CAYOM YEAR 3 - PART I - MOVIE SUBMISSION

[Ezen Baklattan]

@Xillix

 

Can I give Prince of Egypt a 475 screen IMAX release on December 6th?

[Xillix]

18 minutes ago, Isle of Pasta said:

@Xillix

 

Can I give Prince of Egypt a 475 screen IMAX release on December 6th?

I mean there aren't even that many IMAX screens in North America, so...

 

If you wanna move the release up to the 6th though I don't care  

[Ezen Baklattan]

How about 275 screens then?

[Xillix]

Just now, Isle of Pasta said:

How about 275 screens then?

For the record - for anyone who wants to know - there are 392 non-dome IMAX screens in the US & Canada which regularly screen commercial films.

 

So is this gonna be an IMAX-only week? Or just moving the whole release up?

[Ezen Baklattan]

19 minutes ago, Xillix said:

For the record - for anyone who wants to know - there are 392 non-dome IMAX screens in the US & Canada which regularly screen commercial films.

 

So is this gonna be an IMAX-only week? Or just moving the whole release up?

Just IMAX only. Goes everywhere on the 13th still.

[Xillix]

Just now, Isle of Pasta said:

Just IMAX only. Goes everywhere on the 13th still.

You want 275 or the whole 392? It's not reserved or anything anymore.

[Ezen Baklattan]

24 minutes ago, Xillix said:

You want 275 or the whole 392? It's not reserved or anything anymore.

Sure let’s do 392.

[YM!]

Battletoads is done.

[YM!]

Now everything is done except Bullets and Lyrics and Miraculous. Also can God Of War open in IMAX early on the Wednesday before release?

[Xillix]

1 minute ago, YourMother the Edgelord said:

Now everything is done except Bullets and Lyrics and Miraculous. Also can God Of War open in IMAX early on the Wednesday before release?

Sure I don't see why not. All 392 or a limited selection?

[YM!]

1 minute ago, Xillix said:

Sure I don't see why not. All 392 or a limited selection?

All 392 seems good.

[YM!]

Move Battletoads to April 19th.

[YM!]

On 2/16/2018 at 6:02 PM, Xillix said:

The deadline for submissions is 11:59 PM EST on Sunday, April 15th, 2018! Currently completed films are listed in green

Miraculous isn’t finished yet

[Ethan Hunt]

2 Lonely 2 Zookeepers

 

Studio: Hunt Productions

Genre: action

Director: John Lee Hancock

Release Date: March 8th

Theatre Count: 3,002

Rating: R

Budget: 55M

Running Time: 111 minutes

Cast: 

Tom Cruise

Ansel Elgort

Jason Statham

Chris Hemsworth

Willow Shields

 

 

Previous film gross: 

Two Lonely Zookeepers- 14.5/43/89.1

 

 

Plot:

 

 

 

 

 

 

Jack (Tom Cruise) and Ryan (Ansel Elgort) are seen sitting in Ryan’s apartment a few moments after the ending of the first movie. Both men are eagerly drinking their drink of choice, milk straight out of the carton for Ryan and whiskey for Jack. The two men seem pretty unhappy.

 

Ryan is shown searching for a new job. We see him applying several places. He ends up landing a gig working at a Dick’s Sporting Goods at the local mall. Ryan is relatively excited about the job as he was a baseball star in high school so he figures that he should be pretty knowledgeable. In the meantime Jack has done jackshit nothing with his life. He spends every night at the bar carelessly drinking alcohol.

One night Ryan shows up to the bar while Jack is up doing a very bad karaoke rendition of “Call Me Maybe.” The two men get in to an argument. Ryan tries to tell Jack that what he’s doing isn’t healthy. Jack gets very loud and makes a scene telling Ryan that he doesn’t know the struggles that he is going through. In the midst of things a wild bar fight breaks out. Ryan punches Jack in the face and knocks him out. Ryan notices that the police have shown up outside. He curses, throw Jack over his shoulder, and escapes out the back of the bar in a parkour fashion to elude the police.

 

Jack wakes up the next morning on Ryan’s couch, “Jesus Christ…” Ryan is standing over Jack looking intimidating and chugging a carton of milk. Ryan tells Jack that he needs to get a job. Jack bitches but eventually gives in to the idea and says that he will look for one. Ryan leaves to go to work. Jack pulls out his phone and looks at the San DIego Zoo website.

