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Germany(admissions):SH2:250K/290K(with previews)PIB:190kMI4:150KALVIN 3:140K/175K(with previews)New Years Eve:50KBD1:50K

Thats a pretty horrible german BO. Such a big rich country. So low admissions
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SD:

Alvin 3 adds $20m for Fox International over holiday

26 December, 2011 | By Jeremy Kay

Mission: Impossible – Ghost Protocol will most likely be confirmed as the top international release when Paramount International Pictures reports holiday weekend results.

Of the distributors that have announced results, Fox International said Alvin And The Chipmunks Chipwrecked grossed an estimated $20.1m weekend for from 5,677 screens in 52 for an early $42.1m running total.

The family sequel opened top in France on $5.6m from 591 and launched at number three in Germany on $2.2m from 630. It added $2.2m in the second weekend in the UK from 764 for $9.2m.

Action sci-fi The Darkest Hour debuted outside North America in four markets, taking $3.5m from 1,239 screens. The lead market was Russia on $3.2m for second place behind local hit Yolki 2.

New Regency’s sci-fi thriller In Time crossed $100m as $2m from 1,329 in 19 markets boosted the tally to $100.9m. The film has taken $8.5m after five weekends in France and $7.7m in Germany and $6.8m in Spain, both after four.

Cameron Crowe’s drama We Bought A Zoo began its international roll-out in four markets led by Mexico on $443,680 from 354.

Arthur Christmasmoves ever closer towards the $100m milestone and added an estimated $9.7m through Sony Pictures Releasing International (SPRI) from 5,925 screens in 74 markets to reach a round $90m.

The UK drove weekend business on $4.1m from 835 for $32.1m after seven weekends, followed by a $940,000 Italian debut on $319. Russia, France and Australia have generated $6.6m, $6.5m and $5.6m, respectively.

David Fincher’s English-language remake of The Girl With The Dragon Tattoo began its international release appropriately enough in the property’s country of origin Sweden, grossing $950,000 through SPRI from 194 for number two. This was Fincher’s biggest ever launch in the market.

It opened across Scandinavia for $1.6m overall from 480 screens in five markets. The thriller opens in the UK on Monday (Dec 26).

Warner Bros Pictures International (WBPI) reported on Dec 24 that Sherlock Holmes: A Game Of Shadows was projected to gross $22.3m from 25 markets to reach $46.1m. Final estimates will emerge on Tuesday.

Immortals, which Universal is releasing in 10 territories, added $2.4m from 485 sites in seven territories for $27.3m led by a $2.1m number one debut in Spain from 354. The UK has produced $9.9m. The overall international running total including Lionsgate territories stands at more than $100m.

Universal has German-speaking rights to German rom-com Rubbeldiekatz and UPI reported $2.2m from 600 venues in three territories for $5.9m. The film stands at $5.5m in Germany after two weekends.

Tower Heist stands at $53.1m and Johnny English Reborn $153.5m with Latin America and Japan set to open in the coming months.

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SD:

Alvin 3 adds $20m for Fox International over holiday

26 December, 2011 | By Jeremy Kay

Mission: Impossible – Ghost Protocol will most likely be confirmed as the top international release when Paramount International Pictures reports holiday weekend results.

Of the distributors that have announced results, Fox International said Alvin And The Chipmunks Chipwrecked grossed an estimated $20.1m weekend for from 5,677 screens in 52 for an early $42.1m running total.

The family sequel opened top in France on $5.6m from 591 and launched at number three in Germany on $2.2m from 630. It added $2.2m in the second weekend in the UK from 764 for $9.2m.

Action sci-fi The Darkest Hour debuted outside North America in four markets, taking $3.5m from 1,239 screens. The lead market was Russia on $3.2m for second place behind local hit Yolki 2.

New Regency’s sci-fi thriller In Time crossed $100m as $2m from 1,329 in 19 markets boosted the tally to $100.9m. The film has taken $8.5m after five weekends in France and $7.7m in Germany and $6.8m in Spain, both after four.

Cameron Crowe’s drama We Bought A Zoo began its international roll-out in four markets led by Mexico on $443,680 from 354.

Arthur Christmasmoves ever closer towards the $100m milestone and added an estimated $9.7m through Sony Pictures Releasing International (SPRI) from 5,925 screens in 74 markets to reach a round $90m.

The UK drove weekend business on $4.1m from 835 for $32.1m after seven weekends, followed by a $940,000 Italian debut on $319. Russia, France and Australia have generated $6.6m, $6.5m and $5.6m, respectively.

David Fincher’s English-language remake of The Girl With The Dragon Tattoo began its international release appropriately enough in the property’s country of origin Sweden, grossing $950,000 through SPRI from 194 for number two. This was Fincher’s biggest ever launch in the market.

It opened across Scandinavia for $1.6m overall from 480 screens in five markets. The thriller opens in the UK on Monday (Dec 26).

Warner Bros Pictures International (WBPI) reported on Dec 24 that Sherlock Holmes: A Game Of Shadows was projected to gross $22.3m from 25 markets to reach $46.1m. Final estimates will emerge on Tuesday.

Immortals, which Universal is releasing in 10 territories, added $2.4m from 485 sites in seven territories for $27.3m led by a $2.1m number one debut in Spain from 354. The UK has produced $9.9m. The overall international running total including Lionsgate territories stands at more than $100m.

Universal has German-speaking rights to German rom-com Rubbeldiekatz and UPI reported $2.2m from 600 venues in three territories for $5.9m. The film stands at $5.5m in Germany after two weekends.

Tower Heist stands at $53.1m and Johnny English Reborn $153.5m with Latin America and Japan set to open in the coming months.

Im speachless on how bad TGWTDT did sweden..
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I'm not surprised that Dragon Tattoo is doing poorly compared to the original as it is an almost scene by scene remake of a Swedish movie based on a Swedish novel. Most fans of the book have already seen the Swedish movie and the new movie isn't adding much to what they already know.

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I'm not surprised that Dragon Tattoo is doing poorly compared to the original as it is an almost scene by scene remake of a Swedish movie based on a Swedish novel. Most fans of the book have already seen the Swedish movie and the new movie isn't adding much to what they already know.

You just confirmed my suspicions.
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