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*Y5 ACADEMY AWARD CEREMONY!*

By SLAM!, in Create A Year Of Movies (CAYOM)

Oscar Y5 Poll Questions  

8 members have voted

  1. 1. Which film will win Best Picture?

    • 24 Hours
      2
    • Bambi: A Life in the Woods
      2
    • The Rich and Famous
      0
    • The Scavenger Wars: Part II
      2
    • A Woman in the Crowd
      2

  2. 2. How excited are you for the Oscar ceremony?

    • "I'm So Excited" -- The Pointer Sisters
      4
    • I am excited for the ceremony to a reasonable degree.
      2
    • Eh; I'm excited to an extent...
      2
    • No, Not Really, No
      0
    • I don't even know why I'm here, because I'm the OPPOSITE of excited...
      0

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SLAM! Summer Tentpole

SLAM!

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Spoiler

The sun shines bright as a police car travels down the highway—replicating 24 Hours. Linda Hutchins is driving James Krestovich down a barren highway.

 

Linda: There’s a diner down the next exit. Are you hungry?

James: I’m surprised you’re taking me uncuffed into a diner. But yes. I am.

 

New Journey Pictures’ fictional CEO Glenn Guthrie appears next to James in the backseat. He rubs his hands together.

 

Glenn: Mmm! What are we having? Burgers? Hot dogs? Overpriced pretzels?

 

They sit in silence for a moment.

 

James: (to Linda) …Who’s this again?

Linda: He’s the worst of the worst… the fictional CEO of New Journey Pictures, Glenn Guthrie.

Glenn: So, it’s pretzels we’re having, right?

James: (to Linda) What did he do, exactly?

Linda: He was caught trying to rig the Best Picture results so the movie Sabrina would win.

James: That doesn’t make any sense… Sabrina wasn’t even nominated…

Glenn: And I would’ve gotten away with it if it weren’t for you meddling kids, you know what I’m sayin’?

Linda: We’re adults, but, yes, that’s correct.

James: (to Linda) He’ll be cuffed in the diner, right?

Linda: You know what, James? I think have a better idea.

 

Linda turns the air conditioner to its coldest setting while Glenn doesn’t notice. Glenn begins to react to the cold as though it’s really bothering him.

 

Glenn: Is it getting progressively colder in here?

Linda: Not to me.

James: Me neither.

Glenn: Oh no! It’s not what I think it is, is it?

Linda: It is. You’ve been afflicted by the part of the curse from A Woman in the Crowd where an invisible forcefield of cold air wants to trap you within a certain area.

James: Yeah. If I were you, I’d jump out of the car before it drives past the point where you’d freeze to death.

Glenn: Say no more!

 

Glenn jumps out of the moving car and tumbles down the highway. In the car, Linda and James give each other a fist-bump.

 

We cut to Glenn Guthrie as he finds himself in Hustonville, Kentucky—the town that Lyra is trapped in during the film A Woman in the Crowd.

 

Milo Hawkins is walking through the town when he stops, turns to Glenn, and smiles.

 

Milo: Good morning, angel.

 

They stare at each other for a moment.

 

Glenn: Um… Do I know you?

Milo: I could ask you the same thing!

Glenn: Yeah, I think you have the wrong person, mister.

 

Victoria sees them from afar and runs up to them with a stack of books cradled in her arms.

 

Victoria: You look kind of familiar… Oh my gosh! Are you my college roommate who disappeared after coming to this town with me?

Glenn: No. I’m the fictional New Journey Pictures CEO, Glenn Guthrie.

Victoria: Wow! I’m really happy that you and your Lyre have been reintegrated into my life! Here, have a book! I’m a librarian!

 

Lyra enters the area with a confused look on her face.

 

Lyra: Wait a minute… I’m her college roommate! Why have you adopted my identity?

Milo: Oh wow.

Victoria gasps.

Victoria: Identity theft is not a joke, Glenn! Millions of young women affected by supernatural occurrences suffer every year!

Glenn: Listen, everyone. I don’t know what’s going on, but I think you’ve got me confused with this woman here. I didn’t steal her identity.

