Eric Quinn

#32 Avengers: Infinity War 1,292 points, 23 lists "Dread it. Run from it. Destiny arrives all the same." Box Office: 2.052B Rotten Tomatoes: 85% Metacritic: 68 Awards: 1 Academy Award nomination, 1 Annie Award nomination, 1 BAFTA Award nomination, 1 Grammy Award nomination, 3 MTV Movie Award nominations Roger Ebert's Review: N/A Its Legacy: The fourth movie and first superhero movie to reach $2 billion. The fourth-biggest film of all time on its release. One of the most expensive movies ever made. Features one of the biggest cliffhangers in movie history. Had one of the biggest, most-viewed ad campaigns and trailers in movie history. Memed to death literally everywhere. Gave Josh Brolin a paycheck. Commentary: Cramming six different superheroes into one movie seemed like a crazy idea. But then the Russos and Papa Feige did the unthinkable and added in every superhero in almost every other Marvel movie that came out. And while they were at it, might as well throw in Peter Dinklage, because why the fuck not? And yet somehow, despite all the cramming and overstuffedness, despite all the headaches this could have potentially caused, Infinity War somehow worked. Really worked. Smartly grouping the heroes into three different groups in the narrative, we got ourselves an epic farce of superheroics, with numerous people butting heads and playing off one another, a lot of great story and character arcs, and tons of fun action and character moments. Then of course in the middle of it all is Thanos. The big scary purple dude who was hyped up to kingdom come for tons of movies finally got to show off to the people what he’s all about. And serving as somebody who is menacing and fierce, all that teasing and hype was worth it. He’s also sympathetic to some, with people saying he was right all along in killing half of humanity...those people are wrong, so...yeah. And of course, there’s the ending. With Thanos actually victorious and half of humanity wiped out, it was a shocker of a finale. Sure, we all know the heroes are coming back, but it’s about the journey, not the destination. And it was still a huge cliffhanger that hit people emotionally and got them hyped for the big Avengers finale. To some, that ending solidified the film as one of the best Marvel movies ever. Better than Endgame. But did BOT think it was better than Endgame. Well...yeah. I know I’m spoiling things, but...we’re already so far into this list that...come on, you know it made the top 100. So...yeah. But hey! This is still a movie y’all were passionate over.

#150 - The Aristocats (276 points, 8 lists) #149 - Signs (277 points, 6 lists) #148 - Cars (278 points, 10 lists) #147 - Wendy (291 points, 5 lists) #146 - Doctor Strange (293 points, 11 lists) #145 - 101 Dalmatians (1996) (293 points, 6 lists) #144 - Bedknobs and Broomsticks (294 points, 7 lists) #143 - Life is Beautiful (295 points, 5 lists) #142 - Bringing Out the Dead (298 points, 6 lists) #141 - Pocahontas (299 points, 8 lists)

😐 These studios really don't care anymore lmao

omg so brave 🙄

Quorum Updates Arthur the King T-22: 31.62% Immaculate T-29: 22.32% Civil War T-50: 25.36% Back to Black T-85: 28.53% The Garfield Movie T-92: 37.73% Demon Slayer: Kimetsu no Yaiba - To the Hashira Training T-1: 24.58% Awareness Final Awareness: 15% chance of 10M Low Awareness: 13% chance of 10M Drive-Away Dolls T-1: 20.1% Awareness Final Awareness: 15% chance of 10M Low Awareness: 13% chance of 10M Ordinary Angels T-1: 29.25% Awareness Final Awareness: 15% chance of 10M Low Awareness: 13% chance of 10M Dune: Part Two T-8: 60.36% Awareness Final Awareness: 100% chance of 20M, 90% chance of 30M, 85% chance of 40M, 75% chance of 50M, 65% chance of 60M, 50% chance of 70M, 35% chance of 100M Tentpole Awareness: 100% chance of 30M, 86% chance of 60M, 43% chance of 70M, 29% chance of 100M The Ministry of Ungentlemanly Warfare T-57: 15.63% Awareness T-60 Awareness: 33% chance of 10M Low Awareness: 27% chance of 10M

You didn't vote for 10 things, you voted for 100 things.

