Ah yeah, hugely fucking audacious go-for-broke, swing for the fences, and unique piece of filmmaking that worships at the altar of sadistic camp. Like several Wan films the script is lacking at many points, but like every Wan film, he is easily the best and most exciting part about it. This fucking thing moves along like any other film, and then suddenly James Wan pulls off a shot that I cannot imagine how much effort they must've put in to pull off, and then after a while it's just madness.