Lyra: I don’t want to have to say this impassioned speech again, but I will if it means there’s no more confusion. My name is Lyra Marshall, and you will not remember me. You won't even remember this conversation. Just like with everybody else I've ever met, everything I do or say will be forgotten. Every letter I've written will appear blank; every piece of evidence I've left behind will end up missing. Even evidence I leave upon myself disappears within a day. I'm stuck here in Hustonville because of the same curse that has made me so forgettable. If my melodies find their way into your heart, then there is still hope for me. If I can't prove that I exist, I can at least prove that my love for each and every one of you exists. Please, listen to my story, my symphony, for it is me.

Milo: (to Lyra) Who are you again?

 

Lyra groans in frustration. Glenn backs away slowly.

 

Glenn: Um… Catcha later, bye!

 

Glenn attempts to flee from the discussion, but he’s stopped by Janie Coleman from The Rich and Famous, who appears out of nowhere.

 

Janie: Not so fast! I need a therapist!

Glenn: Oh, brother…

 

We abruptly cut to a therapy office that is built exactly like Nick Findel’s. Glenn is trapped in the seat behind the desk—he looks extremely uncomfortable. Janie grins widely as she taps her fingers on the desk.

 

Glenn: So… Um… What brings you in here today, Janie?

Janie: Oh, I’m just a little jealous of my former co-star, Molly Walters. She’s rich and famous… but I’m much less rich and much less famous. This disparity between us overwhelms my train of thought and causes me to ponder the position I’m in at this point in my life.

Glenn: That’s really neat.

Janie: Let’s have sex.

Glenn: Huh what.

Janie: Hold on, let me check the photos on your social media accounts.

 

Janie whips out her phone and types vigorously for a moment, as Glenn scratches his head. Suddenly, Janie gasps and stares up at Glenn with blood in her eyes.

 

Janie: You’re using me to cheat on your wife!

Glenn: Well, first of all, you’re spoiling your own film, and second of all, I don’t remember the two of us ever being in that kind of relationship, especially in the span of less than a minute’s time.

Janie: Quit your mansplaining! I’m gonna tweet about you and get you kicked out of Hollywood! Weinstein style!

Glenn: Listen, I think it might be a little too early for a Weinstein reference.

 

Suddenly, Lucina, Sunn, Tamara, Sal, and Luna from The Scavenger Wars: Part II all funnel into the room. Lucina points a finger at Glenn.

 

Lucina: You.

 

Janie laughs and turns directly towards the camera.

 

Janie: Wow! #MeToo accusations really do travel fast around the internet! Looks like my work here is done!

 

Janie slips past the Scavenger Wars cast members and walks out of the room without realizing that #MeToo issues aren’t the reason why they are there.

 

Glenn turns to the Scavengers Wars cast in confusion.

 

Glenn: What do you need from me?

Scavenger Wars cast in unison: We need therapy.

Glenn: Well, I agree that you all need therapy after the events of The Scavenger Wars: Part II; however, I’m sorry to inform you that I’m not actually a therapist, you know what I’m sayin’?

Sal: Just come with us, human!

 

Sal grabs Glenn by the hand and virtually drags him out of the room.

 

We cut to the outside of a therapy building, where the scavengers’ spaceship is blocking traffic in the middle of a busy street. Glenn is following them, but he stops suddenly.

 

Glenn: Wait! I’ve had a sudden realization!

Tamara: What is it?

Glenn: If we change the location of this part of the broadcast to an entirely different planet, we’ll miss the chance to incorporate Bambi: A Life in the Woods into the parody sequence!

Lucina: Ugh. Fine. We’ll take you to the Bambi forest.

 

We cut to Glenn being escorted through the Bambi forest by the Scavenger cast. They walk through the woods for a moment until they come across Bambi and the Old Stag, who are standing near each other. The deer turn towards Glenn.

 

Bambi: Would you mind? We’re in the middle of a philosophical conversation.

Glenn: Oh. My bad.

The Old Stag turns to Bambi.

Old Stag: See, Bambi? You can stand beside Him and not feel fear. He stands there, clueless and docile, like a wolf’s prey. He is not all-powerful as they say. He is not above anyone. He is just like the rest of us, with the same fears and needs, and he suffers all the same. He stands bunglingly amidst our forest, much less physically fit than the rest of us, as you see Him now.

