titanic2187

Chinese audience are becoming even more unpredictable, the films generally barely make 2x multiplier here, which is insanely front-loaded that not witnessed by any others country, but china can produce some insane legs too like dangal, zootopia and avatar which could be very hard even for japanese to replicate. and now WW2 , will going to take down mermaid without any pre-sign.......

you're right, that's crazy for 2010!! 23.6%!! even bigger than Dunkirk with just 234 IMAX theater compared to 402 for DUnkirk, I supposed its IMAX 3D helped a lot.... after the inclusion of tron, the list of over 20% IMAX share in opening weekend: 1) Interstellar(368 venues)- 28.3% 2) Tron legacy(234 venues)- 23.6% 3) Dunkirk(402 venues)- 23.2% 4) Gravity (323 venues)- 21.2% 5) Pacific Rim(331 venues)- 21.1%

and it's just as I see BOT forum as IMAX 70mm...... and speaking of IMAX, this is the only 4 movies(to my best knowledge) that managed to break 20% IMAX share gross in their opening weekend(conventional wide-release) 1) Interstellar: 28.3% 2) Dunkirk: 23.2% 3) Gravity: 21.2% 4) Pacific Rim: 21.1% The martian didn't have IMAX version in its showing..... It seems that Nolan-involvement has advantage in IMAX theater!

WW2 single-handed save the china's local film from being slaughter by foreign film in marketplace

agreed, I never imagined that could go that way in their marketing campaign, it looks so disgusting to me....it creates award buzz of course, but doesn't mean it deserves an award

Imax pumped 22% of Dunkirk‘s North American weekend with $6.2M from 403 auditoriums. Seventeen of the top 20 domestic runs were Imax venues. Twenty-two percent of Dunkirk‘s $102.8M stateside cash came from Imax natch as Nolan shot a bulk of the movie in that format. Dunkirk will have the full Imax network next week. drop from opening weekend's 23.2%. and May i know what is the last sentence supposed to mean?

I like zero dark thirty much more than hurt locker, I see the snub of zero dark 30 as the "replacement" for her undeserving sweeping won for hurt locker

TW LW Title (click to view) Studio Weekend Gross % Change Theater Count / Change Average Total Gross Budget* Week # 1 1 Dunkirk WB $28,130,000 -44.3% 3,748 +28 $7,505 $102,836,220 $100 2 2 N The Emoji Movie Sony $25,650,000 - 4,075 - $6,294 $25,650,000 $50 1 3 2 Girls Trip Uni. $20,085,540 -35.6% 2,648 +57 $7,585 $65,524,760 $19 2 4 N Atomic Blonde Focus $18,554,000 - 3,304 - $5,616 $18,554,000 $30 1 5 3 Spider-Man: Homecoming Sony $13,450,000 -39.3% 3,625 -505 $3,710 $278,356,805 $175 4 6 4 War for the Planet of the Apes Fox $10,375,000 -50.3% 3,374 -726 $3,075 $118,687,629 $150 3 7 6 Despicable Me 3 Uni. $7,725,895 -40.6% 3,030 -495 $2,550 $230,425,800 $80 5 8 5 Valerian and the City of a Thousand Planets STX $6,800,000 -60.0% 3,553 - $1,914 $30,626,147 $177.2 2 9 7 Baby Driver TriS $4,050,000 -33.3% 1,961 -542 $2,065 $92,046,188 $34 5 10 9 Wonder Woman WB $3,540,000 -23.2% 1,651 -320 $2,144 $395,443,706 $149 9 11 8 The Big Sick LGF $3,375,000 -32.6% 1,589 -1,008 $2,124 $30,419,654 - 6 12 11 Cars 3 BV $1,014,000 -47.2% 861 -433 $1,178 $146,442,093 - 7 13 12 Transformers: The Last Knight Par. $565,000 -51.7% 538 -487 $1,050 $128,799,479 $217 6 14 23 A Ghost Story A24 $382,128 +178.1% 329 +286 $1,161 $941,347 - 4 15 N Detroit Annapurna $365,455 - 20 - $18,273 $365,455 - 1 16 16 Maudie SPC $350,934 -10.3% 228 -5 $1,539 $4,669,574 - 16 18 N Mubarakan Sony $300,000 - 128 - $2,344 $300,000 - 1 17 13 Captain Underpants: The First Epic Movie Fox $300,000 -34.9% 267 -24 $1,124 $72,458,606 - 9 19 17 Guardians of the Galaxy Vol. 2 BV $293,000 -19.6% 231 -37 $1,268 $387,780,407 $200 13 20 19 Pirates of the Caribbean: Dead Men Tell No Tales BV $217,000 -12.3% 210 -19 $1,033 $171,009,161 $230 10

BoxOfficeReport.com‏ @BORReport 32s32 seconds ago More Spider-Man: Homecoming grossed an estimated $13.45M this weekend. 24-Day total stands at $278.35M. #SpiderManHomecoming #BoxOffice

BoxOfficeReport.com‏ @BORReport 2m2 minutes ago More #DespicableMe3 grossed an estimated $36.1M internationally this weekend. International total is $588.8M, global total is $819.2M. Reply Retweet Like Reply Retweet Like Reply Retweet Like

When finding a friend for Dunkirk's IMAX 2nd show, but no one agreeed that dunkirk deserves the IMAX screen, and finally still managed to find one...

