Jump to content

Eric Atreides

PAPA NOL∀N'S TENƎꓕ | August 26 internationally. September 2 "in select US cities" | 75% on RT after 228 reviews

Recommended Posts



8 minutes ago, reddevil19 said:

I think, as much as time is clearly the most important idea and theme for a lot of his movies, another one of his go-to themes seems to be STORY, or the craft itself of creating a story and/or film-making itself. You see that in The Prestige, in Inception, and now here, but with Tenet, it's done to an absurd level, where you do feel like it should be far more self-aware and open with its knowing winks to the audience. Having "protagonist" and "antagonist" as actual terms in the movie is soooo on-the-nose that you feel like it MUST not be taking itself seriously. Which, unfortunately, it is...

 

I will just say there were a few moments there ("SIR Michael", or the code word as it relates to RPatz's previous most famous role) where I was like...that would work so much better if the whole thing was a Fast & Furious style insane ride, rather than such a "serious" movie. And it's made worse by the fact that you can SEE JDW and Rob having the charisma and chemistry to pull off a more light-hearted adventure that still has clever twists.

 

I do hope Nolan will learn from this.

Oddly, I find that his brother Jonah Nolan is able to pull off concepts that are a bit ridiculous on paper like Person of Interest and to an extent Westworld.

 

 

Link to comment
Share on other sites

1 hour ago, reddevil19 said:

I will add one more thing. Assuming Nolan doesn't want to direct someone else's script - I believe his next should be an adaptation of sorts. Yes, yes, we celebrate him for being the champion of non-franchise cinema. However, I think Tenet signals the potential of him getting lost in the same couple of ideas and themes, with everything sacrificed to that, including character. I think the next one should be smaller and have characters with some substance to them (which I can't see him doing in an original script atm). Give me something in the spirit of The Prestige, please.

 

If not that... gimme a huge ancient period historical epic.

 

The Prestige might be his best movie. I don’t think we will see him go back to that scale until WB stops giving him the bigger budgets. 

  • Like 1
Link to comment
Share on other sites



going to be such a range of opinions for sure. 
 

i thought it had several sequences that were just as wow as the hallway sequence in Inception, and I definitely felt the euphoria I did with that movie. More from the sheer discovery of the construction of it where I felt like I was watching something brand new. 
 

There’ll be as many repeat viewings as there are people who won’t want to invest the time in those. Yet for those that love unpacking these mind-benders Nolan comes up with, its special stuff. 
 

One review I read put it rather aptly....
 

“to point out Tenet has flaws feels ungrateful. It’s like slagging off Santa”


We’re all going to decide where it fits in our overall Nolan rankings in time, but I’ll be damned if it isn’t twice as good as all the other summer movies of 2020 we didn’t get to see. 
 

If anybody else had made this film, it would have been greeted like the second coming. That’s the way expectations go with a Nolan joint I guess! 

Link to comment
Share on other sites



14 minutes ago, redfirebird2008 said:

 

The Prestige might be his best movie. I don’t think we will see him go back to that scale until WB stops giving him the bigger budgets. 

I think if WB were to stop giving him bigger budgets, he'd simply go to another studio as I'm sure Universal, Sony or Paramount would greenlight one of his films, look at how Tarantino managed to get massive interest for Once Upon a Time in Hollywood.

  • Like 1
Link to comment
Share on other sites

55 minutes ago, Maggie said:

Nolan's movies are mostly sci-fi and/or action. I can somehow understand why his characters may seem cold. But his choice in doing Dunkirk with characters so detached was...well...a choice. The movie was an adrenaline rush, but you couldn't get attached to any character. I think he wanted to make something different than all the war movies we got, but i still don't know if i like it

 

Tenet dropped to 8.2 on imdb. 

I think it works very well in Dunkirk and it helps a lot that it's merely 100 minutes long, Tenet is pulling the same level of character work and yet it's trying to get away with 2 and a half hours.

