Eric Quinn

The article mentions that this kind of social media studying is biased towards films that come out earlier in the summer, since their marketing campaigns are much more omnipresent. MI6 has a trailer, a Super Bowl spot, a featurette, a couple of posters, some Henry Cavill moustache memes, and that's it. It also doesn't help that it's skewing to old farts, which makes getting social media #s a lot harder.

https://pro.boxoffice.com/social-media-summer-buzz/

I dunno, I feel like being a 2020 release will dampen GvK's chances at making $1B in 2019. ¯\_(ツ)_/¯

Kyle Buchanan says there are rumors of this film premiering at Cannes. With the August release, a la Basterds and Hell or High Water, that seems to be pretty likely at this point.

MovieTickets @ 4PM EST 1. AQP: 30% 2. RPO: 12.3% 3. IW: 11.3% 4. Blockers: 11.2% 5. Black Panther: 4%

Jesus Christ.

Super solid, enjoyable film. But that first kid was a dumbass. You know that the monsters kill people through sound, but you put batteries in that dumb rocket, and let the sounds play off, threatening you and all of your family? Moron.

Apparently, the first movie took a huge toll on the production staff, especially since they were developing and working on the movie at the same time as they were making the show, and were continuously editing the project and adding in new sequences months before the movie was supposed to come out.

I'm honestly surprised that MIB 23 didn't happen. When 22 Jump Street jumped so dramatically, having Tatum and Hill crossover with another property would have kept the series fresh and keep the brand alive, and would be much easier for the creatives to work on than another straight sequel. Even if they went with the Men in Black angle, meaning a longer post-production time, it still could have been easily slotted into a 2017 or 2018 release. Hell, they could have used that movie to promote Hems and Thompson for the 2019 spin-off/remake/whatever Sony's doing. But at this point, we'll probably just get a 23 Jump Street that will probably drop like Hangover 3. I also am a bit surprised we never got a Monsters vs. Aliens sequel. I know it didn't make a whole lot overseas, and Katzenberg wanted his films to focus less on parody, but it was close to making $200M domestically, and had some pretty good legs and reception. If movies that made less like Trolls can get a sequel, why didn't this? (Well, I guess Trolls could be like Cars, and be a moneymaker for Dreamworks in the toy department) And while this could happen, I'm shocked Sony hasn't announced a Peter Rabbit sequel yet. It's already made 4.5x its opening weekend, and could very well even reach 4.75x, and the movie was made on a $50M budget, so the sequel could very well cost $70M at most. And unlike a movie like Smurfs, the film isn't considered a critical dumpster fire where a sequel would drop like a rock. Fast-track another one, put it in a winter 2020 release date, make profit.

"Incredibles 2 tickets are all on sale now" *checks Fandango, and comes out disappointed* Why must you turn this forum into a house of lies?

So, how about that Quiet Place?

P.S. In the sequel, Mr. Student Body President replaced Shia LaBeouf as the main character. @Trolltastic Tele @That Ambitious Guy At last, we're finally going to get the male Tomb Raider we've all wanted.

Alicia vs. The Undertaker's gonna be LIT

When you had a chance to be in the biggest franchise ever, but a schlubby comedian takes your chances away.

Please tell me you made this glorious gif.

Rampage: $35M Truth or Dare: $12.5M Isle of Dogs: $5.7M Sgt. Stubby: $3M Borg vs McEnroe: $1.5M I Feel Pretty: $17.5M Super Troopers 2: $5M Traffik: $3M That new Russo Brothers joint: $220M

@Porthos Do the thing.

Could it actually reach $100M?

A $50M opener, and a 20% drop? We're truly living in the Blunt-aissance.