's to show that this market has grown so fast in the last 3 years and is still growing.

Edited by catlover
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2 hours ago, salvador-232 said:

Argentina: 44.6M admissions (-6%). The fourth consecutive annual decline from 2015's 50M. 

 

Is not that bad considering the terrible shape of the Argentinean economy. The Argentinean peso lost half of its value against the dollar (worst depreciation behind Venezuela), it has the second highest inflation in the world (also behind Venezuela) with 48,5% as of November and is in recession. Ticket prices were up just 23%.

 

Top 10 de 2018

1- Los Increíbles 2: 3.535.000 entradas
3- Coco:  3.140.000
2- Avengers: Infinity War: 2.860.000
4- Hotel Transylvania 3: 2.570.000
5- Jurassic World: El reino caído: 2.335.000
6- Bohemian Rhapsody: 1.450.000
7- El Ángel: 1.335.000
8- Jumanji: En la selva: 1.310.000
9- The Nun 1.155.000
10- Deadpool 2: 1.010.000

Don´t forget that this year was the World Cup and it affects greatly the box office so, considerind the economy and that i would say that it was a very good year for Argentinian box office

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22 hours ago, Fullbuster said:

 

90 million admissions for Germany?? That's atrociously low :o

 

20 hours ago, terrestrial said:

Agree

I am thinking beside screendaily usually is for OS details a good source they might have e.g. used e.g. insidekino as a source (as insidekino did show the last weekend), maybe bcs the usual sources are still behind or.... but missed insidekino just today updated the 2018 chart from 16.12. to 30.12 in one step. Probably bcs of the holidays or so in this case too

Thats 2 weeks of maybe missing details

 

Its one of the reasons I want to wait ill the 31.12. is included too, there seems to be the need to check the real numbers, not just estimates, or whatever they looked into

One reason for the low admission count might also have been the really hot summer. 

In Bremen for example there were 78 summer days (highest temperature above 25°C) and 22 hot days (highest temperature above 30°C) compared to 20 summer days and 1 hot day in 2017 and the missing of a big Star Wars movie and a big local movie in winter and fall couldn't change it.

 

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32 minutes ago, Taruseth said:

 

One reason for the low admission count might also have been the really hot summer. 

In Bremen for example there were 78 summer days (highest temperature above 25°C) and 22 hot days (highest temperature above 30°C) compared to 20 summer days and 1 hot day in 2017 and the missing of a big Star Wars movie and a big local movie in winter and fall couldn't change it.

 

Sure, those can be valid reasons. But we are talking about the lowest figure since there are available data (according InsideKino). Germany had always sold, at very least, 100 million admissions, and over 120 million every year since 1992. This is a dramatic drop.

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23 minutes ago, peludo said:

Sure, those can be valid reasons. But we are talking about the lowest figure since there are available data (according InsideKino). Germany had always sold, at very least, 100 million admissions, and over 120 million every year since 1992. This is a dramatic drop.

Yeah, I know:

 

22 hours ago, Taruseth said:

Atrociously low would be 100M.

 

90m are absolutely apocalyptic, considering the worst cinema year before (1989) had 101.2M admissions...

And the last time the ads count was below 120M! was 1992.

 

I really hope this is wrong and it turns out to be more towards 100M.

At least I always expected 100M based on the Weekly Top10 numbers, but if those numbers are true.

The top 10 fell from 92.1m last year to about 77m this year and the movies that were outside the weekly top10 would have dropped from 30m to 13m...

So I don't think the number is correct.

The fact, that the weekly top 10 apparently increased from 75.3% (it almost always is around 75%) to 85.6% seems awfully high, really strong top 10 years, like 2015 have up to 80% but 85+% is worryingly.

 

Non the less I really hope that the next year can increase again, hopefully to 120M even though I start to doubt it. I'd say therefor TLK and IX and Frozen 2 alongside the german film that just opened need to be really, really big and Alladin and Pets and It should be big too. And Endgame needs to repeat what IW did, And definitely one or three surprise big films.

All in all I'd say quite unlikely, or it surprises and has a lot of 1M films.

 

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38 minutes ago, Taruseth said:

Yeah, I know:

 

The fact, that the weekly top 10 apparently increased from 75.3% (it almost always is around 75%) to 85.6% seems awfully high, really strong top 10 years, like 2015 have up to 80% but 85+% is worryingly.

 

Non the less I really hope that the next year can increase again, hopefully to 120M even though I start to doubt it. I'd say therefor TLK and IX and Frozen 2 alongside the german film that just opened need to be really, really big and Alladin and Pets and It should be big too. And Endgame needs to repeat what IW did, And definitely one or three surprise big films.

