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The International Box Office Discussion Thread

By Fake, in International Box Office

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CJohn Cinematic Universe

CJohn

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I seriously would love if they report the portuguese number because I don't want to wait for tomorrow, but it is unlikely with so many big markets and big important numbers coming from them.

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BenedictL11 Box Office Gold

BenedictL11

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http://www.hollywoodreporter.com/news/foreign-box-office-twilights-breaking-391798

"Skyfall" falls to No. 2, but cracks the half-billion overseas gross mark to become the biggest Bond ever; "Flight" under the radar in one-market foreign opening.

Opening at 12,812 locations in 61 overseas markets, Twilight Saga: Breaking Dawn Part 2 virtually sucked the box office oxygen out of the foreign theatrical circuit with a debut gross of $199.6 million – the biggest offshore opening launch of the year.

The weekend take easily beats the opening of last year’s The Twilight Saga: Breaking Dawn – Part I, which drew an estimated $144 million at about 9,950 locations in 54 overseas markets. To get an idea of just how big this weekend’s action was, Breaking Dawn 2’s debut tally just about matches the entire foreign box office of series original, 2008’s Twilight ($199.8 million).

Breaking day-and-date with its domestic release, the fifth and final title based on Stephenie Meyer’s series of novels about a young woman (Kristen Stewart) in love with a vampire (Robert Pattinson) blasted its way to double-digit weekend debuts in the U.K. ($24.4 million), Russia and eight other CIS markets ($20.3 million), Brazil ($19 million), France ($16.4 million), Australia ($12.7 million), Italy ($12.4 million), Spain ($11.8 million) and Mexico (also $11.8 million).

Included in Breaking Dawn 2’s overseas weekend take was $3 million registered at 82 IMAX location.

2009’s The Twilight Saga: New Moon cumed $413.2 million foreign while the following year’s The Twilight Saga: Eclipse finished its overseas run with a gross of $398 million. The Twilight Saga: Breaking Dawn – Part I drew a total offshore gross of $430.9 million.

The first four Twilight films grossed more than $2.5 billion worldwide of which $1.4 billion came from the foreign circuit. (Worldwide total for Breaking Dawn 2 stands at $340.9 million.)

Pushed aside to a distant No. 2 was Sony/MGM’s Skyfall, the 23rd installment of the James Bond franchise, which had been the foreign circuit’s box office champion for three prior stanzas.

The third outing starring Daniel Craig as 007 collected $49.6 million this weekend from 9,950 locations in 83 territories, pushing its foreign gross tally to $507.9 million. That makes Skyfall the biggest-grossing (not adjusted for inflation) James Bond title ever released on the foreign circuit. Top market on the weekend was Germany where the film tallied $10.3 million at 1,330 sites.

Flight starring Denzel Washington got off to a tentative start offshore, premiering No. 5 in Russia with $1 million extracted from some 400 spots. The film’s very early foreign cume stands at $2.1 million. Distributor Paramount said that major-market openings are due in January and February “during the awards season.”

Continuing to show overseas box office traction after early lackluster rounds in Turkey, South Africa, India and Iceland, Cloud Atlas, the soul-searching sci-fi drama costarring Tom Hanks and Halle Berry. The film seized the No. 1 spot in Russia (via Twentieth Century Fox working on a distribution fee basis with A Company Russia) for the second consecutive round, drawing $1.7 million from 1,300 spots for a market cume of $12.1 million.

Thanks to solid holdovers in France ($1.6 million at 346 spots at No. 3 in the market) and in the U.K. (No. 4 with $1.3 million drawn from 345 locations), Argo, actor-director Ben Affleck’s international thriller, grossed $8.7 million on the weekend overall at 3,451 screens in 38 territories. Offshore cume stands at $40.4 million.

Sony Animation’s Hotel Transylvania, a comedy voiced by Adam Sandler and Kevin James about a boy who discovers Dracula is real, grossed $7.8 million at 4,435 sites in 57 markets. The title’s foreign gross total stands at $140.3 million.