 

Ryan’s manager Anthony (Chris Hemsworth) approaches him after work and chats with him. Anthony asks Ryan if he would like to go to the batting cages with him sometime. Ryan says that he would love to trying to impress his new coworker but thinks that Anthony seems strange.

 

Jack is seen getting on a bustling bus that takes him to the San Diego Zoo. He enters the zoo and passes up all the animals at the front seemingly knowing exactly where he is going. He reaches an enclosure in the back and looks upon with tears in his eyes. Jack is looking upon Beman the polar bear in his new home. A zookeeper named Tom (Jason Statham) approaches Jack and says, “He’s a beauty isn’t he?” Jack just nods.

 

Ryan is at the batting cages with Anthony he gets a call from a rather drunk Jack who tells Ryan that he going to try and break Beman out of the zoo because he seems unhappy. Ryan attempts to explain that Jack is simply projecting his own emotions on to the bear but becomes frustrated and begins yelling at him. Jack stubbornly tells Ryan that he is going to do it and hangs up the phone. Ryan apologizes to Anthony and says he has to it’s kind of an emergency and leaves.

 

We see bits of Jack scanning the zoo attempting to design his breakout plan interspersed with Ryan attempting to drive to San Diego as fast as he can so he can try to talk some sense into Jack. By the time Ryan gets there Jack has succeeded in getting the bear out of its enclosure and are heading out of the park. Jack hears security people walking his way so he forces Beman into a family restroom. The security people tell Jack the zoo is closed and tell him where the exit is. Jack apologizes trying to act confused which is mostly convincing as he is pretty drunk. Jack walks out the exit and the security guards continue patrolling. Beman is still in the bathroom. Jack runs into Ryan in the parking lot. Ryan is relieved to see Jack without the presence of a polar bear. Jack plays along telling Ryan that he was right all along.

 

Suddenly Anthony shows up and says, “Hey guys” and both men respond in startled screams. Anthony explains that Ryan left his bat at the cages so Anthony followed him. Ryan takes the bat giving Anthony a weird look. Suddenly Beman busts out the gates of the park followed by the two security personnel from earlier running from behind panting. Ryan begins furiously yelling at Jack who simply jumps on the Polar Bear’s back and goes riding off into the night screaming.Everyone left in the parking lot gives one another wild looks… Until Tom comes riding out of the zoo on the back of a rhino heading the same direction as Jack. Then the two security guards and Anthony pass out.

 

Beman and Jack are seen sleeping in an alley in the early morning. Jack wakes up and checks that the coast is clear and that there are no people out before they start moving forward again. Off in the distance Tom and his rhino come cruising down the street acting very professional and asking people if they’ve seen a man with a Polar bear anytime recently. No one seems to have, and for the most part they are generally weirded out about the question and the man riding on the rhino.

 

News reports begin to pick up the story and we are shown a montage of several of them. We see Ryan listening to the news on the radio in his car hoping to hear reports of any sightings.

 

Finally Tom catches up to Jack. The two men on their respective animals are facing each other in an intense staredown in downtown San DIego. A big crowd has formed and a news helicopter is flying overhead reporting the events. Ryan is trying to get his way through the crowd to Jack with little success. The two men/animals have their fight. It’s a pretty even fight but Tom ends up winning and Jack goes to prison where he comes to the realization that he is alcoholic. Beman is returned to the zoo where he is now the most popular attraction. Ryan shrugs off the event and continues working at Dick’s Sporting Goods. Ryan also teaches Anthoney to have more confidence in himself and convinces him to see a therapist about his social anxiety. Tom is given an award by the governor of California.  We see Maya (Willow Shields) telling her mother she was right about dad.

 
 

 

 

Edited April 5, 2018 by Ethan Hunt

[YM!]

Desolate Sea

Studio: Infinite Studios 

Genre: Thriller/Drama

Director: Dominic Sena

Release Date: 12/6/Y3

Theater Count: 2,840

Rating: R

Budget: $15M

Runtime: 100 minutes

Cast:

John Goodman as Captain Edward

Rest are unknowns 

 

Captain Edward is sailing a party cruise back from Barbados full of rich people. Captain Edward is happy to come back as his wife is expected to give birth to his child in 2 weeks. However disaster strikes and the boat hits an iceberg causing it to sink, killing many except for a few people, Edward saves everyone he can and leaves on a lifeboat. Edward and the partygoers become lost at sea, facing adversities throughout  like hunger due to the lack of food, crazed crew members due to drinking sea water, and ravenous sharks, many of the survivors die but Edward lives. Edward and a few members make it out finding shore and tells about their story and Edward barely makes it in time to see his newborn child.

