Pretty much all of his tunes on 24K Magic are fantastic. Versace on the Floor's probably my personal favorite. And I couldn't stand his earlier work whatsoever until probably Treasure, so that's a big compliment from me.
Insidious
78
1563
4.99%
Fifty Shades
171
1921
8.90%
The winter storm hasn't had much affect on sales for Insidious, outside of Thursday previews being shut down. Fifty Shades saw a pretty big bump as well.
It's one of the few times it ever actually worked. It had a strong emotional core, but it also directly tied to the movie's theme of childhood innocence. It felt earned.
It's still a huge cop-out. Sorry, but I hate it when movies bring back characters from the dead, especially when it's only just moments after they die. It ruins the tension, and it makes the emotional moment unearned.
I liked how the Japanese dub actually had themes of existentialism and Mewtwo as morally ambiguous, but when 4Kids got their hands on it, the writers took out all of the nuance and made the conflict black and white and added in some half-assed "violence is bad" message, because they thought kids were too stupid to understand what would happen.
Technically, Inspector Gadget had the song first, so I'd say Rupert Everett changed was the main influencer for Shrek. Only fitting the movies he was in were the highest-grossing in the franchise.
They're all still working. Rob Paulsen voiced Donatello in the recent Nickelodeon TMNT series and will be the voice director for the upcoming one later this fall, Tress MacNeille's still voicing Daisy Duck and several Simpsons characters, and Jess Harnell's doing a lot of stuff from a bunch of different cartoons.