They'll all get together and photoshop the same ticket to read different info. I mean-they all live in their parents' basements, have a secret network, and have nothing better to do, right? lol
Critics Consensus
With Halle Bailey making a major splash in the title role, Disney's live-action Little Mermaid ranks among the studio's most enjoyable reimaginings.
Some of the reviews sound like unverified audience reviews. I don't care to count how many used "cash grab" in their reviews. Oh how things have changed.
And here's a snippet of a ROTTEN review.
The Little Mermaid is arguably the best live-action Disney remake since Kenneth Branagh’s Cinderella. The splendor is there; the romance is crafted with care — but something’s still missing.
I wouldn't say the teasers, trailers, or clips have been horrible. I'd say they've been uninspiring. There's no sense of "this is it!" or "the conclusion we've been waiting for all these years" (not that we have), etc. It's been more "oh here's just another Indy movie that's pretty much a mish mash of others". And that isn't what people want. If they've wanted anything at all, they wanted a reason to believe this one would take things up several notches from the last one and really feel like a culminating finish.
Does that mean it should be rotten? Probably not, UNLESS the critics felt it had to have the above stated to be fresh.
Okay, I am just trying to learn and figure out why there is such a turn off against TLM in some places. Why Aladdin excelled where TLM is failing. Believe me, I don't want to think that any country is racist.
The nostalgia factor already hit for Indy 4 15 years ago. It did well but was not well received. Thus, 15 years later, nostalgia isn't going to work so well ESPECIALLY if it is even less well received.
Exactly. This sums it up nicely. I'd add to that the fact that when movies like Jaws, ANH, ET, Indy, Ghostbusters, and BTTF came out, sequels were not that common. And when they did happen, they were sequels to movies in the list I just gave. Movies WERE the social activities for a LOT of young people on Friday and Saturday nights. So they went to see what was hot at that time.
Under $200 million domestic is a very strong consideration for this movie, sadly.
I think the biggest issue may have been that none of the teasers, trailers, or clips screamed "final film" and none of them had the finality aspect. Actually, they all made it seem like a random episode of an Indy TV show or something.
Box Office Pro has finally caught on and given TLM a 21% increase in projection. $90-$112 million 3-day weekend projection and $115-$143 million 4-day.