MAH BOIS

#33 Mary Poppins 1,288 points, 20 lists "In every job that must be done, there is an element of fun. You find the fun, and - SNAP - the job's a game!" Box Office: 103.1M Rotten Tomatoes: 96% Metacritic: 88 Awards: 5 Academy Awards and 8 nominations, 1 BAFTA Award, 1 Golden Globe Award and 3 nominations, 2 Grammy Awards Roger Ebert's Review: N/A Its Legacy: The former highest-grossing Disney movie of all time. The only Disney movie to earn a Best Picture nomination in Walt's lifetime. Parodied on The Simpsons. Referenced on The Dick Van Dyke Show. Helped build the Walt Disney World Monorail System. Turned Julie Andrews into a movie star. Appeared in the Disney Parks. #36 on AFI's Top 100 Songs and #6 on Top 100 Musicals. Was not liked by P. L. Travers. Earned a stage musical adaptation in 2004. Earned a movie based on the making of the movie, Saving Mr. Banks, in 2013. Earned a sequel in 2018. Joined the National Film Registry in 2013. Gave Dick Van Dyke a paycheck. Commentary: I’ve said this before, but for me, a “masterpiece” isn’t always just a very good movie. In many ways, a masterpiece can serve as the culmination of an artists’ body of work. Something that takes everything an artist has learned and cultivated and put into one piece of art. All their skills, tools, crafts, and understanding of their work are used to great effect to create something that summarizes their works and exemplifies why they’re so good in the first place. And for Walt Disney, that masterpiece is Mary Poppins. A passion project that dates back as far as 1938, a year after Snow White’s release, Walt was begging, pleading with P. L. Travers to take her books and make a movie out of them. Yet Travers refused for the longest time and only reluctantly said yes...and ultimately hated the movie. But for everybody else, they got to see a film that encapsulated all the magic and wonder and creativity that Walt Disney provided for decades. It’s an utterly charming story about family and respect, with a lesson for the parents more than the kids that your family is most important and that your children won’t be young forever. Show them love, show them you care, and let them enjoy their childhoods. You only get it once. Through this fable, we are of course guided by Mary Poppins, the coolest witch on the planet. It made the already famous Julie Andrews into a full-blown icon, with one of the best performances in Disney and musical history. She’s stern and firm and strict and even vain. Yet also gentle, kind, loving, and utterly transcendent and magical. One of those perfect performances that you can only get once in a lifetime...though Emily Blunt came very, very, very, very close. She is what makes the whole project work and is the main factor as to why the film became such a classic. Of course, there’s other things that helps her when it comes to this movie in particular. Dick Van Dyke is oh so lovable as the wanderlust, always excitable Bert, who just seems to love life and everything surrounding it. There’s the incredible setpieces, including wacky chimney sweepers, an Uncle Albert who floats when he laughs, and an incredible live-action/animation hybrid setpiece. And of course, there are the incredible tunes courtesy of the Sherman Brothers, which have transcended themselves into becoming some of the greatest songs in movie musical history. Songs like Supercalifragilisticexpialidocious, A Spoonful of Sugar, and Chim Chim Cher-ee just never leave your head and still endure as just utterly captivating pieces of songwriting, with the catchiest, wittiest lyrics you will ever read. It’s a technical marvel, a joyous celebration of life, childhood innocence, and family, and anchored by an incredible Oscar-nominated performance that made me a Julie Andrews diehard at the age of 5 and onwards. As Disney films go, very few have a legacy as proud and important as Mary Poppins, and the film’s immense popularity with young and old has made this feature an icon of musical cinema and a timeless, wonderful story that will never lose its magic and charm. Ever. It’s the only Disney film to earn a Best Picture nomination in Walt’s lifetime, and for good reason.