Glenn: (tears streaming down face) Too real, man. Too real.

Bambi: I would very much appreciate it if you left our forest, sir.

Glenn: (*sniffle sniffle*) Okay.

 

Glenn trudges away from the deer with his head down.

 

Sunn: Hey, wait! Don’t you wanna help us with our desperate need for therapy?

Glenn: No. I’m gonna go host the Oscars instead.

Luna: Wait a minute. We should tell him that—

Tamara: No, Luna. Let him find out on his own.

 

We cut to the Oscar ceremony as Glenn stumbles onto the stage, his eyes stained with runny black mascara.

 

Glenn: Hello, and welcome to the Y5 Oscar ceremony! I hope you’re all doing much better than I am! A deer just talked me into an existential crisis, but that’s beside the point. We’re all gonna have a good time handing out awards to movies tonight, just you wait!

 

A man in a tuxedo with the nametag “Slambros” walks up to Glenn and tells him something unintelligible.

Glenn: What?

The tuxedo-man nods.

Glenn: No host? Are you for real?

The tuxedo-man nods again. Glenn turns to the audience.

Glenn: Well, enjoy your host-less Oscar ceremony, America.

 

Glenn drops the microphone as the tuxedo-man escorts Glenn offstage. The crowd engages in confused conversation with one another, but they clap excitedly when Aidan Turner and Rachel Weisz walk onstage to present the first two awards.

 

Glenn: (aside) Oh, come on!

 

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SLAM! Summer Tentpole

SLAM!

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Aidan Turner: We are here tonight to present the awards for Best Original Screenplay and Best Adapted Screenplay.

Rachel Weisz: There is no film without a script.They are vital to our favorite movies.

Aidan Turner: Here are the nominees for Best Original Screenplay.

 

Spoiler

24 HOURS

 

Linda makes another attempt to get James to open up, asking about whether he’s handled any criminal defense cases. James says he has. Linda asks him what he would do where his client was in big trouble with the law but could make most of that trouble go away by talking to the authorities about the crimes done by someone else. James says most of the time he would advise his client to talk to the authorities, unless his client had a very good reason to stay quiet. Linda asks what reasons there could be and James, smiling, says that since they both know what the conversation is actually about, she should be able to think of a few. Linda says that’s true, but everyone has a weakness. James asks what his is. Linda says “Now that would be telling.”

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

Donatello: It’s been about a year now, figured I’d get the good stuff.

Antigone: Aren’t you 19 or so?

Donatello: Just 19. No So. And that’s why we arranged to be based in Glasgow.

Antigone: Very sneaky, Donny.

Donatello: Like you’re any better. I don’t let it compromise our work.

Antigone: You have solid self-control, better than I did at your age.

Donatello: Tig, come on. You’re just barely over a year older than me.

Antigone I am. But we should probably eat up before it gets worse. Homemade ratatouille. Went to the farmers market this morning before the daily task.

 

Spoiler

THE RICH AND FAMOUS

 

She wants to start a new studio. To tell better, more just stories. (Janie agrees) To prove that we are still here, and we have stories worth telling. (Janie agrees) To donate all this bougie shit to charity and live more modestly (Janie needs more convincing) Both smile, having found solance in one another.

 

Spoiler

SYLVARIUS

 

Eventually the dinner ends and Selena returns towards her quarters but on the way Marcus intercepts her and pulls her to a secluded part of the castle to talk. She is understandably annoyed at his deception and he explains there was little time to explain things. After some arguing Marcus says Cobben is being kept in the dungeons and she will have to try to free him after he arranges for access. He doesn’t know about Anna.

 

Spoiler

YIN

 

Martin and Barbara find Juan, the park employee they saw earlier that day. Juan asks if there’s anything he can help with, and Martin asks about Yin.

Juan: Oh, man. I wish I was helping out in the search. But no, we haven’t found her yet.

Martin: How in the world would a whale go missing from a park such as this?

Juan: That’s what I’m trying to figure out. Maybe Yin’s been a reincarnated Houdini the whole time.

Martin: (laughing) Really? Houdini reincarnated as a female killer whale?

