Xillix Posted February 4, 2019 Author Share Posted February 4, 2019 The Formation Release Date: September 10, Y5 Studio: Red Crescent Pictures Genre: Horror/Fantasy Director: M. Night Shyamalan Theater Count: 3,204 Premium Format: Dolby Cinema Shooting Format: 35mm Academy Flat Aspect Ratio: 1.85:1 Release Image Formats: 2K DCP, 4K DCP, 4K Dolby Vision DCPRelease Audio Formats: 5.1, 7.1, Dolby Atmos Production Budget: $65 million MPAA Rating: PG-13 Running Time: TBD Major Cast: TBD Summary: WIP Spoiler The movie is set in a fantasy realm visually reminiscent of Europe in the Middle Ages. It opens just after sunset on a well-worn trail through a dark, dense forest, the soil damp from a recent rainstorm. A small trade caravan consisting of six merchants and two horse-drawn wagons is slowly making its way along the path. The merchants exchange nervous gazes, listening intently to the sounds of the falling night. The driver of the first wagon suggests turning back and camping on the edge of the woods for the night, but the apparent leader of the group remarks that they are already late, and do not wish to anger "them" with a further delay. The second wagon's driver agrees - the "beastfolk," he says, have become more hostile lately. "They need our supplies," the leader insists. "They will grant us safe passage so long as we maintain our end of the bargain." "The savages can't sustain themselves," the second driver remarks spitefully. The group soon becomes aware of footsteps following them from within the woods, just outside the range of their torches' flickering glow. Gradually, anxiously, they speed up. As they proceed forward, the footsteps become more numerous, groups of unseen observers gathering on either side of the trail, keeping pace with them in the dark. The leader calls out into the darkness, but receives no reply. Panic sets in as the merchants pile onto the wagons, the horses accelerating to a full gallop. Even still the footsteps follow, multiplying, as though the entire path ahead of their position has been lined with the stalkers - standing still and silent, waiting for the caravan to pass them to join the horde in pursuit. The caravan rounds a bend, and the path before them is blocked by a dense throng of beastfolk. It is impossible to tell how many; only the first few rows of the crowd are visible as dark, nearly-featureless shadows at the edge of the firelight. In the blackness beyond it seems as though the mob could go on forever. The drivers veer their wagons off in sharp turns to the left. The second wagon overturns, spilling the driver, passengers, and their supplies out onto the damp ground. As the first wagon slips narrowly through the trees, the agonized screams of the people left behind echo through the woods, animalistic roars and snarls signalling their grim fate. The beastfolk that had been lining the path chase after the remaining wagon, brief glimpses of their eyes glowing with the torches' reflection showing they are closing in with speed far beyond any human's. The wagon smashes into a tree trunk, knocking the driver off of his horse and sending his two passengers tumbling to the uneven ground, the torch falling into a deep puddle, extinguishing its flame. The horse breaks free of its restraints and races off into the night, leaving the trio of humans behind. The beastfolk quickly descend upon them. The two passengers are ripped apart by the claws and fangs of the beastfolk, the silhouetted outline of the carnage dimly visible in the dark. The driver, though, is taken alive - dragged through the forest by the enraged attackers, bones breaking against the jagged rocks lining the forest floor, nearly blind in the darkness, all sense of direction failing. Finally, he is tossed through the air, slamming into a pillar of stone. The tall, crudely-carved rock is engraved all over with densely-packed runes of some sort, impossible to make out clearly in the darkness. As he slides to the ground, blinking the blood and mud out of his eyes, he can see this pillar is at the center of an unnatural formation of stones - shaped into bizarre, sharply-angled forms, arranged in some sort of pattern that cannot be discerned from ground level. The beastfolk close in on him, and just before they strike a killing blow, we cut to a view from the path. The camera pulls back as the man's scream is heard from the distance. As his voice cuts off, a red glow begins to shine from within the forest, casting long shadows of the trees onto the path. The camera pulls back just far enough to see a quick glimpse of a severed human forearm, bitten off out the elbow, resting against the first overturned wagon, its wooden frame stained with fresh blood. We fade to black, and then to the title card... THE FORMATION 2 Link to comment Share on other sites More sharing options...
