Eric Prime

Don't worry Tele, the boy thankfully doesn't get sodomized.

I'm still mad the Internet decided to unanimously hate the ending. It's one of the sweetest and most emotionally devastating conclusions I've ever seen.

Remember the story of Cronus?

Sorry. This is God.

Goddamn, I wish I had a good grilled cheese sandwich.

Odd comparison, but okay.

Looks good.

I'm still confused by how huge of a success JumanjII really was. Black and Gillian aside, it's as generic and forgettable of a blockbuster as they come.

If there’s one thing I can get behind with the Twitter backlash is how awful the “parody poster” marketing that has occurred within the past year or so (Zootopia aside). Easily the worst thing in modern film marketing

Is he still alive?

Let me just get my fedora, and I’ll explain to you why these SJW libtard critics are complete cucks and are only going to give positive reviews because Ava’s black, and that Disney is bribing critics.

Wrinkle in Time 499 1582 31.54% Strangers 9 1672 0.54% Tomb Raider 8 1560 0.51% No huge boost for any of these movies but they're all still chugging along swimmingly.

They better bring back Steve.

If Matt Le Blanc doesn't show up, then I don't care.

Not digging the Pooh design at all.

I think the one thing that makes me hesitant on this making $300M+ is that, when compared to Disney's recent fantasy films that made $300M+, there doesn't seem to be anywhere near as strong of a hook. Alice in Wonderland came out when Johnny Depp was at his peak of popularity, it was the first time since 101 Dalmatians Disney brought one of their famous animated films with a live-action spin (I know it's not actually a remake of the animated film, but it sold itself like that), and arrived as the first major 3D event film since Avatar, which breathed new life into the format. The Jungle Book sold itself on its groundbreaking visuals, which was hammered down people's throats, and the marketing heavily pushed the film as being something that needed to be seen in 3D and IMAX. It also had critical acclaim. Beauty and the Beast was capitalizing on 90s nostalgia, which is extremely potent (kids who watched the animated movie have kids of their own, or want to recapture something they love), and it also had Emma Watson playing another Hermione-esque character, which gave it a lot of appeal from kids, adults, and teens. Mary Poppins Returns has none of that. Emily Blunt isn't a big name like Depp, it won't have awards-worthy visuals, I'm not sure if it'll even have 3D, and while it's still popular with the kids, it doesn't have the same kind of 90s nostalgia power that something like Beast, Aladdin, or Lion King had or will have. It'll likely fit in somewhere around $250M, and I think we should be happy with that number.

Amy Adams Viola Davis Kiki Layne Melissa McCarthy Saoirse Ronan

Christian Bale Ryan Gosling Lucas Hedges Robert Redford John David Washington

I guess I'll make my new predictions. I'm not gonna predict any winners, because that's way too early, and I don't want to look like WrathofGoober and say all the main categories will be won by two movies. Ad Astra Backseat or Cheney or whatever the fuck it's called If Beale Street Could Talk Black Klansman First Man Mary, Queen of Scots The Old Man and the Gun Untitled Pippa Bianco Project Widows We the Animals

I'd eat that.