*Y5 ACADEMY AWARD CEREMONY!*

[Rorschach]

I really, really wanna see the vote counts after everything is all said and done.

[SLAM!]

Idina Menzel passionately performs "Made of Stone" to rapturous applause.

 

Bex Taylor-Klaus and Sasha Lane walk onstage.

 

Bex Taylor-Klaus: Actors know who much they have to prepare to be on the screen.

Sasha Lane: That's why makeup and hair-styling is so important!

Bex-Taylor Klaus: Here are the nominees for Best Makeup & Hairstyling!

 

Spoiler

CRUSADER

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

Spoiler

ONE PUNCH MAN

 

Spoiler

PILLARS OF ETERNITY: NEVER FAR FROM THE QUEEN

 

Spoiler

THE SCAVENGER WARS: PART II

 

 

Sasha Lane: And the Oscar goes to...

 

Spoiler

PILLARS OF ETERNITY: NEVER FAR FROM THE QUEEN

 

Makeup Artists: Wow! Thanks, Academy!

 

[Ezen Baklattan]

Canon: The lack of speech text meant that the fight and stunt coordinators for Epsilon Syndicate simply took the Oscars and left the stage.

[SLAM!]

Asa Butterfield and Elle Fanning walk onstage; they represent @35MM-18's film, The Picture of Dorian Grey.

 

Elle Fanning: Nonfiction is quickly growing in its ability to rival Fiction in regards to the medium of film.

Asa Butterfield: Here are the nominees for Best Documentary Feature.

 

Spoiler

BIRDS

 

Spoiler

CALENDARS

 

Spoiler

DOLPHINS

 

Elle Fanning: And the Oscar goes to...

 

Spoiler

CALENDARS

 

Hannah Gertrude: Well, I didn't win the Oscar for Minding The Gap, but I'm happy that I was able to win it for this one!

 

[SLAM!]

PREVIEW #2

 

Spoiler

Fox,

I'll be gone for a few days. One last job. But I promise that when I get back, this time I'll be home for good.

Dad

 

Spoiler

CHECK THE MAGAZINE THREAD
AFTER THE OSCARS
FOR THE FIRST 20 MINUTES
OF ALPHA PICTURES'
STAR FOX

 

 

[YM!]

Just now, Slambros said:

PREVIEW #2

 

  Hide contents

Fox,

I'll be gone for a few days. One last job. But I promise that when I get back, this time I'll be home for good.

Dad

 

  Hide contents

CHECK THE MAGAZINE THREAD
AFTER THE OSCARS
FOR THE FIRST 20 MINUTES
OF ALPHA PICTURES'
STAR FOX

 

 

[SLAM!]

Suddenly, virtual characters appear onstage.

 

Marion: Look at all those celebrities in the audience! I could just swallow all of them!

Cassie: Please don't...

Squirrel Girl: Huzzah! I'm on the Oscar stage!

Dana: Yep. We sure are.

Cobben: Meow!

Selena: Forgive Cobben, he still has the head of a cat, like he did in that one scene.

Medusa: (slithers onstage) Hi everyone! Sorry I'm late!

 

The other characters looks at Medusa, turn to stone, and fall down lifelessly.

 

Medusa: Oh... Oh no...

 

Brad Pitt makes a surprise cameo by walking onstage with an envelope.

 

Brad Pitt: What you've just seen is an example of visual effects. Here are the nominees for Best Visual Effects.

 

Spoiler

BAMBI: A LIFE IN THE WOODS

 

Spoiler

GREEN LANTERN CORPS: RISE OF THE MANHUNTERS

 

Spoiler

ONE PUNCH MAN

 

Spoiler

PILLARS OF ETERNITY: NEVER FAR FROM THE QUEEN

 

Spoiler

THE SCAVENGER WARS: PART II

 

Brad Pitt: And the Oscar goes to...

 

Spoiler

BAMBI: A LIFE IN THE WOODS

 

VFX People: Yay! Thanks!

 

[Ezen Baklattan]

Spoiler

BAMBI is the first movie not set in space to win this award.

 

[SLAM!]

Skylar Astin and Aubrey Plaza walk onstage, representing On The Record.

 

Skylar Astin: So... Um... Why are we presenting Best Sound Mixing and Best Sound Editing?

Aubrey Plaza: Because my character in the film On The Record was a sound mixer.

Skylar Astin: That's pretty neat.

Aubrey Plaza: Here are the nominees for Best Sound Mixing.

 

Spoiler

BAMBI: A LIFE IN THE WOODS

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

Spoiler

PILLARS OF ETERNITY: NEVER FAR FROM THE QUEEN

 

Spoiler

THE SCAVENGER WARS: PART II

 

Spoiler

STEEL STREAKS

 

Skylar Astin: And the Oscar goes to...