Wreck-It Ralph, Disney’s 3D family animation title, playing in 19 territories, dipped to $4.8 million overseas its third round in 18 territories, and lifting its foreign gross total to $35.7 million. Worldwide take stands at $157.2 million.

DreamWorks Animation’s Rise of the Guardians opened at some 7,500 situations in China and bagged $3.1 million. The Paramount release, featuring the voices of Alec Baldwin and Hugh Jackman, opens in eight markets this week including Hong Kong, Russia and the Ukraine and Singapore.

Sony’s Here Comes the Boom, a comedy starring Kevin James as a biology teacher turned martial arts fighter, drew $2.5 million in its second round overseas at 975 screens in 17 markets. A No. 3 ranking in Germany kicked in $1.7 million at 559 locations.

Pushing its foreign gross total to $82 million was Paramount’s Paranormal Activity 4, which collected $2.3 million on its fifth offshore weekend from 3,316 spots in 48 markets.

Universal’s The Bourne Legacy pushed its foreign cume to $161.3 million thanks to a $2.1 million weekend at some 5,000 playdates in nine markets while Twentieth Century Fox’s-EuropaCorp.’s Taken 2 grossed $1.95 million on the weekend an offshore cume of $219.5 million.

Top-grossing local language newcomer in the France market is Le Capital, director Costa-Gavras’ big business drama starring Gabriel Byrne. The Mars Distribution release opened No. 4 with an estimated $1.3 million derived from some 300 screens.

Other international cumes: Universal’s Pitch Perfect, $4.1 million (worldwide, $65.7 million); Fox’s The Watch, $33 million; Paramount’s Cirque du Soleil – Worlds Away, $3.7 million after a 819,000 second weekend in Japan); Universal’s Ted, $282 million (worldwide, $500.7 million); Wild Bunch’s Asterix et Obelix: Aus Service de sa Majeste, $32.3 million over five round in France only; and Universal’s Anna Karenina, $10.8 million from Taiwan, China, the U.K. and Ireland.

Also, Warner Bros. Espana’s Lo Impossible, $48.5 million over six rounds in Spain only; Pathe’s Nous York, $3.8 million over two stanzas in France only; Fox’s Abraham Lincoln: Vampire Hunter, $78.6 million; Universal’s ParaNorman, $42.6 million; Fox’s Diary of a Wimpy Kid: Dog Days, $27.8 million; Warner Bros. France’s Stars Des Annees 80, $11.4 million in France only; Fox’s The Sessions, 753,467 in two markets; and Universal’s Un Plan Parfait (Fly Me To The Moon), $8.3 million in France only.

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RthDeadWov Blockbuster

RthDeadWov

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BD2top 10 markets est. $usUK – $24.4M CIS – $20.3M Brazil – $19M France – $16.4M ,2m admits(Best 2012), 2nd best opeing FranchiseAustralia – $12.7M Italy – $12.4M Spain – $11.8M , record biggest OW $eu,$us & AdmitsMexico – $11.8M S. Korea – $7.1M Philippines – $4.4M Sweden – $3.9M biggest OW 2012Lat Am-43m 57% above BD1FIN-#2 opening 2012Netherlands-Franchise record 3rd biggest OW 2012Skyfall we est $usWE/CumeGER 10.3m -29% 57.4mUK 8.9m -47% 133.4m (gbp82.7m, 2nd biggest alltime )FRA 3.9m -54% 47.9mNETH 2.5m -32% 12.7m (#1,BD2 #2)SWI 2.5m -33% 14.2mITA 1.6m -49% 14.6mIND 1.3m -30% 7mSWE 1.1m -43% 13.2mBRA 1.1m -36% 12.4mSPA 1m -56% 11.2mRUS 1m -64% 23.9mDEN 1m -39% 11.5m

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ecstasy Global Phenomenon

ecstasy

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Argo got 40m os. I didn't even know it had been released. And good for Cloud Atlas.Twilight and Bond are the big stories though. Impressed with Bond still raking in the dough. Almost a 50m weekend.And how about BD2 opening with nearly Twilight's entire OS run.

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