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Also, keep in mind that “The Passion of the Christ” grossed $370M+ DOM and in terms of R-rated movies, it’s still the biggest film in the US with that rating in twenty years as of now. The one R-rated movie that came closest to Passion’s DOM record was….funny enough, the first Deadpool with it’s $363M DOM gross with a $132M OW.
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Still waiting for an official 30th anniversary theatrical re-release of Disney’s “The Lion King (the original film)”. 🥶 It would be very stupid and foolish for theaters if they didn’t re-release that film back on the big screen again in any way. Especially since the film’s lifetime WW-gross is at $968M so far. $32M left to that $1B-mark, and yet we’ve never seen any new theatrical return for the film since the 3D-release back in 2011 (thirteen years ago).
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You guys aren’t alone when it comes to Toy Story 4. Loved it as well. And i watched all the TS films from the franchise. 🤩🙆🏻♀️ One of the several fourthquels that is both a crowd and critical pleaser, that many can enjoy. Still the highest grosser with $434M DOM & $1.073B WW. And as far as big animated fourthquels go…TS4 still has the highest RT-rating (97%) of all animated fourthquels.
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You’re not alone. I also really did like Jon Favreau’s take of TLK. First time when I saw it and I still rewatch it every time when I’m in a good “Lion King” mood. It’s not the 1994 version (which that is a masterpiece of a movie), but I liked it more than fine. 👩🏻💼 Seems like the hate that movie got and gets even to this day & age, are from those who really never liked the lesser Disney remakes to begin with, or just were so frustrated by it’s existence. I do get why certain are not fans of the 2019 version and that’s fine. More power to them. But the way the internet treats that film is almost like it’s the “Disney Remake” equivalent of Shyamalan’s “The Last Airbender movie”, though not as severely hated and disposable as that one. Like, if anyone’s allowed an unpopular opinion about liking TLK (2019), that would be going against the popular opinion. I checked both the critical and audience reception for The Lion King (2019) on Rotten Tomatoes. While the 52% critical score for the film is a bit more meh and “run of the mill” for a Disney remake, the audience score is at a high 88% miraculously. This film though seems to be in an interesting situation where unlike the last TLK-film, by the premise of it…this one doesn’t really sound like a beat for beat same film and instead is a prequel about one of the most iconic and popular characters from the entire TLK-franchise, Mufasa. And while it’s not going to make anywhere near the numbers of the previous film, it’ll do fine. Not a massive hit, but not a massive bomb either. And we don’t know exactly how much better or worse (or even a similar quality) than the last film, critics and audience will think of this. Maybe we’ll like it or dislike it more than TLK (2019). It’s more like a “wait and see” type of situation for this one. 🤷🏻♀️
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Wonder which next Kaiju villain you want either Kong or Godzilla to go up against in future Monsterverse movies, whether it be original ones exclusive to this franchise or using one or more of Toho’s monsters? Since the previous monster antagonists were pretty dangerous threats to each title character. 🤔 “Godzilla (2014)” had the two MUTO’s, “Kong: Skull Island” had that one huge Skullcrawler, “King of the Monsters” had King Ghidorah and then the previous film “GvK” had MechaGodzilla. Usually the evil monsters are the biggest threats in these films.
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Sweet. Surprising that none of the previous Monsterverse films have grossed over $600M+ WW, despite “Kong Skull Island” being the only one so far with a $400M+ OS gross. 👩🏻💼🙆🏻♀️ If King of the Monsters stayed put in the March 2019 slot instead of the very crowded May, would it have done more money? 🤷🏻♀️