Edited April 5, 2018 by YourMother the Edgelord

[YM!]

Move Dazzled to 9/20/Y3

 

[YM!]

Time Cops

Studio: Endless Entertainment 

Seven Bucks Productions

Release Date: August 30th Y3

Genre: Action/Adventure/Comedy

Director: Rawson M Thurber

Rating: PG-13 for mild language, sequences of action violence and a brief rude gesture

Budget: $90M

Theater Count: 3,928

Format: 2D and 3D

Runtime: 125 minutes

Cast: 

Dwanye Johnson as Brick Johnson

Kevin Hart as Officer Javier Burton

Tessa Thompson as Tanya 

Jesse Eisenberg as Officer Donald Briggs

Melissa McCarthy as Senior Trisha Jones

Neil Patrick Harris as Carl Stewart

Ken Jeong 

Maya Ruldolph as 

 

 

Coming Soon

 

Spoiler

In a distant time in the future, it’s a hustle bustling and exactly what you’d expect for a futuristic city. We see a big headquarters called TIME. TIME watches and protects the space time continuum by fixing mishaps in time by pinpointing locations and sending agents back or forward in time. We see secret agents everywhere, and cut to Officer Javier Burton, a by the books and uptight officer taking a pill full of coffee and donuts. Suddenly the future drastically, much to the shock of the agents, becoming desolate and apolitical. The building changes slightly too. The agents are called immediately for a meeting with Senior Trisha Jones, the captain of the agency telling them of a major anomaly has happened in the past that they can’t determine who or what caused but found the year, warning that in the two days the space time continuum will fall apart. Trisha sends Javier to the year 2018 to fix the anomaly in a time machine which is a bicycle. 

 

Meanwhile in our present, we cut to Brick Johnson, a bodybuilder who runs a local struggling gym. Brick Johnson goes to met by his financial advisor for lunch, Carl Stewart, who advises him to sell it off much to his dismay. On his drive home is distracted by a flash of light which looks like a crashing object and follows it. Carl drives to the crash site in an alleyway and we see a naked Javier with no injuries climbing out. Javier introduces himself asking if he can find him some clothes. Brick immediately asks if he’s an alien or something. Javier runs circles around the question but accidentally reveals he’s from the future which Brick suspected from his dialect. Brick offers him a place to stay for now and help him with his case, in exchange for keeping his secret and some cash. Brick drives back to his house in the suburbs, taking Javier who is covered using spare clothes that don’t fit him and his bicycle.

 

 

 

Edited April 8, 2018 by YourMother the Edgelord

[Xillix]

Street Sharks

Release Date: November 27th, Y3

Studio: Gold Crescent Films

Genre: Superhero/Sci-Fi/Comedy

Director: Peyton Reed

Theater Count: 3,630

Premium Formats: 3D & IMAX 3D

Shooting Format: Digital 3.4K (Arri Alexa SXT) (Post-converted to 3D)

Aspect Ratio: 1.85:1

Image Release Formats: 2K DCP, 2K 3D DCP, 2K IMAX Digital 3D DCP, 4K IMAX with Laser 3D DCP (Upscaled from 2K master)

Audio Release Formats: 5.1, 7.1, Dolby Atmos, IMAX 12-Channel (IMAX with Laser DCPs only)

Production Budget: $90 million

MPAA Rating: PG-13 for action violence, language, and suggestive content

Running Time: 104 minutes

Major Cast:

Tyler Posey (John/Ripster), Blake Jenner (Bobby/Streex), Ezra Miller (Clint/Jab), Dacre Montgomery (Coop/Slammu), Stanley Tucci (Dr. Paradigm), Ashton Kutcher (Bends), Camille Hyde (Lena), Mark Ruffalo (Dr. Robert Bolton)

 

Plot Summary:

Based on the 1994 animated series of the same name.

Spoiler

 

The film is set in the fictional Fission City, badly-polluted industrial city in an unspecified American state with more than a few obvious parallels to modern-day Detroit. One of the city's few positives is that it's home to the prestigious Galliani University, where geneticist Dr. Luther Paradigm (Stanley Tucci) and his protegee Dr. Robert Bolton (Mark Ruffalo) have been performing advanced, dangerous genetic research. They've developed a process far more effective than traditional gene-splicing, which Dr. Bolton cheekily refers to as "gene-slamming" for its speed and potential for destruction.

