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About MyMovieCanBeatUpYourMovie

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  1. Pretty much any HD shot you want of the film is now out there. Some really iconic imagery with Cap in Endgame. It does feel like an appropriate place for him to exit the stage, given that, I think.
  2. I like how Tony is completely startled here, but Bruce quickly takes it in stride, because he's been avoiding strong emotional responses for so long that it's just habit.
  3. Guess we're starting to get HD gif sets here with the digital release imminent. I love Loki sassing Hulk here despite just having been rag-dolled by him.
  4. Some stills of the sequence that I would guess they're going to start sticking in the ads any day now.
  5. You'll probably be happy with Kevin Feige's recent comment about the next Spidey film then: "It’ll be fun to see Spidey back in his element, out of the shadow of Tony, out of the shadow of the other Avengers, as his own man now, as his own hero. And yet now facing his own challenges that aren’t coming from Avengers fighting, like Civil War, or aliens coming, like Infinity War or Endgame. It’s all Peter focused and Peter based.”
  6. So, it's 2021, and Disney wants to promote Avatar, not piss off Cameron, but let Endgame keep the record (assuming it actually gets there). Solution? Re-release Avatar but with tickets free of charge! "It's great advertising for the sequel, Jim! Why are you looking at us like that..."
  7. I think this is actually the point. Feige and Watts made a conscious decision to not just give audiences what they've already seen before in the previous Spider-Man films. Hence strongly tying Tony to Peter's journey, deemphasizing Spider Sense, using new villains, keeping Peter very young as long as possible, placing action scenes in settings other than New York skyscrapers, and not giving us a classic swinging scene until Spidey's fifth appearance in the MCU. I think it's been a lot of very smart choices.
  8. I do have to admire Sony's restraint in marketing this. Think about how many money shots are in just the big Mysterio illusion attack on Peter that they didn't use. I think in marketing past Spider-Man films, they would have used almost all those shots throughout like 5 different trailers.
  9. Talos has clearly not spent a ton of time around modern-day Nick Fury and so was just sort of playing up what he thinks are his most prevalent qualities. Mean. Stern. Angry. I actually did take note while watching the film the first of how gruff and short Nick was with Spidey and how he felt a little "off," so to see that payoff actually made perfect sense to me. Nobody can be Nick Fury but Nick Fury, but Talos gave it his best.
  10. Watched it a second time and loved it even more. The action in the entire film is top-notch, IMO. Pitting Spidey vs. hundreds of drones is just such a perfect vehicle to display his quickness and agility. (I also love that for about 30 seconds during the battle Spidey is literally on fire.) Paid closer attention to the dialogue in the post-credit scene this time (was just shocked at processing Fury and Hill as Skrulls to hear much of it the first time) and it's really just about how embarrassed Talos is that, as a shapeshifter who spends his time fooling other people, he was taken in by Mysterio, and not wanting to have to admit that to Fury. Ben Mendelsohn's Talos is without a doubt one of my top 5 favorite characters all-time in the MCU. I hope he's around for the next decade. I do think the mid-credit scene should have just been the end of the film. I noticed a lot of general audience viewers who expect the credit scenes to be just fun little things or not that important just got up and left. This one being the actual end of the film should probably have been placed as such, especially since it's a parallel to how the Homecoming film proper ended.
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