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DAJK

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Posts posted by DAJK

  1. My comps came out a little weird, and all over the place tonight for both Webb and One Love tonight. Not sure what happened, why my data seems all over the place. Weather’s been all over the place in the different cities I’m tracking, so that could play a factor on why comps aren’t lining up the way they usually do.

     

    Comparing Friday to Thursday and Wednesday’s grosses, One Love at a handful of theatres is looking at 8.2M, 5.9M, and 5.7M Friday respectively. Averages out to 6.6 but that’s not the best method of trying to attain a number when my sample size is this small today. Oh well, I’m willing to go with Charlie’s number of 7-7.5M Friday. What I’m seeing doesn’t move the needle much.

     

    Web is also interesting. One location collapsed for it today, and would give me a 2M Friday if I followed it. Going to consider that one an outlier and use my regular 3 again. These, comparing Friday gross to Wed/Thurs, would give Web a 3.9M, 4.3M, and 4.7M Friday respectively at each of the three theaters. Still a bit all over the place, but they average out to 4.3M which is what I’m going to go with for my Friday forecast. 

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  2. My mom saw this. She was never a fan of Marley. Called me last night saying that her and her sister were on their way to the movies, but didn't know what to watch. It was "the Bob Marley movie or something about a spider web." They were leaning towards the spider web movie but once I told them it was a "superhero movie" they said no way, even thought they didn't really want to see One Love.

     

    She called me this morning telling me how much the movie made her cry. "I didn't realize just what a good person he was, and how young he was." So I guess even non-Marley fans can really enjoy this.

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  3. Some theaters I track starting to wrap up ticket sales for the night.

     

    Pretty consistently, One Live is 2.9x higher than Madame Webb in tickets sold. But since Webb has PLFs and I assume higher ticket price, I would expect something closer to 2.3-2.5x higher for final gross. 

     

    Webb wasn't particularly strong nor weak, although walkups were pretty decent. Wouldn't be surprised at anything between 5-6 for the day, although I'm not confident enough to pinpoint an exact number. 

     

    Marley I guess if you were to try and peg a final number based on the above ^ that would give you anywhere from 12-15M. Again, wouldn't be surprised at anything within that range, although I'm leaning closer to 13-14 for now. 

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  4. I certainly did NOT expect One Love to play nearly as strong in Canada as it would in the US. Alas, the only thing I see holding it back tomorrow here is capacity. Yep, it’s at that point. Theaters (either contractually or because of lack of foresight) booked Madame Webb in the bigger/multiple auditoriums, rather than One Love. While Webb isn’t selling terribly, it’s at a fraction of what I’m seeing from One Love. 
     

    It looks like theaters are scrambling to try and add showtimes tomorrow. 
     

    For now, I’ll go with 5-6M for Madame Webb, and 10-12 for One Love (maybe a bit higher?). That being said, I could also see both of these being one-day wonders.

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  5. Not sure if this is the popular opinion on here, but I think the last few years have been kind to TASM2. It's not "amazing" but especially with the quality of CBMs lately, the fact that the story never got proper closure, and Andrew's return in No Way Home, that people have started to look back a lot more fondly on that movie. I know I have. 

     

    If Sony were smart (and if they're legally allowed) I would get a TASM3 off the ground as fast as possible, taking place after NWH (or before?). Get Tom Hardy in there, not saying it would be a billion-dollar movie, but it could come close. But the window for that is closing fast I think.

  6. Obviously a good box office run would be BETTER for Apple, but I gotta give it to them for putting out three “buzzy” titles in a row. Sure, they cost too much and didn’t generate enough returns, but Killers got a lot of awards buzz (plus Marty + Leo + DeNiro), Napoleon clearly had audience interest looking at its box office numbers, before the WOM became toxic. And Argylle essentially became a meme. People are talking about titles on Apple TV+. Get big stars over to your platform, and audiences will eventually follow.

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  7. 4 minutes ago, filmlover said:

    They already have the Johansson/Tatum romcom directed by Greg Berlanti and the Clooney/Pitt thriller from Jon Watts set for theatrical release, both through Sony, later this year.

    I know, but the hits need to keep coming (not that there has been a bona fide hit yet) to justify these releases. Napoleon doing over 200M WW despite pretty bad WOM is a good start. Argylle matching it’s numbers would be nice to see.

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