 

Dr. Bolton wants to keep the research purely academic, but Dr. Paradigm is a good old-fashioned mad scientist and decides to use it to create gene-slammed super-warriors. When Dr. Bolton tries to interfere, he becomes an unwitting test subject and is mutated off-screen into an unseen, but assuredly horrible, monster, escaping into the night and going into hiding. Using what he learned from the flaws in Bolton's transformation, Dr. Paradigm proceeds to gene-slam a lobster and a swordfish with DNA samples he's taken from inmates in the nearby maximum security prison under the guise of a different research project. The resulting fusion creates Slobster and Slash, two hulking, muscular, monstrous brutes he enslaves as his henchmen. (Slobster and Slash are played by relatively unknown stuntmen; the mutant beings in this film are depicted via detailed prosthetics and suits enhanced with CG effects. Like The Shape of Water but swole.)

 

When Dr. Bolton doesn't show up for his morning lecture at Galliani University the next day, graduate student Lena Mack (Camille Hyde) becomes concerned. She informs her faculty supervisor, who happens to be none other than Dr. Paradigm. Paradigm doesn't seem terribly concerned, but when Lena suggests contacting Dr. Bolton's four sons, he suddenly becomes very interested. He tells Lena to call them and inform them that their father has requested a meeting with them in his off-campus lab that evening. Lena is somewhat suspicious, expressing her concerns to Bends (Ashton Kutcher), the university's eccentric robotics professor. Bends agrees that Paradigm "has kind of a Victor Frankenstein vibe going on," but assures her he's old friends with Dr. Bolton and would never hurt him.

 

Lena calls John Bolton (Tyler Posey), the eldest son, an inventor who makes a living selling his projects through infomercials. He then gets in touch with his three younger brothers to relay the message. The second-born is Clint (Ezra Miller), who works as a mechanic at a local auto body shop and kickboxes as a hobby. The second-youngest brother is Bobby (Blake Jenner), an egotistical extreme sports enthusiast enrolled in community college who rollerblades literally everywhere. The baby of the family is Coop (Dacre Montgomery), a high school senior and star quarterback on the school's football team. 

 

The four brothers are quite competitive and race to the lab through the gridlocked city streets, ultimately all arriving at the same time and arguing over who got there a few seconds earlier. Naturally, their father isn't there - it's a trap set by Paradigm. The mad doctor sics Slobster and Slash on the siblings, who are quickly captured despite their attempts to fight back. Dr. Paradigm has them bolted down to become the next subjects of his gene-slamming experiments, and fuses them with shark DNA from different species - a great white for John, a tiger shark for Bobby, a hammerhead for Clint, and a whale shark for Coop. However, the experiment seems to fail and kill all four brothers. Disappointed, but hardly feeling guilty, Dr. Paradigm has Slobster and Slash dump their bodies into an old storm drain.

 

The next morning when Dr. Bolton again fails to show up for his lecture, Lena meets with Bends in a panic. She's tried to call his sons again, but none of them have answered. She's sure Dr. Paradigm did something to them. Bends has a gap between classes he needs to teach, and he's distracted enough by Lena's presence that the personal project he's working on literally goes up in flames. He decides to go search the city for the missing brothers while he has the time.

 

Having been washed into the river by a storm the previous night, the Bolton boys wake from their death-like slumber to find themselves rapidly transforming into man-shark beasts! Thankfully, this gives them the ability to avoid being swept over a dam they were rapidly approaching, their enhanced strength and swimming skills allowing them to swim against the river's tide and escape. People on a passenger bridge over the river catch sight of them and, shocked, call the police, who at first laugh the whole thing off but are eventually forced to investigate when the sheer volume of reports from different people all along the riverbank prove it wasn't a prank call.

 

The mutated brothers pass under a highway bridge crossing the river, and panic sets in as motorists catch sight of them. This causes a multi-car crash, and a family's minivan is pushed over the railing into the river. Though the people trapped in the minivan - especially the two young kids - are terrified of them, the shark brothers manage to save them all from drowning, freeing them from the wrecked vehicle by biting right through the steel doors and carrying them to shore. John tries to give a rousing, impassioned speech about how they're still human at heart and all that, but the family just shrieks and runs away, the mother shocking John with a pastel-pink taser. The cops arrive at the scene of the pile-up quickly and immediately draw their weapons on the shark-men, who realize they can actually burrow underground, "swimming" through the land and even concrete to make their escape.