Juan: I mean, that makes as much sense as anything else would.

Juan’s left eye twitches. Barbara crosses her arms.

Martin: Well, it was a pleasure talking to you.

Juan: Hey, anytime. I’m an ally. Just come to me if you have any questions.

Martin: Well, Barb, I’m hungry for a good hot-dog. You?

 

 

Aidan Turner: And the Oscar goes to...

 

Spoiler

24 HOURS

 

J.C. Chandor gives an impassioned speech and walks offstage.

 

Edited by Slambros
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SLAM! Summer Tentpole

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Rachel Weisz: We will now be announcing the nominees for Best Adapted Screenplay.

Aidan Turner: Here are the nominees for Best Adapted Screenplay.

 

Spoiler

BAMBI: A LIFE IN THE WOODS

 

A few mornings later, Bambi finds himself roaming around as he usually does. He wanders around the edge of a meadow, trying to remain to hidden from sight. Out in the distance, he recognizes someone that catches his eye immediately: Faline. He watches her as she wanders slowly in the field looking for places where grass emerged from the snow. She moves slowly as though she were tired or sad. She almost looks like Ena did at the beginning of the movie – looking much older and grayer than before. Faline lifts her head up in Bambi’s direction as though she can sense his presence. Bambi, concealed by the surrounding brush, stares back at her. Bambi’s mind flashes back to when he was a fawn, playing with Faline and Gobo in the meadow. His mind comes back to the present as he watches Faline wander towards the far end of the woods, her head drooping to the ground, walking slowly, sadly, and wearily away. Bambi stares in her direction far long after he can no longer see her.

 

Spoiler

OLIVE THE OTHER REINDEER

 

Santa meets with Olive, Martini and the Scientists. He dejectedly tells the Scientists that he doesn’t think his flight is going to happen. He’s gotten several letters from children saying they want Santa to go work in the postal service rather than deliver presents. Try delivering bills for once, they say. The Scientists look at Santa in aghast horror, but Martini asks if he could look at the letters.

 

Spoiler

PILLARS OF ETERNITY: NEVER FAR FROM THE QUEEN

 

We return to the plateau, once again empty save for the midwife, watching as another wagon comes to the plateau. A montage ensues with a repeating cycle of shots, but with different people involved, and different seasons showing time passing: A wagon arrives, a woman is helped into the house, the midwife performs her ritual as she helps the woman give birth, the midwife ties a bracelet of chimes to the newborn as it is handed to the new mother, the woman rings the bell, the village briefly pauses in recognition of the new member of the community. This goes on for a handful of times until, one time, when the baby is born, there are no cries, or reaction at all from the newborn. The midwife looks down, and while the newborn boy breathes, it is limp, listless, glassy-eyed, and without any spark of life to it. Audiences having watched the first film would recognize this as a Hollowborn. The midwife, holding the Hollowborn in her arms, looks down at it in confusion.

 

Spoiler

THE SCAVENGER WARS: PART II

 

 

“You never forget your friends”, Tamara smiles with a tear running down her cheek.

 

Lucina’s confused as to what all that’s about, and Tamara that explains that Sal was the only real friend she had in her adolescence - as her father wouldn’t allow her to socialize otherwise - until Sal’s parents decided to take her off Khouga to settle in a distant colony, a decision that’s pained both women ever since.

 

Lucina herself expresses some sorrow but for different reasons, sighing and trying to suppress a sudden feeling of grief. Tamara knows exactly what’s upsetting her.

 

Lucina: The day I lost them, Tamara, I… I did nothing.

Tamara: It wasn’t your fault.

Lucina: (sniffles) I try telling myself that…

 

Spoiler

A WOMAN IN THE CROWD

 

Lyra gives Victoria her usual speech. “...Every letter I've written will appear blank; every piece of evidence I've left behind will end up missing. Even evidence I leave upon myself disappears within a day. We see Lyra cut herself and her cuts heal within an hour. I'm stuck here in Hustonville because of the same curse that has made me so forgettable. We see Lyra attempt to leave town, but she only makes a few steps before falling down, freezing. Still, that doesn't stop me from doing the one thing that I love: making music." We see multiple days go by of Lyra just playing her lyre, trying to forget what is happening.