YM! Posted February 9, 2019 Share Posted February 9, 2019 (edited) Lego 2 underperforming broke my heart and since we need fillers, this is my sin, I’m sorry: Johnny Test ^ 2: Hold Yo’ Nuts Studio: Infinite Studios Platinum Dunes Tencent Pictures Release Date: Y5 Genre: Sci-fi/Action Director: TBD Rating: PG-13 for intense sequences of action violence, sexual material, drug references and language Budget: $130M Theater Count: 4,001 Format: 2D, 3D, Dolby Cinema and IMAX 3D Runtime: 158 minutes Original Song: “Grab Dem Nuts” by MGK Cast: Justin Prentice as Johnny Test David Henrie as Fred “Coconut” Johnson Adam Sandler as Dark Vegan Megan Fox as Susan Test Emma Watson as Mary Test Eddie Murphy as Dukey Jonah Hill as Bling Bling Boy Kanye West as The President Peyton List as Agent Sissi Tyrese Gibson as Mr. White Channing Tatum as Mr. Black Mark Whalberg as Hubert Test Chris Hemsworth as Gil Nexdoor Rose Byrne as Lila Test Edited March 5, 2019 by YourMother the Edgelord 1 3 1 1 Link to comment Share on other sites More sharing options...
Xillix Posted February 9, 2019 Author Share Posted February 9, 2019 @YourMother the Edgelord Technically @Reddroast still has IMAX reserved for December 3rd since he claimed it for The Associates, which he intends to replace with another film. 1 Link to comment Share on other sites More sharing options...
YM! Posted February 9, 2019 Share Posted February 9, 2019 17 minutes ago, Xillix said: @YourMother the Edgelord Technically @Reddroast still has IMAX reserved for December 3rd since he claimed it for The Associates, which he intends to replace with another film. Oh. I’ll move it. 1 Link to comment Share on other sites More sharing options...
Xillix Posted February 10, 2019 Author Share Posted February 10, 2019 @Slambros You forgot to add the cast list to your overview at the top of your Mona Lisa post. Link to comment Share on other sites More sharing options...
SLAM! Posted February 10, 2019 Share Posted February 10, 2019 (edited) 10 minutes ago, Xillix said: @Slambros You forgot to add the cast list to your overview at the top of your Mona Lisa post. My bad. I've added it. Thank you! Edited February 10, 2019 by Slambros Link to comment Share on other sites More sharing options...
vault2008 Posted February 17, 2019 Share Posted February 17, 2019 (edited) Hostel: Bloodline Director: Eli Roth Genre: Horror Release Date: January 8th, Year 5 Major Cast: Sverrir Gudnason as John Emmanuelle Vaugier as Linda Sabrina Carpenter as Abigail Dean Winters as Samael Ladislav Seamus Davey-Fitzpatrick as Adem Ladislav Logan Miller as Renn Guillaume Bouchède as Jakub Theater Count : 3,450 MPAA Rating: Rated R for brutal scenes of torture and violence, strong language, and underage drinking. Runtime: 116 minutes Production Budget: $8 Million Synopsis: A family of four on their final vacation together ends up in a trip to hell. As the drama unwinds in the family, they find themselves the targets of Elite Hunting, an underground organization that lines would-be killers and torturers up with kidnapped victims for them to exact their sickest fantasies out on. Plot Summary: Spoiler The film opens in a dark and damp, low-lit room, with Samael Ladislav beating a restrained man. The restrained man has a bag over his head, and screams with every strike. After several seconds of the beating, Samael grabs a gun off a nearby table and shoots the restrained man in the body several times, emptying the magazine. He motions to a door on the far side of the room. Adem Ladislav emerges from the door, a frightened teenager. Samael tries to comfort his son, and tells him that this is how his family does things We cut to a shot of a family on a train. “Nitra, Slovakia” appears on the bottom of the screen. There’s a family of four on the train—John and Linda Toff, two middle-aged parents, and their college-aged children, Renn and Abigail. John and Linda seem concerned about their children enjoying their final vacation as a family, but Renn couldn’t care less, and Abigail is preoccupied with the boys on the train. They arrive at their destination and head for local boarding. As they approach a hostel, a man out front, Jakub, advises them of a cheaper hostel with a better view two blocks away. John and Linda thank Jakub, and the family continues to the hostel that was recommended to them. Once