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http://www.festival-cannes.fr/en/article/62135.html

 

Notable screenings this year:

 

Cafe Society - Woody Allen

Julieta - Pedro Almodovar

Personal Shopper - Olivier Assayas

The Salesman - Asghar Farhadi

Gimme Danger - Jim Jarmusch

Paterson - Jim Jarmusch

Bacalaureat - Cristian Mungiu

Loving - Jeff Nichols

The Handmaiden - Chan-Wook Park

The Last Face - Sean Penn

The BFG - Steven Spielberg

Elle - Paul Verhoeven

The Neon Demon - Nicolas Winding Refn

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not really. There are pans sure but the raves I've seen have more interesting things to say about it. It's actually more on my radar than it was before. Especially consider I did nooooot like the clouds of sils Maria.

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So with only one day of films left, I think it's safe to say we don't have any Oscar contenders (haven't been following the foreign flicks):

 

Loving will be good for one or two acting nominations, maybe a screenplay nomination

Cafe Society will get into Cinematography and maybe Screenplay

The BFG's only potential nomination is Score

Hands of Stone is a nonstarter 

 

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Verhoeven getting some niiiiiiice words said about it. also sounds like a thinkpiece mine field which i guess is what you'd expect from the maestro. That, Toni Erdmann and the Jarmusch probably ended up being the competition films I'm most interested in seeing.

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Quote

 

Palme d'Or: Ken Loach, 'I, Daniel Blake'

Grand Prix: Xavier Dolan, "It's Only The End of the World"

Jury Prize: Andrea Arnold, "American Honey"


Best Actress: Jaclyn Jose, "Ma Rosa"

Best Actor: Shahab Hosseini, "The Salesman"

 

Best Director: Olivier Assayas, "Personal Shopper" & Cristian Mungui, "Graduation"


Best Screenplay: Asghar Farhadi, "The Salesman"

 

 

I get that my perspective is probably limited because I only followed The AV Club's coverage, but aside from The Salesman those winners seem meh as hell. No Toni Erdmann, no Paterson, no The Handmaiden, no Elle. Those are by far the films I'm looking forward to the most.

Edited by Jake Gittes
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I like loach but I think he gets quite didactic when his films get political, as much as I would agree with any criticism of Cameron's Britain. At least the fact that it's a British picture means it'll be easier for me to get to than the last couple winners.

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