Would be nice to see Piper Laurie again after Lynch couldn't find a place for her in Twin Peaks S3.
What a strange poster though. Why is this a wall of text when it could be a punchy tagline (like "Street Hustler, FBI Informant, Drug Kingpin - all before he turned 16"). Why is the primary image that of McConaughey's profile kissing the guy. Why does the whole thing look like a page from some old magazine. Who are those people in the background.
His range is limited and all but he works well in two modes, guy who doesn't understand what's going on and stoic badass, and the movie utilizes both of them. (Just try to picture Will Smith pulling off Neo. Neither can I.) And I hope I don't have to defend what Fishburne, Moss, Weaving and everyone else right on down to the "Not Like This" woman bring to their characters.
Even beyond the precise technical craft the writing and acting in The Matrix are extremely on-point. The tons of exposition are delivered organically, the storytelling intergrates Neo's character arc with the forward momentum of bigger obstacles arriving one on top of another, and still the whole thing would have collapsed if any one major performance had been even slightly off, which they aren't.
Even beyond the additional editing I think Basterds initially did throw people off with... all the things it was doing. A little sinking in did it good.
Inglourious Basterds was barely fresh on RT out of Cannes and then became one of the most celebrated movies of the year. Festival reactions and subsequent overall critical reception can be pretty different.
I guess the only unexpected part is that there's nothing for Burning considering that with the critics it became the highest-rated film since they started keeping track of that. (So in 16 years or something.) Look forward to most of these movies, anyway.