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fastclock

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  1. Saw this yesterday. It is not perfect, but there are some many good things being conveyed that it is entirely entertaining. Western vs. Eastern values - the cultural conflicts - good use of the Singaporean breathtaking views.

     

    I just read this article this morning, which probably reflects on some representation issues that had happened in the past decades. https://www.washingtonpost.com/news/morning-mix/wp/2018/04/26/an-all-asian-cast-and-no-martial-arts-why-the-crazy-rich-asians-movie-matters/?noredirect=on&utm_term=.9311db33c1ca

  2. Weekend Forecast (09/01-02)
    01 (01) ¥328,000,000 ($3.0 million), -21%, ¥1,360,000,000 ($12.2 million), Killing for the Prosecutors (Toho) WK2
    02 (02) ¥304,000,000 ($2.7 million), -18%, ¥2,400,000,000 ($21.6 million), Gintama 2 (Warner Bros.) WK3
    03 (---) ¥300,000,000 ($2.7 million), 0, ¥420,000,000 ($3.8 million), Ant-Man and the Wasp (Disney) NEW
    04 (03) ¥251,000,000 ($2.3 million), -12%, ¥8,300,000,000 ($74.6 million), Code Blue (Toho) WK6
    05 (06) ¥205,000,000 ($1.8 million), +08%, ¥1,625,000,000 ($14.7 million), One Cut of the Dead (Asmik Ace) WK11
    06 (04) ¥185,000,000 ($1.7 million), -16%, ¥4,465,000,000 ($40.4 million), Incredibles 2 (Disney) WK5
    07 (05) ¥153,000,000 ($1.4 million), -22%, ¥4,270,000,000 ($38.7 million), Mission: Impossible - Fallout (Toho-Towa) WK5
    08 (07) ¥120,000,000 ($1.1 million), -19%, ¥515,000,000 ($4.7 million), Mamma Mia! Here We Go Again (Toho-Towa) WK2
    09 (---) ¥110,000,000 ($1.0 million), 0, ¥145,000,000 ($1.3 million), Sunny: Strong Mind, Strong Love (Toho) NEW
    10 (---) ¥100,000,000 ($900,000), 0, ¥100,000,000 ($900.000), Let Me Eat Your Pancreas (Aniplex) NEW
    11 (08) ¥x90,000,000 ($810,000), -26%, ¥7,885,000,000 ($70.6 million), Jurassic World: Fallen Kingdom (Toho-Towa) WK8
    12 (09) ¥x81,000,000 ($730,000), -20%, ¥1,490,000,000 ($13.5 million), Ocean's 8 (Warner Bros.) WK4


    This weekend is tricky to predict. Saturday is going to be a very, very busy day, thanks to it being the first of the month (national discount day) and the last completely free day before schools/universities start back on Monday. And Sunday will likely be very weak since Saturday will greatly deflate it, and the evening/night showings, in particular, will probably be very slow. 

    So... expect some great holds across the board, and while Saturday pre-sales do suggest a couple films (other than One Cut of the Dead) could experience a weekend increase, I really think Sunday will be weak enough to lower the overall weekend to probably prevent increases. Still, this weekend is generally very strong every year, and this year's will be no different.

    Ant-Man and the Wasp will be aiming to debut atop the box-office, and while it has a fair chance, its pre-sales for Saturday just don't look strong enough to do so despite leading the pack. Marvel films typically have some degree of frontloading to them, so I think it'll fall just shy.

    Also, this weekend will likely secure that Code Blue will go on to outgross Detective Conan: Zero the Enforcer to become the highest-grossing, and most-attended, film of 2018. If it has a sixth-weekend similar to the forecast above, it's likely to exceed ¥9 billion ($81/82 million). It'll become only the fourth domestic live-action to ever exceed ¥9 billion, and it'll be the first domestic live-action film to top a year since 2012.

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  3. I've watched the CR movie on Saturday and it's a perfectly fine movie. Some amusing moments and a couple of moments where things become teary. So, the movie works well if Pooh is in your memory somewhere. Hence, I think that is the reason the audience score is really high. They feel connected to the movie a lot, different with the critics.

     

    Paddington, in comparison, is a well-made movie. Not many people knew about Paddington before (I didn't). So, critics may love it, but it probably doesn't get to be personal for the audience.

     

     

  4. 1 hour ago, Barnack said:

    The range for a 10m budget movie P+A can vary a lot (Get Out had a giant P+A budget with a 4-5m or something type of budget, low budget movie can have close to blockbuster type P+A cost in the USA, not having product placement to help), but that one with a pre-establish fan-base with pre-awareness aiming only at said  fabanse could be on the lower range of it.

     

    But it is still a studio release and getting over 3,000 theater, who knows what kind of targeted online push it got and how much those cost.

     

    Very fanbanse driven / low budget production example of P+A cost, actual prints for them can be close to $0 now, but you often have some fee to pay for theater chain to transfer to digital conversion still.

     

    If we look at something like

     

    One Direction: This is Us

     

    The 40m or so guess would make sense:

     

    DIRECT PRODUCTION COSTS (13,220)

     

    Theatrical release cost of 37m

    DTH MARKETING (18,070)

    DTH PRINTS (COS) (3,025)

    DTH WPF, DUES, OTHER (COS) (2,020)

    ITH MARKETING (9,000)

    ITH PRINTS (COS) (3,500)

    ITH WPF, FREIGHT, OTHER (COS) (1,500)

     

    Home:

    DHE MARKETING (3,225)

    IHE MARKETING (4,508)

    TV MARKETING (200)

     

    Totals marketing cost of 35m.

     

     

     

     

    So, let's say the cost is 10M production + $35 P&A, that means it probably needs, say $30M DOM (about $15M income), $25M international (about $10M) and $30M ancillary (about $20M) just to break even?

     

    The axiom 2xproduction budget to profit definitely would not work for the smaller budget movies, right?

  5. 2 hours ago, Heretic said:

    The first Mamma Mia actually made around $130m in the UK. BOM’s exchange rate calculations are trash. If a film is re-releaed they automatically adjust the $ total to the current ER at the time, which makes no sense at all. 

    Ugh, so the second one will drop to almost half of the original?

    I agree that $70M is very respectable.

    But it does make the significant drop from the original almost certain.

  6. 1 hour ago, StephenN18 said:

    Why $200 million less than the first? I thought this would do as well if not better than the first.

    The sequel seems to decrease in Dom. There are still so many countries to open, including the ones that did not play the first one (China, Brazil) that it is still difficult to predict the final number. Also it is still early and we don't know the legs on this one yet.

     

    How much total do you think this one will do in the UK?

  7. 1 hour ago, MagnarTheGreat said:

    Ant-Man 2: soaking up them weekdays so far even if the weekends come in softer because of the calendar. Last Tuesday was a rocket and today could follow suit.

     

    oeAmL76.png

    (click to enlarge)

    Thanks.  Can you add SMH?

  8. 42 minutes ago, Jonwo said:

    I'm enjoying the soundtrack, Angel Eyes and Why Did Have To Be Me are my favourite.

     

    I wonder if Lily James or Amanda Seyfried might be on Universal's radar for Glinda in Wicked? Lily's unlikely as she's doing a play next year.

     

     

    I love the part in Angel Eyes where it suddenly changes the key and Amanda Seyfried starts singing, but do not love the part where it changes again and enter the refrain.

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