 

Bends is driving around the city in search of the Bolton brothers when they happen to surface out of the road right in front of his truck, their fins protruding out from the asphalt like normal shark fins stick up out of the ocean. Bends swerves and crashes into a fire hydrant, shooting water all over the street and burying his face in the airbag. He briefly passes out. The shark brothers pull him out of the truck and rouse him, and - before he opens his eyes - he thanks them, saying he "was having a super trippy hallucination out of some B-movie." When he opens his eyes and sees the shark-men, he realizes what the audience already has - "Oh, shit. This IS a B-movie."

 

Then the brothers start talking and he recognizes their voices. 

 

"Never mind," he corrects himself. "More like a Z-movie."

 

Still, he's been vaguely aware of Paradigm and Bolton's genetic research for a while, and it doesn't take him long to realize the brothers' story about being mutated by the madman is probably true. A siren wails in the distance, coming closer. Someone's called the cops, either for the car crash or the giant mutant sharks, "but probably both," as Coop points out. The mutant brothers pile into the back of Bends' pickup, and a car chase ensues as Bends drives his damaged Ford all over the city in a desperate attempt to flee from a constantly-growing number of cop cars. The cops are soon joined by news helicopters, broadcasting footage of the freaks all over the local, and then national, news. One of the news choppers, informed by the newsroom they need to get the "closest, clearest" footage of the sharks to boost their ratings, flies too low and crashes into a billboard, collapsing onto the highway and cutting off the police pursuit, allowing Bends and the brothers to escape in the chaos as the other helicopters pull away out of caution.

 

Just when the coast seems clear, though, their escape through an underground tunnel is cut off by Dr. Paradigm and his own mutant henchmen, blocking the end of the tunnel in a huge Humvee! A huge Humvee which, naturally, Dr. Paradigm has equipped with after-market laser cannons. A raging battle ensues, with our heroes fighting Slobster and Slash while trying to protect Bends from Dr. Paradigm, dodging laser blasts all the while! Bends' truck gets blown up by an off-aim laser, but the sharks manage to knock out the villains long enough to steal the Humvee, barely cramming into it! Thankfully, it's got tinted windows for Dr. Paradigm's own nefarious purposes, and they can't be seen within.

 

Driving the Humvee, Bends finally notices he's got 37 missed calls from Lena, who recognized his truck on TV. He calls her back, despite John's stern warning that it's dangerous to use your cell phone while driving. Bends assures him it's probably the least dangerous thing he's done all day. Lena is panicking, and Bends can't calm her down long enough to explain anything. He hands the phone to John, and hearing his voice relieves a bit of her anxiety. Once he's established he and his brothers are safe, he details how Paradigm transformed them into the shark monsters on the TV. To his surprise, she accepts this more or less immediately.

 

"Ugh," she replies, "I KNEW he was up to something! Either that or some kind of super-plague."

 

"...you knew he was up to something, and your two possible theories were germ warfare or kidnapping nubile young men to turn into superhuman mutant fish-people?" John asks in shock.

 

"Obviously you haven't been on the right parts of the internet," Lena retorts.

 

"I dunno Lena, nothing about that seems right to me."

 

Lena demands the phone be handed back to Bends, and John complies. She suggests they meet up somewhere the sharks can "blend in," but Bends remarks the local furry convention has been cancelled ever since all those Nazis showed up at the last one. Besides, they're all over the TV and internet - everyone in the country knows what they look like. Relenting, Lena suggests the abandoned amusement park on the edge of the city, and Bends figures it's probably their best option. As the pair finalize the details, a distracted Bends veers off the road and crashes into another fire hydrant.

"Told you," John chides as Bends quickly peels out and races away before the cops come for him again.

 

Lena meets up with Bends and the sharks in the deserted park at sunset, but the group are discovered by a mischievous little kid who's broken in to vandalize the place with his spray-paint. He starts to panic, but Bends manages to convince him the mutants are actually just performers in costume, claiming the park is going to re-open soon with an awesome new show called "Street Sharks," and that the police chase was just a publicity stunt. The kid is young and stupid enough to believe this, but asks the sharks their names. Not wanting to give away their real identities, they come up with silly aliases on the spot - John declares himself "Ripster," Bobby calls himself "Streex" after the stripes on his body, Clint refers to himself as "Jab," and Coop says he's "Slammu."

