Jump to content

M  

7 members have voted

  1. 1. Grade it



Recommended Posts



It's said that life imitates art, so it's a curious thing to watch M with knowledge of certain serial killers that have followed in the decades since. As a result Fritz Lang's masterpiece plays like Zodiac 0.5 during it's first act, with the publication the murderer's letters sent to the press and how both the media and police force play off each other in pursuit of the killer (albiet with different results).Everyone seems to be out to save their own reputation with the sudden appearance of a child murderer and this is communicated through a fantastically edited sequence that continuously intercuts a mob meeting with a policeman's dinner. Here their reasons are laid bare. The police, out to rescue their failing public image, press down harder on the mob in pursuit of the killer and the mob reacts by joining the chase, reasoning that if the killer is found their criminal lives would be made easier once more. This culminates in a fantastic speech from the killer, delivered note perfect from Peter Lorre. It's a great scene that leaves one a long time thinking of the film's central moral conundrum.On the technical side of things there is an incredibly effective use of sound for a film of this era, particularly present when the killer, Hans Becket, pursues a young girl. He is not seen but present through his hypnotic whistling of 'In the Hall of the Mountain King', which grows louder with each passing second. Couple that with some imaginative camera work of Hans reflected in a mirror framed with knives, whilst in conflict on whether to follow his disgusting urges. It's a scene that's damn near close to perfection in a film full to the brim with near perfect scenes.5/5

Link to comment
Share on other sites

a very interesting film elevates itself to absolute genius in trial by beggars. should have ended with their hands up, fade to black, 'in the name of the law'. the final line about mothers watching their children was unnecessary. ah well, great film.

 

A-

Link to comment
Share on other sites





One of the more seminal films yet made and arguably my favorite of the decade in which it released. Peter Lorre's performance has never left me. Lang's measured, brilliant pacing and storytelling too. In parts, police procedural, serial killer epic, film noir, psychological study and societal study. Awesome, awesome, awesome movie.

Edited by JohnnyGossamer
Link to comment
Share on other sites



Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.



  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Guidelines. Feel free to read our Privacy Policy as well.