All in all I'd say quite unlikely, or it surprises and has a lot of 1M films.

 

Sure, there are attractive films during 2019. But it is quite surprising to me that a 83 million country and the biggest economy of Europe sells so few tickets (a bit over 1 ticket per person and year). Do prevail some other leisure time activities? or it is just that people prefer to consume movies at home?

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9 hours ago, peludo said:

Sure, there are attractive films during 2019. But it is quite surprising to me that a 83 million country and the biggest economy of Europe sells so few tickets (a bit over 1 ticket per person and year). Do prevail some other leisure time activities? or it is just that people prefer to consume movies at home?

In 2001 178M Tickets were sold, now 90M that is half, I guess home entertainment got more important and also tickets are expensive af at least before this year🤣

Though that is what really confused me, at least two of the big movie chains started to over movies for 5.5€ (or 6€) if you have a member card for the start of Avengers and it was supposed to only be on the short term, it still is running.

Because prior to that tickets were like 11.5€ for 2D and 14.5€ for 3D in the beginning for big films and for TLJ in 3D I think I paid 17.5€ or something like that.

 

But I'd say one of the main reason is the importance of superhero movies, they just don't work that well here, while in other countries they break records here they are just good. Also german films tend to have really bad story telling, so no one watches them and their are like five german actors that are known and most of the time only one breaks out.

 

And in Entertainment regards Germany has almost always been underwhelming in all regards, for cinema, music and books and concerts.

 

I don't know how it's in general, but my parents at least never go to the movies.

Like the only movies my mom watched were BatB and Up (that movies is from 2008) and my dad watched (Start Trek Into Darkness and Up). They wait till they can watch it at home.  And apparently people in the Us spend more time in front of the TV than germans do.

But I'd say people everywhere watch a lot of movies at home (Streaming and all that is famous everywhere)

And explanations like sports etc. are illogical too, because people do it just as much in the Us, UK or France.

 

 

I can't explain, in 2015 the top films had 9.06M, 7.73M, 7.09M, 6.94M admissions and four! more between 4.07 and 4.41M and then 3.49M and 2.48M (that's a harsh drop)

Especially that top four was impressive.

This year the top will probably look something like that in the end.

German film: 4M (It opened after Christmas so this is just a guess)

FB2: 3.85M (is at)

Edit: IW 3.4M

Fifty Shades 3: 3M (Embarrassing)

BR: 2.8M

HT3: 2.54M

JW: 2.4M

Grinch: 2.4M

Deadpool 2: 2.24M

Mamma Mia 2: 2.17M

(I2: 2.17M)

 

So Top 10 dropped from 53.6M to 28.8M so 24.8M basically half (I didn't compare it with 2001 because their the top three films had 12.56M, 11.83M and 11.72M (HP1, LotR1 and a german movies)

 

 

I have no idea why it's failing so badly compared to the rest, it's like no one cares about it anymore. And to be honest, while next year might be better, I fear 2020 onwards will be even worse (unless saved by James Cameron🤣)

 

And I'm sorry this was long and unorganised and not helpful at all, because I have no idea.

Edited by Taruseth
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41 minutes ago, Taruseth said:

...

I can't explain, in 2015 the top films had 9.06M, 7.73M, 7.09M, 6.94M admissions and four! more between 4.07 and 4.41M and then 3.49M and 2.48M (that's a harsh drop)

Especially that top four was impressive.

This year the top will probably look something like that in the end.

German film: 4M (It opened after Christmas so this is just a guess)

FB2: 3.85M (is at)

Fifty Shades 3: 3M (Embarrassing)

BR: 2.8M

HT3: 2.54M

JW: 2.4M

Grinch: 2.4M

Deadpool 2: 2.24M

Mamma Mia 2: 2.17M

I2: 2.17M

...

Nice and detailed post, but just a small correction: you left out Infinity War which made 3.4M.

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PERÚ

Dv2F2soXQAIkTyC.jpg

 

 

Ecuador

  1. Infinity War: 7,6M USD
  2. Coco: 5,6M 
  3. The Nun: 3,3M 
  4. Incredibles 2: 3,27M 
  5. Black Panther: 3,10M 
  6. Jurassic World: 2,88M 
  7. Hotel Transylvania 3: 2,4M 
  8. Venom: 2,4M
  9. Deadpool 2: 2,09M
  10. Ralph Breaks the Internet: 2,02M

Central America

 

On 1/3/2019 at 3:14 PM, Purple Minion said:

Top 10 of 2018! Aquaman closing the year strongly at #6 and kicks the Meg out of the chart.