 

Rachel Weisz: And the Oscar goes to...

 

Spoiler

A WOMAN IN THE CROWD

 

Jeff Nichols: Thank you all so much. First off, I'd like to thank the Academy explicitly for not letting the origin of a film's material interfere with the personal enjoyment of the film. Great stories can come from anywhere and this movie proved that to me while making it time and time again. I'd like to thank the person only known as "shortskirtsandexplosions" for letting me take their story and run with it. Likewise, I'd like to thank those at Hasbro and Lauren Faust for allowing all those legal things to be figured out. This script would not be as memorable were it not for the actors reading it and the crew helping bring it to life. I'd like to thank them all for their creativity now. Thank you again!

 

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YM! Global Phenomenon

YM!

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Posted
7 minutes ago, cookie said:

1. Which film will win Best Picture?

  • 24 Hours
     
     2
  • Bambi: A Life in the Woods
     
     2
  • The Rich and Famous
     
     0
  • The Scavenger Wars: Part II
     
     2
  • A Woman in the Crowd
     
     2
 
giphy.gif

Homeward

HOMEWARD

HOMEWARD 

HOMEWARD!!!

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SLAM! Summer Tentpole

SLAM!

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Aidan Turner and Rachel Weisz exit the stage. They are promptly replaced by Jackie Chan and Lucy Lui, two representatives of American Dragon: Flash Point and classic Hong Kong action films.

 

Jackie Chan: Action is very important for film as a whole.

Lucy Liu: Good action entertains. But great action does not just entertain.

Jackie Chan: Great action shows the audience the characters' motivations behind their struggles.

Lucy Liu: Here are the nominees for Best Use of Action.

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

 

(1:36)

Nadine begins to smile radiantly, taking advantage of Blue Eyes’ shock to drag his body across the floor by riding on a nearby food delivery cart, kicking him off the ground again, and punching him repeatedly. Feeling more confident in her abilities than ever, Nadine delivers one last blow, bouncing off his chest and delivering a round house kick that nearly knocks him out. Eventually, Nadine stands above Blue Eyes, giving a sly smile as Blue Eyes looks up with anger and shock.

 

Spoiler

GREEN LANTERN CORPS: RISE OF THE MANHUNTERS

 

The Green Lanterns then burst in the warehouse ambushing the criminals and Kanjar-Ro as a fire fight breaks out with the criminals using the advanced weaponry vs the Lanterns constructs (all of whom use creative ways to stop the villains, Abin uses a broadsword, Sinestro uses a miniature cannon, Asiria makes a frisbee like shield to deflect bullets and beams, Salaak creates a lasso to hold the villains and Mabi uses a pair of gigantic sledgehammers) but the weaponry has large amounts of raw power. Kanjar-Ro thanks the criminals for their business but he must go as he doesn’t pull off orange clothes well and an empire to run. He then whistles and a hover bike like vehicle bursts through as he escapes.

 

Spoiler

ONE PUNCH MAN

 

 

(0:45 - 0:51)

 

Irritated, Genos slams his hands against the ground, charging himself up once again for another attack. As he reaches maximum capacity, he leaps forward towards Sam.

 

(0:51 - 1:02)

 

Sam notices this, leaping into the air out of the way. Genos chases after him. The two create nearly a dozen figure 8’s as Genos tries to land several blows to his master, who manages to dodge and avoid all of them. Sam flies back towards the ground, Genos in pursuit. The two criss cross each other’s paths. After another set of figure 8’s, the two eventually clash causing another large explosion. Sam breaks the fiery dance, clinging against the mountainside to catch his breath.

 

Spoiler

THE SCAVENGER WARS: PART II

 

“You are one persistent little bugger, aren’t you”, Arthur marvels at the rock, vowing to find a way to break it. As the canzone continues we get a humorous montage of Arthur trying various methods to get the rock to break:

 

  • He uses a diamond-coated saw blade to try and cut through the rock but it chips off all the blade’s teeth instead.

  • He places the rock in between two sonic cannons in a controlled environment and blasts both cannons at full force, but nothing happens to the rock while both cannons are torn to pieces.

