Reviews do nothing to make me feel like raising my 40-45 OW/125-140 total prediction. A 160-minute plotless comedy-drama about the everyday life of a second-rate actor and his stunt double in 1969 doesn't strike me as an event movie for the GA, much as I'd like to be proven otherwise. Maybe it'll manage to open in the 50s due to sheer curiosity but then I'd expect weaker legs to follow.
Gonna guess a careful awards season rollout awaits. It might do better than Tree of Life commercially, being not so experimental, although then there's the length and lack of stars. Looking forward to it, anyway.
A24 better not hold this back for over a year like they did The Witch. They don't have anything actually scheduled post July 12 so anywhere from August to October would be good.
Malick's movies aren't all alike. Badlands is different from anything he's made in tone. Both it and Days of Heaven are short and more story-driven. Thin Red Line and The New World are genuine epics. Tree of Life and the subsequent three movies all work in their own significantly different mode.
Plenty of "cultured" people can't either and I'm sure some "uncultured" can and get things out of them. I don't think that's a useful dividing line especially when it comes to his work. You feel the connection or you don't.
Diner is wonderful too. I gotta seek out the other ones. This one just floored me. One of the best and wisest films about America, family and memory. I feel like if it came out today it'd be even more celebrated than the likes of Roma. But I'm glad Levinson got the chance to use that post-Oscar clout to make it when he could.
I think Knight of Cups is a masterpiece and Song to Song was his first weak movie ever so no real idea what to expect from this one especially after he promised it was a return to more conventional scripted filmmaking but then spent a couple of years editing it anyway. Cautiously excited though.