Moving beyond this weekend's openers debuting on the low end of expectations, I actually think 2024 hasn't been that bad of a year so far over 1/4 the way through. The March 4 brought life to the marketplace on various levels. If the year has felt lacking so far, that can chalked up to too many titles that were always too niche in appeal to find a broad audience and a number of the ones that, on paper, should have been slam dunks fell short in the quality department and underperformed because of it (Bob Marley: One Love likely would've soared past $100M instead of struggling to get there had the movie been better). Even the numbers for something like Argylle don't look nearly as dismal as they do on first glance when you consider it received such crummy reviews. Definitely not movies that deserved to have a martyr complex applied to them.
Will say the year is now due for a horror breakout though, since what we've had so far either fell under the "too niche" column or probably maxed out their financial potential given their schlocky quality (Night Swim, Imaginary).