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NoobSaibot

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Posts posted by NoobSaibot

  1. 3D was available near me for specific films before my favorite theater closed, but I never utilized it because there was no added benefit...for me. I never felt like I was really "there."

     

    It was a gimmick that became lazy and uninspired after a while. However, I say this as someone who wouldn't even need 4DX or even IMAX to enjoy a movie.

  2. 3 hours ago, ListenHunnyUrOver said:

     

     

    Price is actually the most cited reason for people I talk to. Unless there's a special event movie, they are content with just waiting for it to hit streaming. Not to mention that the cost of everything has gone up tremendously. People are looking for more value in their spending. Taking themselves or their families to the movies costs an arm and a leg, so I don't blame the average joe for deciding to wait for streaming dates.

    • Like 1
  3. I feel like my theaters are only safe in spite of the declining population and because there's nothing to do besides bar-hop.

     

    That being said, word from people I know who work for them agree that April was a horrific month. Kung Fu Panda and Godzilla x Kong were the films that brought people in the most, and it came to a trickle by last weekend. None of the films in April had big draws and interest in them plummeted the weekends following their respective releases. Go figure.

  4. Friends of mine who went to see this (about five) hated it. A common complaint is that they anticipated a gritty, dark political action movie based on the marketing and got something very different.

     

    I find this interesting, because it didn't look like an action film at least to me. Anecdotal for sure, but how many people are also going to enter the movie with that mindset?

     

    Added note: Not a lot of people in that theater were interested in this on a Friday night. More people were apparently buying tickets for GxK according to them.

  5. 6 hours ago, Bob Train said:

    VotiCe.jpg

     

    Tbh, I thought this film would peak at $140m-$150m.

     

    I didn't think it would outright bomb as we got closer, but claw its way to a profit (or break even at worst). This was before the budget was revealed and weeks before release.

     

    It's crazy how well it's doing. A lot of people weren't giving this a chance. The ones who kept the faith absolutely should be praised.

    • Like 2
  6. 2 minutes ago, Maggie said:

    I read they spent a ton on advertising though. Like on par with GvsK.

     

     

     

    If that's true, then ouch. Nobody I know was interested in Monkey Man. More of the folks I regularly speak to were more intrigued with GxK and even Ghostbusters than that film.

     

    It's a shame too. I had fun with it, even if it felt like a by-the-numbers romp in certain spots.

  7. Regarding the complaints about the factions in this film, I understand that it doesn't fit realistic terms.

     

    However, that's the beauty of films: They don't have to fit with the mold of reality. I'm viewing this film as though it were an alternate timeline of events. My location probably wouldn't align with the likes of New York or Illinois in reality, but this isn't based on reality.

     

    It's a movie. Thankfully, this kind of stuff isn't happening right now.

    • Like 1
  8. This movie is just alright. Moved way too fast for my tastes, doesn't stay in one place for terribly long except for a couple of times.

     

    The Fast and Furious films struggle to hold my attention, as do the Transformers films of the 2000's and 2010's. This one ended up having the same effect until the middle of the film when Skar King finally made an appearance. The final battle also felt like it didn't have too many high stakes involved. A certain character's inclusion felt super forced and they don't really do much of anything.

     

    I'm glad a lot of people are loving it, but I'm hoping the next one slows down a little. Wouldn't count on that with the numbers this is generating, though.

     

    It's a C- for me.

  9. 1 hour ago, WittyUsername said:

    People always single out Bear McCreary’s score from KotM as being great, but let’s be honest, Akira Ifukube’s compositions did a lot of the heavy lifting. 

     

    I think it's reasonable. It's the only MV installment that carries the Godzilla theme, which is why it's the most notable one.

     

    It would be like watching a Star Wars film without even hearing the main theme one time.

    • Like 1
  10. 12 minutes ago, HummingLemon496 said:

    Yeah I've always figured that it would do around Black Adam numbers (7.6 -> 67). Maybe around $175M-ish range domestic total

     

    I'm a pessimist, but the only film in recent memory to get that close was Kong: Skull Island. Godzilla 2014 had $200m.

     

    I'm expecting something lower than that. The MV films aren't known for their legs. Many of them are frontloaded.

    • Like 1
  11. 51 minutes ago, John Marston said:

    I will say I go to the movies less but cost is only part of it. Most stuff just doesn't look that appealing these days. Would rather stay home and watch older things I haven't yet seen, Also, getting older is definitely a factor. 10 years ago I probably would have went and saw films like Ghostbusters and Godzilla v Kong even if they got 0%  on RT but now I am just "eh"

     

    This is likewise the case for me. Unless it's a franchise I REALLY care about, I'm more likely to see some smaller film that catches my eye instead of, say, a Marvel property that has so many characters to work with.

     

    However, I've almost always been this way. I do go to the movies a fair bit, and when I do it's probably for horror or because it has a unique premise. I'm okay with spending money on a film like The Holdovers or Saltburn instead of one of the larger releases because of this. I find those experiences to be more rewarding than sitting through a CGI explosion fest--not because I loathe big special effects films, but because I'm just looking for different experiences these days.

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