This is kind of like when Jack Warner sold their entire back catalog for cash then they proceeded to spend like 3 decades trying to get it back and they only got it back by pure luck.
They won't sell DC or even stop producing comics, there's no point in that. DC as a division is profitable last I checked.
He's more likely, and I have no idea why he hasn't done this yet, to sell WB Games. They could easily fetch a few billion for it and they would save money on game development and make money by licensing out their IPs to studios to make games.
They currently teach AOL-Time Warner in every MBA program, at this current moment, they might as well package literally every WB merger outside of their merger with Tuner.
Every WB merger in history has been bad, WB-Seven Arts, Kinney National, Time Inc, AOL Time Warner, AT&T Time Warner, and now Warner Bros Discovery.
I seriously have to believe he's going to be there and he's going to announce a new Superman project, because what I know of the DCEU's rumored plans for the universe sounds beyond stupid that it can't be true.
I seriously can't understand how you could continue this universe, in the state that it is in and with the incredibly dumb rumored plans, without Superman.
It's crazy how Flash would have been out in late 2019 or 2020 if they had just let Ezra Miller's contract expire and sided with Daley and Goldstein. I'm sure it would have been mediocre given those two's output, but at least it would have come out and it would have made money.
There needs to be a documentary made on the development of this movie so I can learn why it was so imperative that Ezra Miller had to be in the movie and why he couldn't be recast. I just don't understand, he wasn't particularly liked, he didn't play the character well, he didn't look like the Flash, and he was barely in the universe so it wouldn't have been impactful to recast him.
Forget about DC for second, the animation unit becoming it's own separate vertical is fantastic. It's shocking how poorly their theatrical animation output is when you look at what they accomplish through TV, DTV, and streaming.
I wonder what this does for Matt Reeves as a director.
Does this push in him to the level of like a Nolan or a Cameron, not from a general audience standpoint, but from a studio standpoint giving him carte blanche to do what ever he wants?