they reach their room and check in, the family splits up to check out the hostel itself and see what’s available. Renn and Abigail disappear, and John and Linda fight about the money they’re spending on the trip. Linda argues that since they found a cheaper hostel they should stay an extra day, but John refuses and says it’s putting too much of a dent in their finances as it is. At the hostel pool, Abigail is taking selfies and hanging out with boys. She complains about being dragged on the vacation to one in particular, though his face is kept from the camera. At the end of the scene, after Abigail walks away, the camera pans around to reveal the boy as Adem Ladislav. Renn is sitting at a bar, a beer in one hand and his phone in the other. A woman approaches him and tries to flirt, but he dismisses her and says he needs to focus on his work. Abigail finds him and playfully jabs about him not socializing, and Renn fires back with how obsessed Abigail is with guys. Offended, Abigail leaves. The camera pans back to reveal Adem following Abigail. We cut to a scene with Adem carrying a knocked-out Renn through an abandoned warehouse. It’s filthy and falling apart. He lays Renn’s body in a room, and his father, Samael, appears in the doorway and praises Adem. He’s happy, because Americans always fetch a fair price. Adem shoves past his father and tells him what they’re doing is wrong. Frustrated, Samael grabs Adem and tells him this is the business their family has always been in, and he needs to get on board with it. The next morning, Linda is concerned about Renn. Abigail tells her to brush it off and not worry, and departs. John and Linda get in another argument, this time over Renn. John storms out and tells Linda she’s ruining their vacation. Renn’s dead body is strapped to a chair. His entire head is decapitated and laying on the ground next to him, and there is blood in various places along his body. Samael and Adem walk into the room and observe the scene. Samael advises that they had another happy customer. Adem reluctantly comments that he can’t see himself doing this. Samael grabs Adem by the collar and tells him if the people in charge of their company, Elite Hunting, hear him talk like that they’ll both be killed. Samael orders Adem to clean up the gore and storms out. Jakub enters and tells Samael they’ve got the woman (Linda) and are moving on the rest of the family tonight. Back at the hostel, Abigail and John start freaking out about the disappearances of Linda and Renn. They agree to leave and contact the local authorities. As they depart and leave, they run into Jakub. Abigail immediately calls him out because he recommended they stay at this hostel. He profusely apologizes and offers to get them to the authorities. As he leads them into an isolated block, several men emerge from an alley and knock out John and Abigail. We cut to Linda waking up in a room, strapped to a table. She screams for help, and a figure wearing a devil’s mask enters the room. He doesn’t say anything, merely listens to her scream and retrieves a club from a stand of various tools. He walks over to her, slowly, and starts beating her over and over. The camera immediately cuts to Abigail waking up in a room. She cries for help. The door opens, and there’s arguing between two figures. The light kicks on overhead, and Adem makes his way into the room, unsure of himself. He grabs a crowbar from a table and looks like he might attack Abigail, but she begs him not to. He throws the crowbar to the side and breaks down, sobbing. Samael storms into the room screaming at his son to kill her and become a man, that he has to contribute to the business. The two get into a shoving match, and Samael shoves Adem back into Abigail’s chair, breaking it from the bolts into the floor. Abigail scrambles to the weapon table and retrieves a scalpel. Someone grabs her from behind—she spins and jams it into the person’s eye. The camera quickly pans to reveal it was Adem. Mortified, Abigail storms out of the room as Samael tends to his son. She hides in the hallway, avoiding four men who pass by, all armed with guns and holding barking dogs. She cautiously makes her way through the halls, and comes upon the room with Renn’s corpse. She gasps and starts crying. In another room, a man is whipping John with a barbed whip. He screams