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antovolk

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Everything posted by antovolk

  1. Only that Dan Romer is indeed out. Last name mentioned was Benjamin Wallfisch but nothing solid, though the guys who broke the Romer news have heard it is indeed not Zimmer but one of his Remote Control Productions people.
  2. It was initially announced by MGM/EON for the 8th, then I think in October it officially moved to the 10th. Just that MGM for whatever reason didn't bother to ask BOM etc to update
  3. Aside from the Fandango thing, it was on all the official MGM/UA press releases when the trailer dropped. UK now set for April 2 as well.
  4. Analysing the spinning and black/white changes akin to a clock - 12/19/19 (on the UK and international accounts it spells out 19/12/19). Likely teasing the prologue itself, since that's when TROS is out...
  5. Yes, in the States it's all much more formal and a product of negotiations between studios/exhibitors. Generally one/two trailers from the same studio are guaranteed 'attached' to all screenings. I'm guessing that's a hold over from the 35mm days where the trailers from the same studio were physically spliced in - hell, same with recent 70mm releases too from Warners here in the UK. Dunkirk had BR2049, Justice League and (for IMAX 70mm prints) The Last Jedi attached, Joker had the Tenet teaser attached to prints. Anyway the prologue - an extended preview like this - is surely a product of more complex discussion between WB and Disney. Disney absolutely will - and in the case of Dunkirk did - have a say as to which venues could play it.
  6. There was a rumour a few weeks ago that Romer has left the film...
  7. Yeah SW won't be getting 1570 so they won't be precious with it format wise. All depends on the Mouse, apparently Disney was the reason Dunkirk's didn't play all IMAX locations.
  8. Next week is the week it seems https://www.mi6-hq.com/news/no-time-to-die-teaser-trailer-planned-for-release-191127
  9. Yup, this is absolutely 😮😱 Believe the hype, Deakins is definitely coming for Oscar numero dos and Newman's score is utterly incredible...in so many ways it feels unashamedly like a response and contrast to DUNKIRK, similarly experiential and visceral and yet does everything that film chose not to do..more old-school in its structure and approach to character and ultimately, the boots on the ground POV just as immersive as the epic scope of IMAX there. Atmos + Dolby Vision really suck you in here - Dolby Cinema is the way to see this. As easy it might be to get into arguments over which film is betrw they are ultimately, I'd say, companion pieces complementing each other almost perfectly. It's apples and oranges, different wars aside, they are ultimately different approaches to achieving this immersive experience. Cast is as good as you'd expect but again, it's all about the overall experience, intensity and craft. Though Though it does fall into the same 'issue' of the big names ultimately being not much more than glorified cameos, but the story isn't about them, it's about MacKay and Chapman and they are brilliant. A few other random thoughts: - if it wasn't already obvious enough, Dolby Cinema / Atmos > IMAX - now we know why that second trailer was...like that - if this isn't proof a DEATH STRANDING movie going all in on those fetch quests could kick serious arse.. - shades of Apocalypse Now - again, Deakins and Newman just steal the show - Oh, and, there's an image (because you can't really say shot lol) in this that's gonna generate so many OMG CINEMATIC PARALLELS MENDES WAS CLEARLY INSPIRED BY MARVEL tweets 😝
  10. FYI - UK is seemingly keeping full theatrical window. November 6 there including IMAX screens (which are all with major chains who'd refuse to play without the 16 weeks)
  11. Pushed back to February 2020 in the UK, would imagine US will follow suit https://www.dcm.co.uk/news/latest-film-release-changes-31-july-2019
  12. Now titled Dolittle. Sudden pivot to heartstrings/dead wife...darker than it probably was pre-reshoots?
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