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Wormhole

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Posts posted by Wormhole

  1. Most likely.

    SW7 is the start of a new trilogy, has almost no competition this Christmas (In the Heart of the Sea=Exodus, Alvin 4=Walking with Dinosaurs. Not very strong), January 2016 doesn't have an American Sniper-esque sleeper in the making, and it has huge momentum on social media.

    Here's hoping Mad Max and Pitch Perfect can save May 2015. Because Tomorrowland, Poltergeist, Aloha and San Andreas... not gonna do it.

    If Mad Max does $45 million and PP2 does $60-65 million, that would make up for Avengers 2's blissfully average performance :P

    Except In the Heart of the Sea will probably be good.
  2. I'm pretty sure nobody uses the word retarded in reference to those who are mentally handicapped anyways. It's evolved into a completely different meaning.

    Honestly it's be more offensive to use the word in the context of a special needs person than as an insult.

    For example, the word gay was never originally meant to mean homosexual,it was simply a different term for happy. Meanings and usages change, words become acceptable and non-acceptable and acceptable again through time.

    In the end I think people shouldn't be looking at the words people use but the meaning behind what they are saying. Nobody had any meaning of being derogatory towards somebody with special needs and it was obvious. I understand certain people find different words offensive but the fact that a word used (not even the intent behind it) could offend so much is one of the problems with language.

    It may just be me but I think the context and intent of what somebody said is way more important than the words themselves because the words themselves are simply a large combination of phonemes.

     

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  3. If you're doing something in a story JUST to evoke emotion, then that's a poor use of the form. Emotional beats should drive the plot forward, or at least work in tandem with it.

     

    Now, if you feel that the emotional arcs in the story aren't well done, that's something else entirely. I don't agree, mostly because BH6 hits the right emotional climax. And unlike most Marvel films it actually has a third act that stands up well.

     

    When an emotional beat comes off as calculated, it fails to generate actual emotion. Emotional beats should move the plot forward, but they should also feel genuine and not mechanical. Killing off Tadashi was so derivative of WDAS and Marvel movies that it just felt like a cog in a machine trying to move forward the plot.

  4. Eh. This is one of those movies that just doesn't hold up well. I liked this series as a kid, but now I find Maquire's whining protagonist hard to root for and the romance to be some of the weakest ever put to screen. Second one is way better, but I'm still not a fan. I just don't think Spider-Man is my kind of superhero.

     

    C

  5. Worst WDAS in awhile... Maybe since Chicken Little. The art direction and animation are terrific, and Baymax is awesome. But beyond that, very little about it felt fresh. It goes through its Marvel-origin story beats competently enough, but they all just felt like obvious beats. The bait-and-switch was obvious from the beginning, Callaghan's origin story was horribly rushed, and reviving Baymax five minutes after his "death" scene made that scene feel disingenuous. 

     

    C+

  6. The yelling at the nurse was his PTSD manifesting. Like the scene with his son at the car place. It was to show his struggle in adapting to life back home.

     

    I got that message from the other scene you mentioned, but the nurse scene just seemed weird. The nurse did seem to be giving the other baby preferential treatment. At the time I thought that maybe it was meant to show that there are "wolves" everywhere, but the film didn't follow up on that message with anything else so I dropped that idea. It didn't seem all that PTSD-related to me.

    • Like 1
  7. A lot of the dialogue between Kyle and the other SEALs was clunky, and the script could have been a lot tighter. What was the point of the scene where Kyle was yelling at the nurse for not taking care of his daughter? There were a bunch of other little scenes that didn't do anything to develop the characters and/or further the plot.

     

    The action is really solid, though. Eastwood does a great job of building tension in every war scene. And the cinematography is beautiful. Cooper deserves every award he's going to get, and the supporting cast wasn't bad. 

     

    It does take political stands that I don't think I can get behind, though. I don't see how anyone can view this as an "anti-war" film -- to me, the film was sending a clear message that war is evil but necessary. Kyle's dad's "sheep, wolves, and sheepdogs" speech summed what I perceived to be the message of the film -- that those who are strong enough to protect those who are too naive to sense danger have a duty to do so. It doesn't spend enough time on Kyle's PTSD imo. The consequences of war don't seem to outweigh the benefits here. It felt very imperialist in nature to me.

     

    I'll give it a B-. It's a good film. It's not without flaws, but it is a good film. But it's not a film that can be discussed in a vacuum. It is a political film. Too bad both sides go to such extremes with their arguments making civilized discussion pretty much impossible. 

    • Like 1
  8. Personally I was never really able to get into SpongeBob on a consistent basis. It came out around the tail end of my interest in Nicktoons, and I found Fairly OddParents more consistently amusing.

     

    Favorite Nicktoons:

     

    Rugrats

    Doug

    Hey, Arnold

    Wild Thornberrys

     

    I absolutely fucking hated Ren and Stimpy, didn't much care for Rocko's Modern Life either

     

    Danny Phantom >>>>>>>>> Fairly OddParents

  9. The whole "going back into time to get the Krabby Patty Formula" was honestly really boring after a while, and didn't Segway into any other part of the plot. I know SpongeBob is supposed to be random humor, but random humor is hilarious if it doesn't take up a majority of the movie.

     

    Again, this isn't true. If they don't go forward in time, they don't meet Bubbles, and they don't go to the surface and get back the formula.

     

    I thought Bubbles was great. The rap battle was funny because it subverted typical narrative structure. I expected the movie to end, and bam -- rap battle between talking dolphins and seagulls. And realistic Sandy was one of the best gags in the movie imo. Squidisaurus Rex was another highlight.

     

    I enjoyed every minute of it. I don't think it was quite as funny as the 2004 movie, but it was still pretty great. I can't really grade a movie like this because it's just so off-the-wall. There's nothing really to compare it to. Not many films -- even those aimed at kids -- go as balls-out in ignoring narrative structure and typical Hollywood tropes as Spongebob.

    • Like 1
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