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Everything posted by Barnack
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it is, but a logical one for the 2010s it was really a giant sellers specially on digital platform that I imagine are more likely to rate the book online, it now look like this: The sequels sold 445k copy it's first of sales, very similar to the number of tickets the first movie sold for it's Thursday previews ($4.9MM previews). https://www.usatoday.com/story/life/books/2013/10/31/book-buzz/3324793/ 1 The Fault in Our Stars by John Green (Goodreads Author) 4.24 avg rating — 2,858,604 ratings score: 190,836, and 1,930 people voted Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars 2 Divergent (Divergent, #1) by Veronica Roth (Goodreads Author) 4.22 avg rating — 2,477,394 ratings score: 140,334, and 1,432 people voted Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars 3 Mockingjay (The Hunger Games, #3) by Suzanne Collins 4.03 avg rating — 2,001,835 ratings score: 132,890, and 1,361 people voted Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars 4 Gone Girl by Gillian Flynn (Goodreads Author) 4.05 avg rating — 1,834,430 ratings score: 113,509, and 1,156 people voted Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars 5 The Martian by Andy Weir (Goodreads Author) 4.40 avg rating — 619,227 ratings score: 106,066, and 1,080 people voted All movies with impressive weekend, one surprise is Girl on a Train at a rather low #22, despite a giant 1.552m ratings, much bigger than everything else out of the top 4. It also show some possible weakness versus some pass golden era of 2000-2010 for franchise book popularity ?, that score of 140k would have kept it out of the top 20 in the past decade, with all of the Potters release in that era, first 2 HG, Twilight, The Help, Dragon Tattoo, Da Vinci Code, Kite Runners, etc... above 200k, even above 400k for some of those. The Games of Thrones classment are a bit of a let done, but could be the sample size of the type of people hanging out on a website like that.
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I think right now someone a la Christian Picciolini or Joey Diaz would be easier to handle for people in a movie that someone with the smallest sexual offense in is past. Not sure if it is society going to hard about sex-offender or a certain embellishment of organized crime or easier to show that you changed when you were a violent gangster, not being a violent gangster or neo-nazy anymore and being a family men is a very visible change, not being a creep predator is not something that is visible, it is not like they would be doing it in the open if it was still going on.
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The ranking seem to be by "score" a metric that seem to multiply the numbers of voters, not by the average score itself. Pushing popular title to the top.
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It does need mean either. If a dvd have gross sales of 50m in the stores, the studio will received a cut of that and the store will keep a share, exactly like a movie making a 100m at the box office does not mean 100m of revenues for the studios. Say the store keep in average 20% of the sales price, 50m in sales would be 40m to the studios.
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Weekend Thread | Preview #s The Nun 5.4M, Peppermint 750k
Barnack replied to grim22's topic in Numbers and Data
A bit of a strange article all together. http://ir.timewarner.com/phoenix.zhtml?c=70972&p=irol-reportsannual In 2016: Fans spent $4.5 billion on DC-related consumer products. Video games is a 1.5 billion a year business for WB a lot driven by is DC IP title. If WB does not need once 3-4 movies were success, it didn't needed it before those either. -
That was Fox statement: "Our studio was not aware of Mr. Striegel's background when he was hired," said a 20th Century Fox spokesperson in a statement to The Hollywood Reporter. "Several weeks ago, when the studio learned the details, his one scene in the film was removed within 24 hours. We were not aware of his background during the casting process due to legal limitations that impede studios from running background checks on actors." How did it got to the press in the first place, I am unsure, it was from the LA Tymes that broke it: http://www.latimes.com/entertainment/movies/la-et-mn-the-predator-shane-black-steven-wilder-striegel-20180906-story.html How did they heard any of it ? Who contacted them ? Is it the director to explain itself, fearing it would broke out ? The studio ? I guess once the movie release and a cast member do not show up, people would have started to look for reason's and would have find it (considering it was on is wikipedia page).
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That already a bit far from most of it. But also in 2006 box office was usua a really small part of a studio income, for studio in general but specially for a Liongates type. Oscar Best picture winner Crash, Crank, Lord of War, Madea Goes to Jail, Madea Family Runion, they had revenues sources. If you look at the july-september quater of 2006, their motion picture revenues looked like this: Theatrical: 20.5m (versus 57.1m in distribution and marketing expense, they were loosing more than twice what they were making in theater) Home Video: 115.1m TV: 33.4 Intl: 17.1m Other: 0.5m Total: 186.6m Theatrical was only 11% of one of liongates business, Motion Picture. Looking at box office mojo to judge a studio is in general quite misleading but in the 2004-2009 dvd era it is especially misleading. Even more if one look at the domestic box office around that time it was in general under 10% of the revenues. They were also in the TV business (31.6m). 25% of their box office was around 2.35% of their business in that era.
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Criminal conviction tend to be public domain, with people having the rights and relatively easy access to that information, Steven Wilder was registered in a couple of place (if you use those offender search engine he pop-up), it was even on is wikipedia page since 2015. If an actor does not want to work with a sex offender they can get an account on those service and look up everyone, the employer cannot do it legally but the co-worker can.
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It has good chance, it has been a while since Kevin Hart went below 30m has a lead/co-lead on a comedy co-parter type. Has yet to happen I think. Ride along: 41m Get Hard: 33m Ride along 2: 34m Central intelligence: 35.5m Jumanji: 36m Tiffany Haddish seem a very logical co-star for him and probably in a prime right now, would imagine an OW similar to is Get Hard, Central Intelligence type.
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ANT-MAN AND THE WASP | 406.0 M overseas ● 622.7 M worldwide
Barnack replied to kayumanggi's topic in International Box Office
That make it sound like the World Cup could have been a factor (if those ratio from the first Ant-Man are different), Europe and LA being probably quite the most crazy about that event. -
The show is on TV not cable too. Even CAble TV is extremelly common for the under 30 in the US: https://www.statista.com/statistics/740115/frequency-watching-cable-tv-by-age/ In 2017, the 18-24 American Demo was still watching 12 hours of traditional tv a week in average, it dropped by a huge 50% since 2012, but it started from such an extremely high numbers, American and TVs was quite the crazy affair. Disney streaming could be nice for the show, but how about their how biggest business, traditional TV ? Helping people leaving it is making a big competition to themselve, they need to do it with a nice high price solutions.