with each hit. Abigail hears the screaming turns to the weapon table in the room with Renn’s corpse—she grabs a large knife from the table and starts towards the screaming. She sees her father and rushes at the attacker. He spins and catches her in the face with the barbed whip, but she manages to stick the blade into his throat, killing him. With her face wounded, Abigail barely manages to free her father. John can barely stand, but the two embrace one another. John grabs a revolver from the weapon table and the two start towards finding an exit. A large man wearing a butcher’s apron spots them and yells out, but John manages to shoot and kill him. In a separate wing of the building, Samael has transported Adem to a hospital bed and has someone looking after him. He apologies to his son, and vows to kill the bitch who hurt him. He exits the room and enters another, retrieving a shotgun and loading it. John and Abigail struggle to find the exit amidst the corridors and maze-like paths of rooms. They run into another buyer get into a fight. The man easily tackles John, but Abigail manages to recover the gun and shoot him, protecting her father. John says he’s sorry to Abigail, and the two find a large room with a door at the far end that leads to the outside. Samael gives chase from behind. Abigail tries to shoot him but the gun is empty. John and Abigail make a dash for the exit, but he fires a shot that clips John in the arm. Abigail stops to help him despite him screaming for her to go. Samael explains that they would never have made it, that Elite Hunting is a company that spans countries and has contacts everywhere. He then tells John he’s glad he didn’t die, because he wants to kill his daughter in front of him. Abigail and John both throw themselves at Samael despite their injuries. The shotgun goes off, but Abigail manages to push the barrel away and send the shot astray. John kicks Samael in the kneecap and bites his hand while Abigail scratches at his eyes. They manage to get him to the ground. Abigail cocks the shotgun and fires a slug into Samael’s chest, killing him. With all quiet, she helps her father up and the two manage to exit the warehouse alive. Moments after they make it out the door, two more men, one being Jakub, arrive at the scene and see the body of Samael. POST-CREDITS SCENE Adem, now wearing bandages over his eye, makes his way to the scene of his father’s death and collapses next to his body. Jakub tries to comfort him. Adem claims that maybe his father was right all along. The camera zooms in on his one remaining eye, full of vengeance, and then we cut to black. Edited February 17, 2019 by vault2008 5 Link to comment Share on other sites More sharing options...
YM! Posted February 17, 2019 Share Posted February 17, 2019 @Xillix please move Up The Butt to November 24th, cause Thanksgiving is the perfect time to take your family to a bad horror movie with Asa Akira as the star. 1 1 Link to comment Share on other sites More sharing options...
35MM-18 Posted February 20, 2019 Share Posted February 20, 2019 Alice Release Date: October 1st Studios: Warner Bros. Pictures, Sikelia Productions, DreamWorks Pictures Genre: Psychological thriller/horror/drama Director: Martin Scorsese Writer(s): Steven Zaillian and John Logan Cast: Asa Butterfield as Dorian Gray Daniel Radcliffe as Basil Hallward Elle Fanning as Sibyl Vane Tom Felton as James Vane Rebecca Hall as Lady Wotton with Bill Nighy as Lord Fermor and Tom Hiddleston as Henry Wotton Music by: Howard Shore MPAA Rating: R for violence, strong language, sexual content, drug and alcohol use and frightening and intense scenes Theatre count: 2,412 Runtime: 155 minutes Production Budget: $55 million Plot summary: Martin Scorsese's adaptation of the Oscar Wilde classic sees the handsome Dorian Gray fall under the spell of hedonist Henry Wotton, while a portrait of him records every one of his sins and ages when he does not. 4 Link to comment Share on other sites More sharing options...
SLAM! Posted February 20, 2019 Share Posted February 20, 2019 @35MM-18 Do note that we use fictional studios in this game; in other words, each player releases films through their fictional studios. Glad to have you in the game! The Oscar Wilde adaption sounds pretty cool! 1 Link to comment Share on other sites More sharing options...
