charlie Jatinder

what I meant, that it's not too hard to believe that she would make such comment, or it is a big deal if she made, since 8mn number is out since Friday. I didn't checked interview, or what time was it done or whether it was an interview, what I saw was a comment which isn't much a big deal. Afterall her film opened to WHOPPING 8mn. Also, people do/scheduled interviews post film releases, again no big deal.

let's do, OS-Europe. that would be nice. thing is Joker happened to be a CBM with a genre that do well in Europe. Had it even released in China, going by Taiwan numbers, we are looking at Wonder Woman numbers. CBMs aren't that big genre overseas, yeah they open big & CBMs are the best performers recently because other things have been shit plus to their negative, they sell better in Asia where tickets are priced low. A 5mn admits in India, Indonesia, Malaysia or Mexico will only get you $13mn while in Germany that's $60mn or even $75mn in Japan. China sure helps, but at cost of Europe & Japan, the two markets that can even take a trash Fantastic Beasts Crimes of Grindelwald to $500mn internationally. If Endgame was able to become biggest grosser ever overcoming the genre negative in Europe, Japan and to an extent even China, that's a huge feat.

It's not really too hard to believe.

FvF 8mn PwF 2.43mn MW 2.33mn CA 1.95mn Lc 1.66mn DS 1.62mn Tgl 1.57mn M2 1.45mn Harriet 1.25mn

There is a huge difference in Cinema viewing pre and post 90s, a difference will come in some years due to OTT. So admissions record of different don't make a sense at all. GWTW may have got 200mn admissions, or not, it will struggle to get even half of that today, not due to change in taste of public but movie viewing alternative.

why I wasn't invited how will that be secret then. kinda have no idea about whole thing tho.

Most probably, Dom > OS for Episode 9.

That goes as Previews: $4mn Friday: $6.5mn Saturday: $8.5mn (Holy Shit) Sunday: $5mn That's $25mn Approx sales, with most crucial weeks to come and going by Sunday overall sales may be $30mn plus. Going by experience, I say Previews go to $13mn from here. I don't see Friday missing $45mn and followed by a crazy Saturday of $60-65mn and a huge Sunday of $50mn plus. This is going for the animation record weekend folks. TLK seems safe for now mostly due to previews, FSS gonna fall.

Viacom 18.

actually, that's reason. Superstar was just an extended guest appearance and not that good a film going by reports in India. I couldn't make me sit into film yet. LSC has a huge potential, much more than Dangal I reckon.

Forrest Gump remake. Next Christmas. $200-300mn potential.

Frozen II 4 Days Out Date Gross in ¥ ('000) Gross in $ Change Shows / Avg Gross-to-Date Nov. 21, 2019 ¥330 $47,000 50% 1,620 $29 $47,000 Nov. 22, 2019 ¥5,155 $736,000 37% 42,800 $17 $783,000 Nov. 23, 2019 ¥3,400 $486,000 48% 22,000 $22 $1,269,000 Nov. 24, 2019 ¥1,900 $271,000 28% 17,900 $15 $1,540,000 Total ¥10,785 $1,540,000 39% 84,320 $18 Comps

nayy, will prefer Gandhi baba.

Me too. Seems like a certain ¥100mn opening day, with more likely to be ¥130-150mn, missing ¥700mn from there is unlikely.

Right on it. That will be $11.80 including GST. Edit. Realised GST on export is nil, so $10 it is.

Yeah, I won't go for over TLK yet but can see that happen.

I would say 400mn Global weekend. Had it released in Australia, Russia, Italy and Brazil, might have tried 450mn.

full support to Disney's Avatar 2 against Black Adam.

Besides I don't think there's anything to be sad on our side. If Cinemas prove to be less economically feasible to paying public, it is substituted by an cheaper alternative which happens to be more beneficial to studios, eliminating middleman that is theatres or in some cases Netflix/Prime. Every thing dies, watches/camera/calculator die or almost die due to rise of smartphones and so on. Circus died for cinemas and TVs. It's nature.

India is facing same problem. In fact window here is just 8 Weeks, while for some films just 4 Weeks. What's even worse is that OTT services aren't making that much of revenue as well, they are in fact letting a rampant increase in piracy or multiple people are using same account. Further problem is with Jio, India's richest man's biggest Telecom company, which in 2016 revolutionised Internet in India with free/dirt cheap rates, forcing the competition to lose or die. They are going to launch Jio Fibre later next year, which per them will be releasing films simultaneously on release date, obviously move is boycotted by Multiplexes but it's India's unofficially most powerful man, so who knows what's gonna happen Did a thread few days back

This generalization ain't accurate. China is Asian country and like majority Asian countries we love sequels. But every film has its own individuality, just because some recent sequels aren't growing, doesn't mean sequels are doing bad. Those sequels didn't do well because those looked like shit and were shit. Just recent, Mal 2, will do ¥350mn compared to ¥295mn of Mal, while in rest of world, sequel will end up doing just 60% of original and others as well. FFH did almost double Homecoming, while it barely increase by 20% in rest of world.

Ok. So should get on aboard. A week earlier perhaps.

I guess everyone, just like China thread, people simply go to main source, i.e. mimorin.