#34 The Nightmare Before Christmas 1,280 points, 24 lists "Nice work, bone daddy." Box Office: 101.2M Rotten Tomatoes: 95% Metacritic: 82 Awards: 1 Academy Award nomination, 1 Hugo Award nomination, 1 Golden Globe Award nomination, 2 Saturn Awards Roger Ebert's Review: "Working with gifted artists and designers, [Henry Selick] has made a world here that is as completely new as the worlds we saw for the first time in such films as "Metropolis" (1927), "The Cabinet of Dr. Caligari" or "Star Wars." What all of these films have in common is a visual richness, so abundant that they deserve more than one viewing. First, go for the story. Then go back just to look in the corners of the screen, and appreciate the little visual surprises and inspirations that are tucked into every nook and cranny." Its Legacy: The former highest-grossing stop motion movie of all time. Henry Selick's directorial debut. Considered one of the greatest animated films of all time. The first animated film nominated for Best Visual Effects. Given numerous re-releases in Disney Digital 3-D. Referenced in the Fargo series and by Blink-182. Has a dedicated cult following with numerous merchandise. Basically consists of 85% of all of Hot Topic's revenue. Appeared in Kingdom Hearts. Joined the National Film Registry in 2023. Gave Ken Page a paycheck. Commentary: This stop-motion tale courtesy of former Disney animators Henry Selick and Tim Burton was an innovative one. One that, in many regards, defined the style, personality, and aesthetic of the medium in the coming decades. And considering the film’s inventiveness, creativity, and charm, it’s very easy to see why. The story is a simple, but effective one. Basically a fable about cultural appropriation long before that became a hot topic, it’s a very charming bedtime story that looks at the iconography of holidays and plays around with them to great comic and creative effect. It’s a movie that focuses on a skeleton who is sick of his boring life and wants excitement, finding joy in the most contrasting worldview he had ever seen. It’s a film that teaches us about the importance of new things and the importance of curiosity, so long as you don’t encroach upon others or steal it for your own gain. It also helps that Jack Skellington is a sweetheart of a bone daddy, who is instantly endearing in his quest to bring Christmas to Halloween Town. But of course, what really makes this stand out is the visual style. It’s gothic, dark, yet still classic and playful, giving that needed Disney touch to still make this accessible to younger viewers. It allows for a wholly unique and vibrant visual feast, with some of the most distinct and memorable character designs in any animated movie. It’s also a fantastic feature to watch in 3D technology, and thankfully Disney satiates that every couple of years on the big screen. The film ended up being a decent hit at the time, and its popularity among Burton fans, Disney Adults, and Hot Topic emos has made it one of Disney’s most reliable moneymakers every single Christmas and Halloween season...even though Nightmare Before Christmas is not a Halloween movie, but whatever. Henry Selick has continued to make other stop-motion hits, and it’s arguable that him and Burton have continued to use this film as a template and reference point for future stop-motion releases. And while some have come close to this film’s success (Coraline, Corpse Bride), you just can’t beat the classics.

#35 Guardians of the Galaxy Vol. 2 1,271 points, 25 lists "I'm Mary Poppins, y'all!" Box Office: 869.8M Rotten Tomatoes: 85% Metacritic: 67 Awards: 1 Academy Award nomination, 1 Annie Award nomination, 1 Grammy Award nomination, 3 Teen Choice Awards and 3 nominations Roger Ebert's Review: N/A Its Legacy: The highest-grossing Guardians of the Galaxy movie. Earned a sequel, holiday special and spin-off series. Brought Pom Klementieff, Sylvester Stallone, and Kurt Russell to the MCU. Recieved its own What If? episode. Oft-considered the best movie in the trilogy. Gave Elizabeth Debicki a paycheck. Commentary: Back when the 2014 Guardians of the Galaxy film hit the scene and became the surprise smash of the summer, everybody was waiting with bated breath on seeing what these now-iconic heroes were going to do next time. What other galaxies would they travel to? What was going to happen between Gamora and Nebula? How was Star-Lord going to develop? What’s Groot going to be like now that he’s not Groot anymore? Sure enough, what resulted was a film that was action-packed and hilarious and stunningly gorgeous, as one might expect from the last movie. Yet it also enhances the themes from the last movie and gave us a film that hits the emotional core hard. It’s a movie about found family. How we can move on from past traumas and tough relationships and find better, stronger relationships with others who understand and relate to us better. It’s a movie about the importance of grief, of comfort, of forgiveness, while also acknowledging that there are some treatments so harsh and evil that you can’t forgive. And that’s okay. It’s a movie about toxic masculinity and how being a man doesn’t mean you should bottle your emotions nor think you are entitled to something. It’s a fairly progressive insight in manhood and redemption and emotional anguish that’s somewhat surprising from the edgelord Troma guy. James Gunn would follow up Vol. 2 with the just as beloved Vol. 3. It probably would have made the top 100 if I allowed it, but rules are rules. Either way, James Gunn crafted what many consider the best Marvel trilogy ever made and has solidified these heroes as A-listers in the Marvel pantheon almost overnight. And his success gave him the keys to the DC Comics universe. Will Superman: Legacy continue his steady climb into being one of the coolest, strongest, most interesting directors in the current blockbuster landscape? Well, only time will tell. But I think I’ll go into more detail on that end a little later in the countdown. Yeah. Spoiler alert: Guardians of the Galaxy Vol. 1 did make the countdown. I think you all expected that, so...yeah. Just...just wait a little bit.