35MM-18 Posted February 20, 2019 Share Posted February 20, 2019 (edited) The Picture of Dorian Grey Release Date: October 1st Studios: Warner Bros. Pictures, Sikelia Productions, DreamWorks Pictures Genre: Psychological thriller/horror/drama Director: Martin Scorsese Writer(s): Steven Zaillian and John Logan Cast: Asa Butterfield as Dorian Gray Daniel Radcliffe as Basil Hallward Elle Fanning as Sibyl Vane Tom Felton as James Vane Rebecca Hall as Lady Wotton with Bill Nighy as Lord Fermor and Tom Hiddleston as Henry Wotton Music by: Howard Shore MPAA Rating: R for violence, strong language, sexual content, drug and alcohol use and frightening and intense scenes Theatre count: 2,412 Runtime: 155 minutes Production Budget: $55 million Plot summary: Martin Scorsese's adaptation of the Oscar Wilde classic sees the handsome Dorian Gray fall under the spell of hedonist Henry Wotton, while a portrait of him records every one of his sins and ages when he does not. Edited February 20, 2019 by 35MM-18 1 Link to comment Share on other sites More sharing options...
YM! Posted March 3, 2019 Share Posted March 3, 2019 @Xillix Move Medusa to February 12th and Move Artifacts to March 26th and give it Medusa’s IMAX 1 Link to comment Share on other sites More sharing options...
Reddroast Posted March 3, 2019 Share Posted March 3, 2019 (edited) The Study Release Date: January 22 y5 Genre: Horror/scifi Studio: Gargoyle Films, Blumhouse Productions Director Joseph Gordon-Levitt Writer: Christopher Landon Budget $6 million MMPA Rating: R Theatre count: 3000 Major Cast: Joseph Gordon-Levitt as: Dr. James Shelby Anne Hathaway as: Dr. Nicole Hansen Micheal Keaton as: The Benefactor Dr. James Shelby and Dr. Nicole Hansen are working on a cure for malaria. However their lack of success is leading to low funds for the research. Until one day they connect with a person only known as The Benefactor. The mysterious old man offers them millions to work on the research in Portland, Oregon. The two scientists agree to its terms as they will be there close to a breakthrough. When they see that the serum is working on mice a sight tested on each other. The experience positive side effects such as increased strength and agility but notice that they get sunburned easier with each passing day. As their canine teeth start to grow and they start to experience weird cravings and realize that they are turning into vampires and begin to feast on an unsuspecting public. Edited March 5, 2019 by Reddroast 1 Link to comment Share on other sites More sharing options...
YM! Posted March 4, 2019 Share Posted March 4, 2019 Dolphins Studio: Infinite Studios Release Date: 9/24/Y5 Genre: Nature Documentary Director: Alastair Fothergill Rating: G Budget: $5M Theater Count: 2,450 Runtime: 77 minutes Narrator: Chiwetel Ejifior Composer: John Williams Plot: The narrator tells us an informative and fun journey about a group of dolphin triplets as they attempt to survive and adapt to their home in the ocean. 1 Link to comment Share on other sites More sharing options...
Xillix Posted March 4, 2019 Author Share Posted March 4, 2019 @Reddroast @35MM-18 Are The Study, The Picture of Dorian Grey, and Alice completed? Link to comment Share on other sites More sharing options...
Reddroast Posted March 4, 2019 Share Posted March 4, 2019 35 minutes ago, Xillix said: @Reddroast @35MM-18 Are The Study, The Picture of Dorian Grey, and Alice completed? The study is finished. Link to comment Share on other sites More sharing options...
35MM-18 Posted March 4, 2019 Share Posted March 4, 2019 4 hours ago, Xillix said: @Reddroast @35MM-18 Are The Study, The Picture of Dorian Grey, and Alice completed? Ignore Alice. That was a cock-up on my part when I accidentally put out Dorian Grey with the wrong title. Should probably be removed. 2 Link to comment Share on other sites More sharing options...
Xillix Posted March 5, 2019 Author Share Posted March 5, 2019 On 3/4/2019 at 2:17 PM, Reddroast said: The study is finished. Just realizing you forgot a theatre count. Link to comment Share on other sites More sharing options...
YM! Posted March 7, 2019 Share Posted March 7, 2019 @Xillix move Splatoon to May 28th (Memorial Day weekend) Y5 1 Link to comment Share on other sites More sharing options...
Xillix Posted March 7, 2019 Author Share Posted March 7, 2019 22 minutes ago, YourMother the Edgelord said: @Xillix move Splatoon to May 28th (Memorial Day weekend) Y5 Well now someone's gotta put something back on the 4th XD 1 Link to comment Share on other sites More sharing options...