 

The kid seems satisfied, and is excited when he sees "the other characters" approaching. It turns out Dr. Paradigm, Slash, and Slobster have tracked out heroes to the park! Lena shoos the kid away, saying it's time for a "secret show rehearsal," and Paradigm tries to convince the Bolton brothers to surrender and come with him peacefully. He says that society has already decided they're monsters, and they won't be able to survive without his help. But the sharks aren't willing to give in, especially because they suspect he's killed their father. Once again a battle ensues!

 

Slobster and Slash fight the brothers as Dr. Paradigm, wielding a laser pistol of his own design, tries to capture Lena as a hostage. She runs into an old fun house to try and lose him, and Bends rushes in after them. A wacky chase proceeds inside as they get lost in a hall of mirrors, stumble through a section with tilting floors, and scramble up and down a series of ramps, slides, and climbing nets. Outside, the battle also incorporates elements of the abandoned park, such as the villains throwing bumper cars at the sharks as projectiles, the mutants shoving the swinging pirate ship ride back and forth at each other with their super-strength, and the sharks breaking apart the Ferris Wheel and sending it rolling after Slobster and Slash.

 

Inside the funhouse, Bends' attempt to rescue Lena results in him getting captured. Lena actually winds up saving him, knocking the laser gun out of Paradigm's hand with a well-aimed throw of a plastic ball from the funhouse ball pit before proceeding to just generally kick his ass, which isn't especially hard when he's unarmed seeing as, as she points out, he's just "some creepy old pervert," implying he has a fetish for half-naked muscular mutants. She and Bends escape the fun house just as the sharks send Slobster and Slash flying into the side of the building, collapsing it and trapping Dr. Paradigm inside.

 

All this commotion, however, has attracted the attention of the police again, and several SWAT teams with body armor, machine guns, and Armored Rescue Vehicles. The sharks tell Lena and Bends to run and hide, which they do, then insist to the arriving police they mean no harm. But Slobster and Slash attack the cops, who begin firing on all the mutants indiscriminately. The sharks consider burrowing away, but John tells them they can't leave behind Lena and Bends, and shouldn't let the evil mutants kill any of the cops. As such, our heroes fight on two fronts - Ripster and Streex fight Slobster and Slash to try and keep them from harming the officers, while Slammu and Jab use their brute strength and Jab's mechanical knowledge to disable the ARVs.

 

The battle finally comes to an end when Jab pulls the officers out of the last functioning ARV and sends it barreling towards Slash and Slobster, ramming them into the supports of the park's rotting wooden roller coaster. The coaster collapses on the evil mutants, killing them. Once they see that Bends and Lena have managed to sneak out of the park unscathed, the Street Sharks dive into the ground and escaped, leaving behind a horribly confused - but mostly uninjured - police force.

 

In the aftermath, Bends sets up a new lair for the Street Sharks in the old abandoned lab space beneath the university's ice hockey stadium. He's hard at work retrofitting the Humvee they stole from Dr. Paradigm into a "Shark-Mobile" to move the team around the city in secret - but he's keeping the laser blasters "just in case." He also presents Streex with a custom pair of rollerblades big enough to fit on his mutant feet. Along with Lena, the group decide their priority is to find Dr. Bolton, hoping not only to reunite the family, but to find a way to reverse the mutations and resume their normal lives. Until then, they realize, they must be ever-vigilant.

 

MID CREDITS-SCENE:

 

Dr. Paradigm has been rescued from the funhouse rubble and is being interviewed by government agents about the strange events in Fission City. He insists that it was Dr. Bolton who is responsible for creating and unleashing the gene-slammed monsters, and that he was at the park trying to stop their rampage. He gladly offers his "invaluable assistance" in helping the government capture the shark-men...

 

Edited April 6, 2018 by Xillix

[YM!]

@Xillix Can Pigeon have IMAX 2D along with it’s already claimed IMAX 3D? I still want IMAX for Pigeon but I want both IMAX 2D and 3D.

Edited April 6, 2018 by YourMother the Edgelord

[Ethan Hunt]

2 Lonely 2 Zookeepers is done by the way if you wanna put that on the schedule