YM!

I mean Dos Santos has helped brought us Avatar, Korra, JLU, and Voltron. While he has no film experience, he’s pretty good at making all ages animation.

We don’t know if Lord and Miller won’t come back. Besides Voltron is pretty damn good.

Finally we’ll get a good Spider-Man sequel

I’m okay with a slight revision on legs.

Eden though, that’s probably the best surprise of the year so far. It earned it. Could go flying past $250M DOM.

SP4RK.

You think Mario can reach $350M?

Endless Animation is now officially a big brand in CAYOM. Can Mario reach a $350M finish?

And streaming becomes the exact same thing network tv was.

He’s directing my sequel next year.

I’m okay with that. I mean I want a good GL movie but hey this means I can continue with GLC CAYOM franchise.

Is it still coming tonight?

Love has a $100M+ budget.

I updated my Green Arrow prediction

I believe this is my first time in @Xillix top 5. Thanks for 2, 12, 20 and some reason Meme Thief at 23.

Not the Boondocks. IDGAF about the rest.

HBO Max seems too expensive and Disney+ will live or die on original content but lack of adult content can be a double edged sword. Either way shelf life for non Netflix/Hulu streaming will be very short, say 5 years.

Yes but to be fair there two points you ignored. 1.) It’s R rated 2.) The landspace this decade movie wise is vastly different than the ones of the past as Joker is a film with little VFX or action. I easily preferred Endgame over Joker and I think both had very impressive runs (it’s no easy feat to be Avatar WW) but for me Joker is a bit more impressive as Endgame was going to big no matter what.

I thought I was promised Zelda as well. But yes. Everything seems right.

Maybe Spongebob 3 can help but that seems like a big drop.

@cayommagazine Hold on to your nuts. The Unbeatable Squirrel Girl and... Dana: Tripped Out will arrive in theaters Easter Y8 joining Toons V Reality and Seaside for Endless Animation’s Y8 lineup. The sequel takes place a few months after the original as our heroes, bounty hunters, and an oversized head has their happy ending. All except for Squirrel Girl’s somewhat reluctant, sarcastic yet lonely best friend Dana (Taissa Farmiga) who now has highly powerful telekinetic superpowers and doesn’t want to be a heroine despite help from her bestie, the lovable kooky Squirrel Girl (Academy Award winner Anna Kendrick). Unfortunately the problems become only the tip of the iceberg when a recent excursion cause Dana to lose herself and deal with a deadly new villainess known as Hive Queen (Vera Farmiga) who wants Dana as she plans to use her as a pawn to mind control everything. Desperate for a cure as well as avoiding other heroes forced to bring Dana in, Squirrel Girl, Dana, squirrel sidekicks Tippy Toe (Samantha Ireland) and Monkey Joe (Lil Rel Howery), and vigilantes/street artists Bullseye (David Tennant) and Illouise (Mary Elizabeth Winstead) must travel throughout attempt to find a way to help Dana control her powers. In addition to the aforementioned Neil Patrick Harris, Grey Griffin, and Berleezy, the original cast is slated to return minus the late Stan Lee as well as adding Stephanie Beatriz and Nick Kroll to the cast. The film is reported to be a mind bending musical, with songs by Jon Lajoie (The Lego Movie 2: The Second Part), Lolita Ritmanis (Batman: The Brave and The Bold “Mayhem Of The Music Meister”) and Jesse Novak (BoJack Horseman “Don’t Stop Dancing”). Daron Nefcy is also returning to write and direct the sequel, as Rebecca Sugar returns to help produce. The sequel is said to tackle anxiety and depression like Super Mario Bros tackled immigration and Can You Imagine tackled adulthood issues.

What political issues did Batman V Superman touch well exactly? All I remember was Luthor rambling about unlimited power being unchecked but the film goes nowhere else with it and the pedestrian Jesus/Superman allegory. I mean themes are there but it’s not done well.

19, I have watched a wide range of films from the 50s to recently but am still looking to widen my film library. There’s definitely a few standouts this decade I’d include for myself both smaller and bigger films. Anyways, the comment is mainly about tentpoles taking up space and focus. While there’s no denying that The Godfather would never making the same money as tentpoles now, there’s much more of a focus now on them then there was in the 90s/00s as well as the popularity of Netflix and streaming and expenses of moviegoing, the amount of theatrical mid budget films are starting to sadly wain as distributors are looking for their next MCU many would rather take chances on something like Dark Phoenix or Men In Black: International then creative risks or mid budget films. Sure we have a few stand outs nowadays like Nolan and Peele but it’s much harder now to get voices like them theatrical. I know it’s definitely a first world problem and the changes of the general audience but it’s still not a good thing.

To reclarify not an attack on character but the comment of 90s/00s movies being old.

Don’t take this the wrong way. How old are you? Not cause of your film choices but the latter comment.