Ryan Reynolds

i was there for that, but also before that in half empty small room with Favreau and Wright showing off concepts for Iron Man and Ant Man, back then they even talked about goals for an eventual Avengers teamup

that's pushing it, maybe top 12, theater counts matter

Any chance we get 4 weeks in a row with 3 CBMs in the top 10? 2nd Down and 3rd locked. 4th weekend may be possible.

So did Endgame Break TFA presale overall record? May be unfair since i think that included Xmas day?

no reviews? with 2k theater count

Source was Ridley's makeup artist insta story

Apparently Alex Kurtzman been brought onboard to do rewrites to save film 😄

Charlie's Angels first look: See Kristen Stewart, Naomi Scott, and Ella Balinska in Elizabeth Banks' update Chiabella James/Sony Charlie's Angels first look: See Kristen Stewart, Naomi Scott, and Ella Balinska in Elizabeth Banks' update By Shirley Li April 11, 2019 at 11:30 AM EDT Charles Townsend, the titular Charlie of Charlie’s Angels, has turned the Townsend Agency into heaven on earth. No, really: In director Elizabeth Banks’ upcoming take on the elite all-women crime-fighting team, the camera-shy millionaire doling out missions has become — by conservative estimate — a gazillionaire. It’s only logical. As Banks puts it, her update isn’t a reboot or a remake of the beloved franchise, but rather a “continuation” that incorporates the events of the original 1970s TV series and the McG-directed 2000s films. And so, she imagines, in the more than 40 years since Charlie assembled his first trio of Angels, he must have given his operation a makeover. “If you were rich in 1976, you only got richer,” Banks, who co-wrote the script, says with a laugh. “Charles Townsend is richer than ever, so he’s grown the business into a global spy agency.” His expanded roster includes the crew at the center of Banks’ story: Sabina Wilson (Kristen Stewart), the hard-partying, highly skilled wild card; Jane Kano (Ella Balinska), the ex-MI6 muscle of the group; and Elena Houghlin (Aladdin’s Naomi Scott), the MIT-trained scientist who, Banks says, serves as “the heart of the movie.” Charlie’s call takes them around the world, with stops in Istanbul, Hamburg, and Berlin, but amid all the globe-trotting, Banks was most invested in showcasing the trio’s teamwork. “It was important to me to make a movie about women working together and supporting each other, and not make a movie about their romantic entanglements or their mother they don’t call enough,” she says. “When I’m at work, I don’t talk about those things. I get on with my job. It felt important to do that for the Angels, to treat them with the respect their skill set demands.” Judging by this first look? Mission accomplished. Nadja Klier/Sony Who’s the Bosley? Banks, Patrick Stewart, and Djimon Hounsou, that’s who. In Charlie’s history, multiple actors playing multiple characters named Bosley have aided the Angels. To Banks, it felt natural to upgrade the name into a title. “‘Bosley’ is now a rank in the organization, like lieutenants,” she says. “All of the Angels have been played by different women and have had different names, but the Bosley character was always named Bosley no matter who played him. We thought, ‘Well, that must mean it’s more than a name.’” Above, her Bosley helps Stewart’s Sabina gear up. Chiabella James/Sony Dress to impress It wouldn’t be Charlie’s without Angels going undercover. Here, Sabina (Stewart) suits up at a Turkish derby, where the trio tail a target until “chaos ensues, as it always does,” Banks teases. That chaos, though, won’t look like the over-the-top sequences of the 2000s films; the director says she took a “grounded” approach to stunts: “I wanted to make them distinct from superheroes, aliens, and mythological creatures that are in a lot of action movies now.” In fact, the Mission: Impossible franchise’s blend of grit and humor inspired her group’s dynamic. “We talked a lot about [those movies],” Banks says. “Those films work best when the team is together, when Ving Rhames is in it, and Simon [Pegg] is in it, and Rebecca Ferguson. That sensibility really matters to me.” Nadja Klier/Sony Top secret When asked what Noah Centineo (To All the Boys I’ve Loved Before’s breakout star) is doing in this scene with Balinska’s Jane, Banks gets tight-lipped. “I don’t want to give too much away about Noah,” she says of his character, Langston, “but he’s a friend mostly to Naomi’s character.” The Angels clearly have plenty of allies, but that doesn’t mean they can’t accomplish their goals on their own. “I mean, women can do anything,” Banks says. “That’s not just my personal belief. That’s the core belief of Charlie’s Angels.” Chiabella James/Sony Power-ful reunion The last time Banks collaborated with Scott, in 2017’s Power Rangers, she played supervillainess Rita Repulsa to Scott’s Pink Ranger. This time, they’re on the same side: Banks costars as one of the Bosleys (see above) assisting Scott’s Elena, who plays a pivotal role in catalyzing the central mission. “I wanted somebody who I felt the audience wants to root for,” Banks says of casting Scott. “She’s getting to be this Everywoman who’s also very fun and very funny.” Chiabella James/Sony Girl power galore Banks’ film marks the first Charlie’s entry on the big screen to be helmed by a female director. “It’s a really exciting moment for female-driven films,” she says, citing Wonder Woman and Captain Marvel as recent examples of box-office successes. “Audiences are really looking for those aspirational stories about real and relatable characters, and I think the women in my movie are definitely real and relatable, but most importantly, I think they’re really fun.” They’re certainly having fun: Just look at Sabina’s array of wardrobe (and identity) changes across these photos. “I wanted Kristen to show off a side of herself you don’t often see in her movies,” Banks points out. “She’s really funny in this.” Nadja Klier/Sony Good morning, Angels John Forsythe, the voice of the Angels’ enigmatic boss in the ’70s series and the 2000s films, passed away in 2010. But don’t worry: Banks has a plan for her installment’s Charlie. “The voice will sound very familiar to you,” she teases. “We tried to emulate John Forsythe’s voice as best as we could. We want a real sense of continuity in the movie.” After all, as seen in the image above, the Angels answer the call. Charlie’s Angels takes flight November 15. For more on Charlie’s Angels, pick up the new Avengers: Endgame issue of Entertainment Weekly on stands Friday. You can buy all six covers, or purchase your individual favorites: Iron Man, Captain America, Black Widow, Thor, Hulk, and Ronin. Don’t forget to subscribe for more exclusive interviews and photos, only in EW. Related content: Charlie’s Angels turns 15: Which Angel are you? Why the Charlie’s Angels soundtrack is still the fiercest, funkiest girl-power playlist ever Charlie's Angels (2019) EW.com