#160 - Chicago (255 points, 7 lists) #159 - When Marnie Was There (256 points, 6 lists) #158 - The Joy Luck Club (257 points, 5 lists) #157 - Atlantis: The Lost Empire (266 points, 9 lists) #156 - Monsters University (266 points, 8 lists) #155 - Scary Movie (267 points, 7 lists) #154 - The French Dispatch (268 points, 7 lists, avg. ranking #63) #153 - The Rocketeer (268 points, 7 lists, avg. ranking #57) #152 - Hocus Pocus (272 points, 6 lists) #151 - Doubt (274 points, 5 lists)

Moderation Not the Oppenheimer/Oscars thread.

Moderation @Captain Obvious Welcome to the forums. We don't do "go woke go broke" stuff here. Quit the condescension, or you won't last long here. As for everybody else, please ignore this Captain Obvious fellow and quit the whole politics stuff. We don't need another flame war in here. Thank you.

Rotten Tomatoes is at 60% right now. This is going to be canceled in about 6 months, and nobody will care.

Quorum Updates Imaginary T-16: 30.86% Kung Fu Panda 4 T-16: 64.1% Love Lies Bleeding T-23: 17.41% The Strangers: Chapter 1 T-86: 26.24% Bad Boys 4 T-114: 45.11% The Forge T-184: 19.67% Demon Slayer: Kimetsu no Yaiba - To the Hashira Training T-2: 24.07% Awareness Final Awareness: 15% chance of 10M Low Awareness: 13% chance of 10M Drive-Away Dolls T-2: 18.47% Awareness Final Awareness: 0% chance of 10M Low Awareness: 0% chance of 10M Ordinary Angels T-2: 27.29% Awareness Final Awareness: 15% chance of 10M Low Awareness: 13% chance of 10M Godzilla X Kong: The New Empire T-37: 45.6% Awareness T-30 Awareness: 100% chance of 10M, 95% chance of 20M, 86% chance of 30M, 59% chance of 40M, 36% chance of 50M, 32% chance of 60M, 18% chance of 90M, 14% chance of 100M Tentpole Awareness: 100% chance of 40M, 60% chance of 50M, 40% chance of 60M

Bastards!

Gareth is trash, but at least he's in a trash franchise I don't care about. An absolute win IMO

Did it at least look good?

Because the data I'm looking at for Dune is based on the week of release, while Ghostbusters is a month before release. If a film has 65% awareness a few days it comes out in theaters, while another movie has 65% awareness one month or two months before release, that indicates stronger awareness and stronger box office potential on the latter, since we're not at the big final stretch of advertising like we are with the former. And of course, that doesn't mean it's set in stone or indicates that Ghostbusters will open higher than Dune. I'm of the opinion Ghostbusters will only do around 40M while Dune is set for 85M. But the data shows strong awareness compared to other movies at the same point in time Ghostbusters is currently in and not the current data Dune 2 is currently at. And that it correlates to a potentially high opening. Keyword being "potentially".