Dunkirk's IMAX screen revenue may equal to valerian's total gross

just a fun fact, dunkirk 2nd weekend drop may be harsher than WW

Apes number are really improving!!! some nice saturday bump after relatively small friday increase

I think taking their franchise/ip vs non-franchise, causing box office analyst be too easy to jump to conclusion, like what indiewire did, they declared the dead of franchise ignoring the fact that WW/Rogue one was smashing, Original film is all matter now without considering that dozens of original films still struggle in small theater every week...... what i suggest was is too look at each film "originality/freshness" level, the film that has low originality/freshness, are now being abandoned......while those part of IP/franchise, but carry some degree of freshness, still draw massive crowd

I think people need to stop to have movie categorisation like dividing gender(male or female), in the sense of discrete As movie history become longer and longer, and franchise modelling become dominant, I suggest we categorise movie like a spectrum, they are not discretely differ from one another. In we take original movie like original idea in the strict sense, then I guess there will no more original movie in the marketplace. In this context i mean, the 1st HP could be an original film despite it's adapted from published material, not original idea of course. eg: Get out, 100% originality, WW, 80% original; Rogue one 50%, minion: 35%; JL; 25%; POTC5 and Apes, 0%, instead of we look them like, get out: original, rogue one/ Apes/WW: franchise. I guess the audience now don't want something that posses low originality......

I don't think franchise are dead, straight sequel are in trouble more i guess, and WW carry significant of originality make GA feel like it's an original movie.

That insane 2nd weekend hold from already impressive 1st weekend, suggest that woman audience remain unserved by the studio and remain largely commercially potential after the monstrous WW.

Tomato Law may be exaggerated, but it doesn't mean for certainty, it more like a suggest, higher RT score suggest a better than tracking performance, and higher RT suggest better legs and vice versa.... If tomato law leads to a a sure-outcome, then all marketing executives will just pack their bag and stay at home forever until they turns into rotten......

thanks to much lesser competition from 2016, all July release will have much more better late legs than expected......even Apes has started to stabilise....it start to pace ahead of STB on the same respective friday.

Friday, July 28, 2017 <<Prev Day <Wk <Mo <Yr Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 >Yr >Mo >Wk >>Next Day TD YD Title (Click to View) Studio Daily Gross % +/- YD / LW Theaters / Avg Gross To-Date Day 1 - The Emoji Movie Sony $10,050,000 - - 4,075 $2,466 $10,050,000 1 2 1 Dunkirk WB $8,000,000 +54% -60% 3,748 $2,134 $82,706,220 8 3 - Atomic Blonde Focus $7,100,000 - - 3,304 $2,149 $7,100,000 1 4 2 Girls Trip Uni. $6,200,000 +95% -47% 2,648 $2,341 $51,639,220 8 5 3 Spider-Man: Homecoming Sony $3,900,000 +41% -39% 3,625 $1,076 $268,806,805 22 6 4 War for the Planet of the Apes Fox $2,975,000 +48% -50% 3,374 $882 $111,287,629 15 7 5 Despicable Me 3 Uni. $2,300,000 +18% -40% 3,030 $759 $224,999,905 29 8 6 Valerian and the City of a Thousand Planets STX $1,840,000 +39% -72% 3,553 $518 $25,666,147 8 9 7 Baby Driver TriS $1,175,000 +45% -33% 1,961 $599 $89,171,188 31 10 8 Wonder Woman WB $985,000 +52% -22% 1,651 $597 $392,888,706 57 11 9 The Big Sick LGF $930,000 +68% -34% 1,589 $585 $27,974,654 36 12 11 Wish Upon BG $304,164 +19% -62% 907 $335 $12,285,730 15 - 10 Cars 3 BV $271,000 -15% -49% 861 $315 $145,699,093 43 - 12 Transformers: The Last Knight Par. $155,000 +23% -51% 538 $288 $128,389,479 38 - - Detroit Annapurna $132,176 - - 20 $6,609 $132,176 1 - - Captain Underpants: The First Epic Movie Fox $95,000 +46% -32% 267 $356 $72,253,606 57 - - Mubarakan Sony $85,000 - - 128 $664 $85,000 1 - - Guardians of the Galaxy Vol. 2 BV $85,000 +65% -21% 231 $368 $387,572,407 85 - - Pirates of the Caribbean: Dead Men Tell No Tales BV $66,000 +73% -13% 210 $314 $170,858,161 64 - - An Inconvenient Sequel: Truth to Power ParV $61,000 - - 4 $15,250 $61,000 1 - - All Eyez on Me LG/S $13,400 +256% +55% 94 $143 $44,855,787 43

IMAX will do whatever it can to edge Dunkirk out of Emoji..... IMAX law prevail!!

is that order of 45% of the screen must be allocated for Army still valid? the showtime percentage show otherwise, around 31% Army performed terribly.....with that huge share of showtimes....

i hope they won't just release IMAX share for dunkirk only on opening weekend.....but at least for 4 weeks

mathematically speaking when come to legs, 2nd weekend drop is the most crucial part. Let's say Movie A: week 1: $100m week 2: $60m(-40%) week 3: $30m(-50%) week 4: $12m(-60%) Movie B: week 1: $100m week 2: $40m(-60%) week 3: $20m(-50%) week 4: $12m(-40%) Both movie opened to $100m, and just the percentage(40%,50%,60%) they drops across each consecutive week are reversed, both movie ends up with $12m in 4th week, but you can clearly see movie A has much bigger 2nd week and 3rd week figure. Movie A are better off because of having a great hold from a big number and movie B, the hold only kicks in from a small number. the early the legs kicks in, more the movie better off in term of absolute numbers...that's why there is understanding about that 2nd weekend seal the staying power fate of a movie.....only a films that I can remember in recent year, managed to deliver insane legs after quite big 2nd week's drop, and that was FROZEN!!