Also, it was how the magic blood plot device was handled in STID and TASM2 that was problematic, not the device itself. The device worked like a charm in Edge of Tomorrow.
Question.
I read this was supposed to have a trailer attached to the Hobbit. To those that saw the Hobbit, was there a trailer attached?
*And* it's sci-fi action.
I was hoping they'd call one "Only the Fast, Only the Furious", as a legit title, not a joke one. I think it's a befitting title.
But truthfully, there's a part of me that also dislikes subtitles as well. I guess generally there's too much repetitiveness among them: "Age of..." "Return of..." "Rise of..." "Revenge of...". How many more of those do we need?
Nero. Knew that off the top of my head.
But Nero was created specifically for that movie. Khan was an already established character. So that's not really fair.
Rupert Gregson-Williams pretty much always gives Sandler films scores that belong in Lifetime/Hallmark movies, which is befitting since they've become cheap looking TV movies.
As far as Happy Madison films go, this looks to be the most different. Even the composer is different (Cap 2's Henry Jackman as opposed to his usual Rupert Gregson-Williams). Of course, different is all about relativity when it comes to Happy Madison.
Number 5 I think we've already agreed with. It is so irritating that even after we're told to turn off our phones, there are always some people who still insist on using them.
Problem is he always gets his and his writing team's crummy little paws on the script to his movies whether he's credited or not. So it strongly suggests a squandering of potential.