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tonytr87

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Posts posted by tonytr87

  1. 3 minutes ago, EmpireCity said:

     

    Wrong.  Wrong.  

     

    Netflix didn't make $30b and ViacomCBS didn't make $25b.

     

    If I "make" $30b in revenue, but it costs me $45b, I haven't made $30b.  I've lost $15b.  Then when the first time I lose a few hundred thousand subscribers, I see $50b wiped from my valuation, then I absolutely didn't make a damn thing.  

     

    Netflix, Paramount+, Disney+, Peacock and HBOMax are all losing an insane amount of money on the hope that one day down the road they might turn a profit.  A couple might end up turning a profit in the long run, but others will fail and be forced to close down or consoladate.  

     

     

    This. 

     

    Netflix also has a crazy amount of debt. Add in the overspending and the lack of many new original series hits, outside of maybe 1 a year (Squid Game last year), and they're in a bit of trouble. 

  2. 7 hours ago, exomassey said:

    I just listened to a few interviews with Michael Waldron and the way he talks about this movie, I feel like he made every boring decision possible.

     

    He talked about how he didn’t want to travel the multiverse too much because it would be like a cartoon. What? He said he wanted Earth 838 to feel like a real place yet all we got was New York with pizza balls, a memory Lane machine, all the cool characters were killed and red traffic lights.

     

    How the multiverse is used in Into the Spider Verse feels more epic than the way it was used in this movie.

     

    Still felt like a cartoon anyway with the basic production design inside the Baxter building, that silly yellow hover chair, and Black Bolt looking like a CW reject. 

  3. I liked it well enough, mostly for being a pure Sam Raimi movie. But Marvel is losing their touch when it comes to building out their universe. The interconnected thing is only fun if it's building towards something.

     

    Between Egyptian Gods, Chinese dragon dimensions, Book of the Dead magic, and multiverse madness, it's currently all over the place. 

     

    And if it's true that Reed was a part of the reshoots, that makes sense. He looked like he wasn't in the same room as the others half the time. 

  4. 1 hour ago, AnDr3s said:

    also wanda used her reality wraping without consistency she most of the time just shot red beams  BORING

     

    This is a problem across Marvel. Just goopy, bright red/purple/pink energy beams or blobs. The visual creativity is really lacking, seems like they just lift everything straight from the comics. Like Black Bolt...worst Marvel movie costume ever. 

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    • Astonished 1
  5. 4 minutes ago, Ledmonkey96 said:

    Probably because it's interfering with the Sacred cow that is the original Trilogy, personally i thought it was the best of the Disney Star Wars movies..... kind of a back handed compliment but it si what it is.

     

    It's by far the best. 

     

    Force Awakens is held back by ending up a New Hope clone. 

     

    Last Jedi is held back by not being ambitious enough or being too ambitious, depending on who you ask. 

     

    And Rise of Skywalker is a shitshow. 

     

    Rogue One is a good story well-told, with the best ending of the Disney era. 

    • Like 2
  6. 35 minutes ago, Last Man Standing said:

    How many movies that aren't big CGI blockbuster did better than it? Not The Last Duel, not The French Dispatch, or Stillwater, or Cry Macho, or...you get what I'm saying. House of Gucci is gonna do better, but outside of that, what other adult-oriented movie can even pass it by the end of the year? Maybe West Side Story.

     

    West Side Story definitely will.

     

    What I mean is the complete floppage of those other movies doesn't negate the fact that In the Heights disappointed theatrically. That being said, through HBO Max it certainly had more people watching it than those you mentioned. 

  7. On 11/30/2021 at 4:11 AM, lorddemaxus said:

    I feel like it's better to get any backlash (which this movie has already started to get and will definitely blow up) out of the way earlier in the race. 

     

    Anyways, I think it would be better to build WoM by slowly expanding the movie each week instead of having it in just 4 theaters for an entire month and then release it wide. You aren't going to get a lot of new people watching it that way to build WoM before the movie's wide release.

     

    Studios and publicists just need to ignore Twitter. Social media is not reality, it's a bubble of puritanical, illiberal folks who think of themselves as the opposite. 

    • Like 3
  8. On 11/15/2021 at 5:52 PM, dudalb said:

    They want to get the good reviews in LA and NYC to hype the general release. This is the kind of film where reviews are Important.

    It' the same basic strategy studiios use for many "prestige" films which get a limited release in LA and NYC at Christsmas and then go into general release in January, they just changed the time line a bit.

     

    I'm not convinced WOM is a thing anymore during COVID, but they're welcome to give it a try. 

  9. On 11/24/2021 at 5:28 PM, Barnack said:

    Not sure of the implication, look in the olds days red box most rented movies ranking:

    2013:

    1. Identity Thief

    2. The Heat

    3. World War Z

    4. Flight

    5. Olympus Has Fallen

    6. Django Unchained

    7. Grown Ups 2

    8. White House Down

    9. Here Comes the Boom

    10. Now You See Me

     

    2014:

    1. "Captain Phillips"
    2. "The Wolf of Wall Street"
    3. "22 Jump Street"
    4. "The Equalizer"
    5. "Divergent"
    6. "The Hunger Games: Catching Fire"
    7. "Ride Along"
    8. "Neighbors"
    9. "Jackass Presents: Bad Grandpa"
    10. "Tammy"

     

    The most from 2002 to 2012:

    10. 'Rango'
    9. 'The Proposal'
    8. 'Zookeeper'
    7. 'Bridesmaids'
    6. 'Salt'
    5. 'Jack and Jill'
    4. '21 Jump Street'
    3. 'Grown Ups'
    2. 'Bad Teacher'
    1. 'Just Go With It'

     

    I.E.  no Spider-Man, Nemo, Shrek, Stars Wars, Batman, Avengers, etc... in there. Has you see it is a complete domination of Adam Sandler & Melissa McCarthy ( not too dissimilar to what play really big on Netflix and what Netflix tend to do the most now)

     

    What people are ready to spend $1-2 to watch versus a night in theater is significantly different and ott SVOD is an extreme version of that, some long form content on youtube that make 10 millions views would not sell more than 10 ticket in theater. And by the same token movie with a worth it the price tag are seen before reaching red box by people interested by them. Translating views into some near direct BO equivalent would be total bs and the equivalent of saying that a (not has worst but....) compilation of the most popular video clips would have made 100 billions in theater , but that not what Neflix numbers are saying or anything they imply by them.

     

    Has for Netflix ruining the cinematic experience and the prestige of the Oscars, it is pretty much already all done by now and maybe transferred a bit into Netflix need to save us from the franchise deluge of the rest of the Studios that installed itself

     

     

    My point is one wonders how their original films garner so many viewers and yet nobody talks about them. There's a strange dissonance there, but perhaps it's simply due to the lack of effort it takes to hit Play. If the experience is less memorable, perhaps folks just aren't inclined to talk about it like they would watching Shang Chi in a theater. That's what I'm talking about. Where's the WOM if tens of millions are watching these movies? 

  10. 42 minutes ago, AJG said:


    Watching Hollywood bow down and finally kiss the ring of Hastings and Sarandos has been fun.

     

    They booed Netflix at Cannes. Spielberg said they weren’t cinema. Now look at them.

     

    I mean, they still haven't won the big prize. And very few Netflix movies have crossed over, implying their numbers are BS (supposedly Triple Frontier had 50 mil households viewing it...that's a 500-mil grosser at the box office!). 

     

    They support good filmmakers and produce some great movies, but until they figure out how to create WOM hits with movies outside of Bird Box, Extraction, and a few others, they're going to be the odd man out. 

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