The year of superhero/cbm fatigue

How did this get 94% on RT, if this came out before Get Out rating would be much lower, lol. At least it was original.

Batman's 80th birthday celebration continues with theatrical rerelease of Tim Burton, Joel Schumacher movies By Christian Holub April 05, 2019 at 01:08 PM EDT FB Twitter Moviestore/REX/Shutterstock In case you haven’t heard, this year marks Batman’s 80th birthday. DC Comics recently celebrated the Dark Knight’s big day with the jam-packed anniversary comic issue Detective Comics #1000 (read an exclusive excerpt here), but the party doesn’t end there. After eight decades Batman exists in other media platforms as well, and movie theaters are celebrating the big year by bringing Batman films back to theaters for limited engagements. Christopher Nolan‘s Dark Knight trilogy has already hit the road on an IMAX theater tour, and soon Fathom Events will be bringing the preceding live-action Batman films back to theaters as well. That’s right: Batman, Batman Returns, Batman Forever, and Batman & Robin are all playing in theaters for one night only next month. Tim Burton‘s 1989 Batman will play in theaters on Saturday, May 4 at 1 p.m. and 4 p.m. local time. Batman Returns returns on Monday, May 6 at 4 p.m. and 7 p.m. Tim Burton left the franchise after that (though he recently reunited with his old Batman and Penguin actors, Michael Keaton and Danny DeVito, in the new Dumbo remake), but Joel Schumacher’s two installments are also part of this package. Batman Forever will screen on Sunday, May 12 at 1 p.m. and 4 p.m., while the much-maligned Batman & Robin will hit theaters on Tuesday, May 14 at 4 p.m. and 7 p.m. Tickets are available now at Fathom Events’ website or participating theater box offices. Related content: DC co-publishers reflect on Batman’s 80th birthday Christopher Nolan’s Dark Knight trilogy hits the road for 70mm IMAX theater tour Exclusive: Read Brian Michael Bendis and Alex Maleev’s story from Detective Comics #1000 Batman at 75: Jim Lee and Bruce Timm talk most memorable Batman stories https://ew.com/movies/2019/04/05/batman-80th-birthday-celebration-movies-rerelease/

a little birdie told me, but it could be a lie

pretty sure Seth Rogen has a role in this , but not yet announced

i thought it was good and generally think mcu films are mediocre at best

popular guess is this film, but i'm not sure why anyone would expect this to be great, not like the first is some masterpiece Fury Road was suppose to be disaster as well, so who knows Jeff is also a huge Cruise and Teller fan

5 Feet Apart is a good film with good performances , not surprising its having good wom and legs

https://deadline.com/2017/09/stephen-king-it-home-again-box-office-1202163667/ BOX OFFICE FOR MARCH 22-24 thumb rank film dis. screens (chg) friday 3-day total wk 1 Us Uni 3,741 $28.6M $68M $68M 1 2 Captain Marvel Dis 4,278 (-32) $9.1M (-52%) $33.9M (-50%) $320.3M 3 3 Five Feet Apart CBS/LG 2,866 (+63) $2.8M (-47%) $9.3M (-28%) $27M 2 4 Wonder Park Par 3,838 $2.1M (-61%) $8.2M (-48%) $28.6M 2 5 …Dragon 3 DWA/Uni 3,347 (-380) $1.6M (-36%) $6.9M (-25%) $146.1M 5 6 A Madea Funeral LG 2,187 (-163) $1.1M (-45%) $4.3M (-44%) $65.7M 4 7 Gloria Bell A24 654 (+615) $439K (+315%) $1.5M (+319%) $2.2M 3 8 No Manches Frida 2 LG/Pant 472 $366K (-72%) $1.4M (-63%) $6.2M 2 9 Captive State Foc 2,549 (+1) $317K (-75%) $1.1M (-65%) $5.4M 2 10 Lego Movie 2 WB 1,389 (-657) $271K (-53%) $1M (-53%) $103.2M 7

via deadline