 

Spoiler

BAMBI: A LIFE IN THE WOODS 

 

Sound People: I'm really grateful to have one an Oscar!

 

[cookie]

I'm not going to win anything, am I?

[4815162342]

1 minute ago, cookie said:

I'm not going to win anything, am I?

 

[Ezen Baklattan]

Just now, 4815162342 said:

 

Maybe MEW pulls an Olivia Colman? Or it gets Sound Editing?

[Blankments]

ahhhh i won adapted screenplay 😮

 

for a MLP fanfic :OOO

 

(already doing better this go-around, AWitC won nothing in 2.0)

[SLAM!]

Skylar Astin: Here are the nominees for Best Sound Editing.

 

Spoiler

BAMBI: A LIFE IN THE WOODS

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

Spoiler

ONE PUNCH MAN

 

Spoiler

THE SCAVENGER WARS: PART II

 

Spoiler

STEEL STREAKS

 

Aubrey Plaza: And the Oscar goes to...

 

Spoiler

THE SCAVENGER WARS: PART II

 

Sound people: Wow! Awesome! This is awesome! Words can't describe how awesome this is! Awesome!

 

[Ezen Baklattan]

Spark Homeward rn:

 

 

[YM!]

I’m not winning anything am I? 

[Blankments]

btw @Slambros preview was sent

[SLAM!]

PREVIEW #3

 

Spoiler

*Scene opens at dusk of a Japanese beach, it’s a wide shot showing a scrawny silhouetted North Korean man coming up from the Ocean, out of the crashing waves*

 

*Screen goes black and says “Based on the 2012 Pulitzer Prize winning novel by Adam Johnson”*

 

*Screen goes back to man, the shot still wide and he approaches a roughly silhouetted Japanese man walking his small dog*

 

*Screen goes back to black, text comes onto the screen saying “From the director of The Handmaiden and Oldboy”*

 

*Screen cuts back to the scene only now you see a close up of the North Korean man’s face as he knocks the Japanese man out with a clean hit, covering the man’s face with a bag, as the screen cuts back to black you hear a continual dog barking*

 

*Screen goes back to black, music swells a little with the dog bark continuing in the background, and text appears saying, “Comes a tale that takes you into the depths of a Totalitarian regime”*

 

*Screen cuts back to the scene, music begins to swell even more, with the dog barking continuing and now an additional human panting as you see a shot slowly pan out of the North Korean man moving quickly back to the sea pulling the knocked out Japanese man*

 

*Screen cuts back to black and text says, “And into the intimate depths of the human heart”*

 

*Music takes off as you see a montage of quickly compiled shots of different moments of the film: A man grabbing a woman as they kiss, a loan fishing boat in the middle of the sea, a man strapped into a chair with something around his head screaming, three men and a woman standing in the barren Texas wastes, a shot of a maniacal looking Kim Jong Il, a wide shot of a North Korean woman in LA, a North Korean man throwing a brutal punch at an officer in a dark mine, and then a longer close up shot of a small North Korean child’s face in an orphanage.  

 

The music stops suddenly when it reaches the image of his face, and text appears saying ‘The Orphan Master’s Son’ over the child’s face.  As the text appears there’s a small piano line played*

 

*The dog parking begins drumming back up and the scene slowly fades back to a wide shot of the beach, only this time it’s only a small silhouetted dog barking, who finally curls up and whines as alone in the sand*

 

[cookie]

5 minutes ago, cookie said:

I'm not going to win anything, am I?

2 minutes ago, Slambros said:

Skylar Astin: Here are the nominees for Best Sound Editing.

 

  Reveal hidden contents

BAMBI: A LIFE IN THE WOODS

 

  Reveal hidden contents

THE EPSILON SYNDICATE: UNION OF THIEVES

 

  Reveal hidden contents

ONE PUNCH MAN

 

  Reveal hidden contents

THE SCAVENGER WARS: PART II

 

  Reveal hidden contents

STEEL STREAKS

 

Aubrey Plaza: And the Oscar goes to...

 

  Reveal hidden contents

THE SCAVENGER WARS: PART II

 

Sound people: Wow! Awesome! This is awesome! Words can't describe how awesome this is! Awesome!

 

Crisis averted, I guess 

Edited May 9, 2019 by cookie

[SLAM!]

For "The Secret's Inside"

 

Flashlights shine on the audience, particularly on the actors who played sci-fi heroes who partake in the song. It starts slow and melodic, until they all agree that they don't want to do a production number. Suddenly, members of online musical group Team Starkid appear on stage, agreeing to take over the role.

 

The song begins with a fairly makeshift and clever set, a bit like a Broadway production, but soon things begin to enter wild and surreal glitz and glamour, complete with a row of tap dancers, a wild cast of characters on the stage, and ending in a surreal display of pyrotechnics and confetti.