 

Zb7yTJf.png

 

 

Venezuela:

5 hours ago, Boxx93 said:

Top 10 highest selling movie tickets of 2018 in Venezuela (So Far):

 

01.- AVENGERS: INFINITY WAR - 1.396.244.
02.- THE INCREDIBLES 2 - 1.193.977.
03.- HOTEL TRANSYLVANIA 3 - 820.364.
04.- BLACK PANTHER - 689.429.
05.- JURASSIC WORLD: FALLEN KINGDOM - 494.082.
06.- THE NUN - 352.166.
07.- FIFTY SHADES FREED - 337.729.
08.- WRECK-IT-RALPH 2 - 312.600.
09.- RAMPAGE - 304.168.
10.- VENOM - 249.684.

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Israeli admissions for 2018. Exact figures are impossible to get, but these numbers are the best available:

 

1. The Incredibles 2: 500K

2. Hotel Transylvania 3: 430K

3. Avengers IW: 410K

4. The Other Story (local movie): 320K

5. Bohemian Rhapsody: 320K

6. Black Panther: 300K

7. Mission Impossible 6: 290K

8. Deadpool 2: 280K

9. Paddington 2: 275K

10. 50 Shades Freed: 230K

11. Ralph 2: 220K

12. Johnny English 3: 210K

13. Venom: 210K

14. Truth or Dare: 175K

15. 3 Billboards Outside Ebbing Missouri: 174K

16. The Spy Who Dumped Me: 171K

Edited by Tower
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Chile

 

TOP TEN by Calendar Year (January 1st to December 31st) 

  1. Infinity War: 2.334.956 (#1 All time)
  2. Incredibles 2: 1.832.467 (#6 All Time)
  3. Jurassic World FK: 1.466.065
  4. Hotel Transylvania 3: 1.333.710
  5. Coco*1.295.692 (2.241.155 total) (#2 All time)
  6. Deadpool 2: 1.107.673
  7. The Nun: 1.042.883
  8. Bohemian Rhapsody**: 1.041.817 (1.050.061 total)
  9. Black Panther: 880.137
  10. Jumanji*: 776.288 (875.377 total)

 

28M Admissions (+1,37%), 90 Billion CLP (+2,4%), 141M USD. 

 

I'll post later the 2018 release date list after Ralph, Aquaman and BR runs are over. 

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On 1/4/2019 at 5:57 PM, salvador-232 said:

Ecuador

  1. Infinity War: 7,6M USD
  2. Coco: 5,6M 
  3. The Nun: 3,3M 
  4. Incredibles 2: 3,27M 
  5. Black Panther: 3,10M 
  6. Jurassic World: 2,88M 
  7. Hotel Transylvania 3: 2,4M 
  8. Venom: 2,4M
  9. Deadpool 2: 2,09M
  10. Ralph Breaks the Internet: 2,02M

Where did you get the data from Ecuador? 

Edited by raulbalarezo
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Deadline's World Box Office Analysis for 2018

 

With $41.66B worldwide, movie theater turnstiles spun to another record in 2018. Largely boosted by domestic receipts, the total includes a preliminary comScore estimate of $29.8B from the international box office.

 

The Top 5 markets saw some fluctuation. China led the way with a slowed 9% increase over 2017 to $8.87B per local officials. It’s followed by Japan ($1.875B/-1.2%), the UK ($1.838B/+3.6%), Korea ($1.6B/+3.4%) and France ($1.436B/-.04%), per early comScore estimates.

 

Areas of consternation included Germany and Italy which were both down from 2017, impacted by a lack of leading local product, the heat and the soccer. But by mid-year, before the soccer started, Germany was already off 18%. “It feels like it’s more than a one-off anomaly".

 

Elsewhere in Asia, Indonesia, Taiwan, Vietnam and Malaysia continue to throw off bigger numbers (the latter is up 5% in 2018). Factors include cinema build-out plus a very young demographic. As for other areas of concern, Venezuela, which brought in sizable numbers in recent years (even though bolivars can’t be traded for dollars), was “wiped off the map” after a mega currency devaluation and projections of 1M% inflation. More worryingly, execs say, is the potential instability of the UK as Brexit loom.

 

https://deadline.com/2019/01/highest-grossing-movie-studios-2018-record-international-global-box-office-market-share-chart-analysis-2019-forecast-1202528459/

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2018 OVERSEAS BOX OFFICE RESULTS BY STUDIO

 

Studio

Gross

Market share 

Disney

$4.233

14.2%

WB

$3.62

12.1%

Universal

$2.92

9.8%

Fox

$2.38

8.0%

Sony

$2.334

7.8%

Paramount

$0.975

3.3%

Lionsgate

$0.341

1.1%

     

Total 2018 OS BO:

$29.8B

 

 

 

Grosses are in billions. Figures come from the Deadline article in the above post.

