Jump to content

BluKyberCrystal

Free Account+
  • Posts

    134
  • Joined

  • Last visited

Posts posted by BluKyberCrystal

  1. I know a lot of folk have been down on The Marvels and superhero flicks in general. Considering the power behind Barbie, is there a chance The Marvels surprises, do to being so women centric? Especially with the last Marvel flicks going over rather well? I'm not talking crazy money, but 600m+?

     

    It would have to review well of course.

  2. 1 hour ago, JustLurking said:

    Green Book and CODA are both crowdpleasers, Parasite had huge support from the public in its award campaign similarly to EEAAO and was extremely financially successful for a korean film

     

    if these are films that y'all think are "elitist" then I have no idea what BP you would consider NOT elitist. maybe this year they should award mario!

    I think something like Dune winning 2021 or Top Gun last year (I prefer EEAO) would be a better examples of this. Those are movies a lot of folks watched and were critical darlings as well. There are more then a few examples in the history of the Oscars where some of the biggest movies of the year at the box office were winning BP. 

     

    Titanic, Gone with the Wind, Return of the King, Gladiator, Forest Gump, The Sting, both Godfathers, The Sound of Music.

     

    I'm not saying that is what needs to happen every year. And I think last year, was a good example of a film that didn't have the all time box office return, that was clearly a audience favorite. But things use to be different. Big films audiences loved won.

  3. 43 minutes ago, JustLurking said:

    This is not even true whatsoever, oscars more than ever have very much rewarded crowdpleasers or films that audiences were very excited about going into the event, only real exception being like...nomadland? since 2018. if anything the divide is CLOSING.

     

    but yea sure ok.

     

    "contempt" lol give me a break.

    Green Book, Parasite (which I love), and CODA scream, "closing the divide"?

  4. 4 minutes ago, ThomasNicole said:

    TDK the movie does the heavy lifting for the trilogy tbh, it’s a certified classic 


    BB tho is not so radically better than many other origins SH movies 

     

    And TDKR is arguably one of the worst scripts of Nolan career, but well executed enough to masquerade that 

     

    TDKR is one of the best scripts of Nolan's career imo. He just didn't shoot all of it. Which sucks so much.

    • Sad 1
    • ...wtf 1
  5. 31 minutes ago, Pinacolada said:

    Ok, then we agree that JLaw got something like $25m for it lol. That's been the point of contention here for the last few pages. What I was literally responding to was someone saying "it makes no sense that JLaw would have gotten $25m for this"

     

     

    What I'm trying to say is that I wish she would've taken a lower salary, like $10m, and gotten a bigger backend deal or something. Bet on yourself a little bit and help the movie out (at the same time, I fully understand why she'd want the big money and run. I just think it's a bit of a bummer). This thing is never seeing a theatrical profit in theaters. I'm hoping it can leg to like $60m DOM. But It's not getting the international box office that something like Ticket to Paradise got. I was looking at the budget for something like Neighbors and that cost $18m! And Made $270m. And that had 2 stars and a plethora of established names who probably got decent salaries. NHF has 1.

     

    As someone else said in here earlier, why should we care at what Dollar mark a studio breakevens at, we're mostly comparing to current expectations for these kinda movies. I agree with that. But for more of these kinds of movies to get greenlit, they do need to make money for these ghouls. 

     

    She did bet on herself and got paid up front. Good for her.

  6. 54 minutes ago, Speedorito said:

    There were factors working against it, but there were factors working for it too, such as super strong marketing push. Maybe a billion should never been on the table, but something like 500 million or even 450 million should have been achievable. Barely making 300 million is very bad no matter how you slice it.

    Is it going to make it to 300m?

  7. 6 minutes ago, ringedmortality said:

     

    It's probably not gonna be. Guardians 3 only got an 82%, Wakanda Forever an 84%, and Marvels isn't coming off an acclaimed film like the Guardians movies or Black Panther. 

     

    Candyman got some acclaimed but I wouldn't say that DeCosta has established herself with critics the way Coogler had with Fruitvale Station and Creed. Or Gunn with Guardians 1 & 2 and The Suicide Squad.

    Little Woods has 95% on RT.

  8. 4 minutes ago, ZattMurdock said:

    Will Dune 2 make WB lose money? I don’t think so. Will Dune 2 be a box office success is a whole different question. I’m always kinda amazed how one could look at Dune’s box office performance and say "yeah, that was a box office success". It didn’t flop like BR2049. But not by much.

    I mean, it came out on HBO Max at the same time and still did rather decent. A lot better then say, Gunn's TSS. The first one seemed to generate a lot of goodwill and both leads are even bigger stars now.

    • Like 1
  9. 6 minutes ago, Spidey Freak said:

    I do feel bad for Muschietti though. I feel he's an empathetic storyteller (who doesn't include random weird shit like Gunn) and the emotional core of The Flash was easily its strongest part.

     

    The multiverse aspects tho 

    A lot of the weird shit in this movie, is 100% Muschietti. That opening action scene...

  10. 10 minutes ago, Dragoncaine said:

    Wait a minute, the PostTrak exits are so bad

     

    Early audience PostTrak exits from Comscore/Screen Engine for The Flash shows 4 stars for general audiences and a 60% recommend and 3 1/2 for kids under 12 and 57% recommend. Remember Thursday night due to fans always has better, skewed exits.

     

    Possible B CS incoming?!

    So they didn't make a crowd pleaser.

  11. 17 minutes ago, JohnnyGossamer said:

    Then, I'm not sure I'm understanding how Muschietti's the next Batman movie or Gunn's Superman movie which are both from my understanding recasting everything and reimagining the visual tone, etc. for those DC characters in those movies with Gunn at the helm as producer have to do with the DCEU. Flash is the end of the DCEU... At least the initial first wave of it. 

    We've seen Andy's vision style. That's what The Flash is.

    • Like 1
  12. 2 minutes ago, dudalb said:

    Vaviery reporting that whatever happens with the Flash, Gunn and Safren have faith in Muschetti, he is going to helm "The Brave And The Bold" Batman movie.

    Now I remember why I don't trust Gunn as a studio head/producer.

    • Like 1
  13. 5 minutes ago, Issac Newton said:

    Maoyan Forecast - ¥202M ($28.3M) largely because it will die on Dragon Boat Festival

     

    For OW Forecast - ¥96.3M ($13.5M)

     

    Reviews are largely positive - 

    Screenshot-2023-0616-001330.jpg

    9.4 Maoyan

     

    Screenshot-2023-0616-001442.jpg

    9.6 Taopiaopiao 

    So 28m is the prediction for the whole run?

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Guidelines. Feel free to read our Privacy Policy as well.