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tracygee

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Posts posted by tracygee

  1. 4 hours ago, KnucklesXXR said:

     

    AMC's quarterly investment reports. AMC is the barometer for the domestic market at large. The Q4 2021 average ticket price (latest available quarter) was $11.50 while Q3 2017 (when Homecoming was released) came in at $9.80 and that's how we get 17%.


    https://s25.q4cdn.com/472643608/files/doc_financials/2021/q4/FINAL-4Q-2021-Earnings-Release-20220301-1450-v.7-Clean.pdf

    https://s25.q4cdn.com/472643608/files/doc_financials/2017/q3/Earnings-Release.pdf


    Well US inflation from 2017 to now is 15.75% … so that’s hardly outrageous. 

  2. Les Miserables

    12noon - 95% full (second screening of the day, the theater also had one that began at 11:50 am. I stuck my head in there and it looked 90+% full).

    Trailers:

    Oz the Great and Powerful - no reaction

    Star Trek - some chatter when people recognized what it was

    The Great Gatsby - no reaction

    Oblivion - no reaction

    Identity Theft - lots of laughter at the end (this was the newer trailer)

    Zero Dark Thirty - some chatter

    Well, I don't think I can review the movie properly because I've seen the stage musical about five or six times and it's my favorite of all time. Overall, I think it was really well done, with fantastic performances from everyone. Anne Hathaway should definitely win the Oscar from her performance of "I Dreamed a Dream" alone. Hugh was also fantastic, and Russell--who I wasn't sure about--did fine. I have some quibbles about some of the shot choices (does every song really need to be done in super close up?), but it was a rousing story, there was some beautiful cinematography and didn't seem stagey at all. A very emotional story.

    Total hankies used: 3 (I'm a weeper)

    The audience burst into applause and cheers at the end. I rarely see that in our theaters here, so I think it's safe to say that word of mouth should be decent.

  3. The 10 p.m. Thursday thing is ridiculous.First of all, a 24-hr day is from 12 a.m. to the following 12 a.m. Therefore, counting 10 p.m. Thursday shows isn't just fudging, it's downright lying. I also don't buy the whole "the same people would have seen it at midnight" argument. In reality, its audience is generally 12-18 and have school........so I have no doubt more people are able to go at 10 p.m. as opposed to if they only had midnight showings.It just seems like Summit is trying to make the number appear better than it actually is to me. What a bunch of hack-jobs, IMO. B)

    I get the point to a degree, but I also want to say ... wake up to the new (future) normal.When theaters first started adding midnight screenings there was the same outcry. It's "not fair" to the previous record holders, a midnight screening isn't *really* a Friday, etc. blah, blah, blah. But then everyone started doing it, it increased the hype for big movies and now it's normal. This will be the same thing. In the end, 10pm screenings are better for the theater owners (they are ALL for it), better for audiences, and the studio doesn't give a crap when their money starts rolling in.
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  4. I've never heard of this project until today, but Bong Joo-Ho's Mother was one of my favorite films last year. He has an incredible eye. It's on Netflix Instant View, if you want to check it out. Chilling film.

    So this will be a hybrid English-speaking/Korean cast? I'm still not clear on that. It's an interesting concept.

  5. Well, the Christmas holiday weekend is always movie time in my family, so the last three days I've caught MI4 and TGWTDT, but today was...

    War Horse

    12:45pm Sunday

    95% full, but only playing on one screen at my theatre. Mix of mostly adults, but skewed a bit older on the adult side.

    Trailers:

    This Means War - lots of laughter

    The Pirates - lots of laughter and chatter

    ParaNorman - nothing (the first time I've seen this one...I think it will go over better with a full trailer )

    Act of Valor - a tiny bit of chatter

    Titanic 3D - some talk

    Chimpanzee - a lot of "awwwws"

    John Carter - nothing

    The Movie -

    Well, it delivers what is promised, basically. The star is the horse, by far, and the animal shots are incredibly well done. The war scenes are not overly bloody (Saving Private Ryan this is not), but the brutality of war is there, and quite the thing to swallow after the idyllic beginning. I'm sure this movie will be too sentimental for some, but it worked for me. The only thing that was way off for me were the last shots, because emulating Gone With the Wind in celluloid style was a bit much for this movie to carry off. Overall it was enjoyable for me, though. The audience applauded at the end. Only the second time in recent memory that has happened in a theater for me. Word of mouth should be good.

    B/B+

  6. Variety's predicts for the weekend:

    Early B.O.: 'Sherlock Holmes' on track to win in $40s

    'Mission: Impossible' large-format-only bow tracking to impressive $11m

    By RACHEL ABRAMS

    Box office pundits are projecting Warner Bros.' "Sherlock Holmes: A Game of Shadows" to gross between $14 million and $15 million in the U.S. on Friday, putting it on track to win the weekend with a three-day total in the low-to-mid $40 million range.

    The Friday take alone could pop with evening auds, especially because it's the last schoolday before holiday break for many families.

    Meanwhile, 20th Century Fox toon "Alvin and the Chipmunks: Chipwrecked" will likely rank second, with observers putting the family film's Friday take at around $10 million, putting it on course for a $30 million three-day gross. More reserved estimations, however, peg the pic's weekend take slightly lower.

    Par's "Mission: Impossible -- Ghost Protocol" is also opening today -- but exclusively on large-format screens (425 of them, most of which are IMAX) a week before its wide release. Though box office observers stress the difficulty in predicting this first-ever large-format-only release, the Tom Cruise pic was on pace to earn an impressive $11 million-plus for the weekend, perhaps in part because a seven-minute prologue to "The Dark Knight Rises" will play in front of it.

    B.O. watchers estimate that Par holdover "Young Adult" will earn shy of $3 million for the weekend, while WB's holdover "New Year's Eve" is looking to take in around $7 million, at most, pushing it over $20 million gross for two weekends. Fox's "The Sitter" is poised to earn under $5 million.

    Under $50m for SH would be...unimpressive, I think.

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