  • Disney had its second best year (after 2016's $4.604B) and third best all time (Universal made $4.44B in 2015).
  • WB had its best year (previous record was 2014's $3.17B)
  • Universal had its 3rd best after 2015 and 2017
  • Fox had 3rd worst result since 2009 (2011 and 2013 were worse)
  • Sony had 2nd best result ever (it made $2.66B in 2012)
  • Paramount had 2nd worst result since 2009 (it made $847 million in 2016)
  • Lionsgate had worst result since merging with Summit Entertainment (previous low: $710 million in 2017)

 

These are the 10 biggest all-time yearly grosses for a single studio:

 

Studio

Gross (in billion $)

Year

Disney

4.60

2016

Universal

4.44

2015

Disney

4.23

2018

Disney

4.05

2017

Fox

3.73

2014

WB

3.63

2018

Disney

3.57

2015

Universal

3.44

2017

Paramount

3.20

2011

WB

3.17

2014

 

Biggest market share ever goes to Disney (2016)16.8%

Second place goes to Universal (2015): 16.3%

– (Distant) third goes to Fox (2014): 14.3%

Edited by Quigley
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Movie Industry in Mexico 2018

Final Results

  • New record for yearly box office in lc: 16,810M ($874M), 1% increase vs 2017. Best year for local movies in lc!
  • Boosted by an increase of 5.8% in ticket prices, but still the 7th cheapest worldwide.
  • Biggest Latin American / Spanish speaking market and #11 in the world.
  • However admissions are down 9% to 332M; attendance per capita is down 6%. 4th largest market in terms of audience, 10th per capita.
  • 440 new screens for a total of 7,182.
  • Top 10 movies:

       W6MKkAP.png

 

http://canacine.org.mx/wp-content/uploads/2019/01/Resultados-definitivos´18.pdf

 

Edited by Purple Minion
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Bad year for us

 

Quote

Ofiicial FFA-#

 

Die Filmförderungsanstalt gab die offiziellen Ergebnisse des Jahres 2018 bekannt:

 

admissions minus 13,8 %  / 16.9m (2017 = 122,3m admissions).

Euro minus 14,8 % = 2017 = €1,1056.1m to 2018 = €899.3 Mio..

average ticket price minus 1,0 % - 2017 = €8,63 - 2018 = €8,54.

local part in 2017 = 23,9 % / 28.3m - 2018 = 23,5 % / 24.6m

3D part admissions 2017 = 21,5 % / 25.5m to now only 16,3 % / 17.1m

 

screens increased 46 to 4.849, cinemas increased too 899 to 905.

 

  2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998
admissions 105,4 122,3 121,1 139,2 121,7 129,7 135,1 129,6 126,6 143,6 129,4 125,4 136,7 127,3 156,7 149,0 163,9 177,9 152,5 149,0 148,9
899,3 1.056,1 1.023,0 1.167,1 979,7 1.023,0 1.033,0 958,1 920,4 976,1 794,7 757,9 814,4 745,0 892,9 850,0 960,1 987,2 824,5 808,1 818,2
av. ticket 8,54 8,63 8,45 8,39 8,05 7,89 7,65 7,39 7,27 6,67 6,14 6,04 5,96 5,85 5,70 5,70 5,86 5,55 5,41 5,42 5,50
cinemas 905 899 892 893 883 890 909 926 954 976 1.001 1.016 1.021 1.035 1.033 1.032 1.049 1.043 1.054 1.064 1.073
screens 4.849 4.803 4.739 4.692 4.637 4.610 4.617 4.640 4.699 4.734 4.810 4.832 4.848 4.889 4.870 4.868 4.868 4.792 4.783 4.651 4.435
% FLd_small.png 23,5 23,9 22,7 27,5 26,7 26,2 18,1 21,8 16,8 27,4 26,6 18,9 25,8 17,1 23,8 17,5 11,9 18,4 12,5 14,0 9,5
% 3D 16,3 21,5 25,6 21,9 22,3 24,4 21,8 22,8 20,4                        

 

 

105.4m admissions means the lowest amount since the re-unification of Germany in 1990 (102.5m), but with now ~ 1000 screens more and

Germany having 3.1m more inhabitants.

 

For the fist time since 2003 ...average ticket less than the year before, but as the part of the expensive 3D ticket fell considerable, the 2D ticket prizes did grow farther on...

 

Since 2001, the modern (time) record year, the admissions fell 41 % / 72.5m - in average nearly 1.4m per week!!! ...

German

http://www.insidekino.com/News.htm#Mittwoch_6._Februar_2019

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