Link to comment
Share on other sites



50 minutes ago, reddevil19 said:

I think, as much as time is clearly the most important idea and theme for a lot of his movies, another one of his go-to themes seems to be STORY, or the craft itself of creating a story and/or film-making itself. You see that in The Prestige, in Inception, and now here, but with Tenet, it's done to an absurd level, where you do feel like it should be far more self-aware and open with its knowing winks to the audience. Having "protagonist" and "antagonist" as actual terms in the movie is soooo on-the-nose that you feel like it MUST not be taking itself seriously. Which, unfortunately, it is...

A lot of the time for me it comes across like Nolan is a guy very interested in stories about storytelling, but has nothing to say about it. Inception feeling like it boils down dream logic into mathematics when it should be showing us the power of creating the unthinkable, and his level of creativity comes down to "you must not be afraid to dream a little bigger darlig" - a slightly bigger gun. Tenet though I feel falls apart significantly more on these levels, I agree with you on the weird lack of self-awareness to all these goofy concepts. It's not made any better when ---

Spoiler

all the "clever rug-pulls" the movie has... is the same one pulled over and over again. It's a the same answer for each one. Who was Washington fighting at the airport? Himself. Who did Debicki see jump off the boat? Herself. Who was driving that car Washington saw? Himself. Who does Washington work for? Himself. The mysterious person with a red string that Washington saw? The only other prominent character he's been working with this whole time. By the second rug-pull I just knew all of them would turn out to be a character we knew, and the movie had nothing beyond that.

 

I'm still not sure what the movie is trying to say about Nolan's go-to theme of story, but frustratingly I'm not interested enough to care this time. I wasn't the biggest fan of Interstellar, but I got it on the first (and so far only) viewing and could appreciate what it was going for.

Link to comment
Share on other sites



48 minutes ago, Jonwo said:

I think if WB were to stop giving him bigger budgets, he'd simply go to another studio as I'm sure Universal, Sony or Paramount would greenlight one of his films, look at how Tarantino managed to get massive interest for Once Upon a Time in Hollywood.

 

Disney has Alan Horn, the guy who greenlit Batman Begins, TDK, Inception. 

  • Like 1
Link to comment
Share on other sites

This is selling insanely well tonight, way better than I would have expected given the pandemic. Now, I don't know how much of this demand has to do with it being the first "real" new movie (sorry Unhinged) since March, and how much of this demand would have existed pre-pandemic.

  • Like 4
  • Thanks 1
Link to comment
Share on other sites



3 hours ago, DAJK said:

This is selling insanely well tonight, way better than I would have expected given the pandemic. Now, I don't know how much of this demand has to do with it being the first "real" new movie (sorry Unhinged) since March, and how much of this demand would have existed pre-pandemic.

How can this translate into long run?

  • Like 1
Link to comment
Share on other sites







Sow it yesterday. For me it's the weakest from all Christopher Nolan's films. Visually great, action and tension are fine, but the characters (excepts amazing Pattinson and good Debicki) are weak, the story is too convoluted, and the sci-fi concept is very confusing. Watching fights and chases scenes was great, but all the rest very tiresome (even dialog scene, like with Michael Caine). I also don't like the music (or whatever this sounds are). 6/10

 

I don't think it would be a huge hit. Even pre-pandemic i can't imagine Inception numbers. Incetpion was larger, more entertaining, more satisfying. I don't think people would wont to see it for the second, third time, as they did with Inception.

Link to comment
Share on other sites





31 minutes ago, DeeCee said:

This is fantastic the second time. It’s not that I didn’t follow it the first time but knowing what happens allows you to appreciate the whole much better. 

Gonna try and book a second viewing in the next few days. I'm curious how it holds up as well.

  • Like 1
Link to comment
Share on other sites



I saw it last night, my 6pm showing had around 50% of available seats sold, but the next one was fully sold out when I left the theater. I can't wait to see it again, it's not Nolan's best movie ( more like in the middle ) but I'll be damned if it's not the best blockbuster we are getting this year. People who complain too much about it can go watch Project Power or shit like that in the comfort of their homes, I'm watching this at least 3 times in the theater, it's a blast.

  • Like 1
Link to comment
Share on other sites





Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.



  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Guidelines. Feel free to read our Privacy Policy as well.