  • He fires a controlled laser at the rock hoping to pierce through it but it has no effect.

  • Angered, he takes out an ordinary hammer and tries to smash it, but the hammer humorously shatters upon contact.

 

Spoiler

THE UNBEATABLE SQUIRREL GIRL

 

MODOK, taps into his psychic power, and creates a portal over the heroes as a giant emerald serpentine dragon flies out. MODOK introduces the dragon as Fin Fang Foom. Fin Fang Foom gleefully comments as he found his next meal as he spews a stream of acid, which the heroes dodge. Ms. Marvel uses her shapeshifting powers and elongates her fists and punches Fin Fang Foom while Howard The Duck fires blasts from his blasters as he and Ms. Marvel share a few quips. Nova, Wonder Man and Speedball combine their energy based powers (cosmic, photon and kinetic respectively) to encase and immobilize Fin Fang Foom but to no avail.

 

Jackie Chan: And the Oscar goes to...

 

Spoiler

THE EPSILON SYNDICATE: UNION OF THIEVES

 

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SLAM! Summer Tentpole

SLAM!

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PREVIEW #1

 

Spoiler

***Voice over done by Constance Wu in Bold

 

We see what appears to be an abandoned city. The streets are lightly covered in sand the area directly outside the city is desert for as far as we can see. A traffic light flicks through it’s typical arrangement unaware of the emptiness surrounding it. Suddenly Constance Wu rides down the main street on a horse. She stops under the traffic light stop light to turn around and look back in the distance.

 

Disease ravaged the planet we know.

 

Cynthia Erivo is sitting in the midst of what appears to be a glacial environment attempting to create fire for warmth. sobbing

 

The Men all Gone.

 

Gadot is seen putting on body armor with the help of Sasha Lane who looks up at Gadot with a look that could be described as hesitant admiration.

 

Most of the women too

 

Wu and Erivo in a canoe heading down a river

 

Sasha Lane is seen looking around as the village around her is on fire.

 

Elizabeth Debicki is seen captaining an overcrowded and rundown ship  

 

Annette Bening and Constance Wu Hug tightly.

 

Debicki and Gadot share a kiss

 

Annette Bening  with tears in her eyes standing across from Gal Gadot In a field “we cannot afford war”

 

Sasha Lane carrying Brooklyn Prince through the woods. She sets her down on a tree stump and attempts to explain “I know you don’t understand why you’re so important. But someday you will.”

 

But some of us remain

 

DAUGHTERS

 

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cookie Global Phenomenon

cookie

Posted
Posted (edited)
3 minutes ago, Slambros said:
Spoiler

 

THE SCAVENGER WARS: PART II

 

“You are one persistent little bugger, aren’t you”, Arthur marvels at the rock, vowing to find a way to break it. As the canzone continues we get a humorous montage of Arthur trying various methods to get the rock to break:

 

He uses a diamond-coated saw blade to try and cut through the rock but it chips off all the blade’s teeth instead.

He places the rock in between two sonic cannons in a controlled environment and blasts both cannons at full force, but nothing happens to the rock while both cannons are torn to pieces.

He fires a controlled laser at the rock hoping to pierce through it but it has no effect.

Angered, he takes out an ordinary hammer and tries to smash it, but the hammer humorously shatters upon contact.

 

 

Spoiler

...What, was the obvious pick not fit for broadcast?:hahaha:

 

Edited by cookie
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YM! Global Phenomenon

YM!

Posted
Posted
3 minutes ago, Slambros said:

Aidan Turner and Rachel Weisz exit the stage. They are promptly replaced by Jackie Chan and Lucy Lui, two representatives of American Dragon: Flash Point and classic Hong Kong action films.

 

Jackie Chan: Action is very important for film as a whole.

Lucy Liu: Good action entertains. But great action does not just entertain.

Jackie Chan: Great action shows the audience the characters' motivations behind their struggles.

Lucy Liu: Here are the nominees for Best Use of Action.

 

  Reveal hidden contents

 

  Reveal hidden contents

The Green Lanterns then burst in the warehouse ambushing the criminals and Kanjar-Ro as a fire fight breaks out with the criminals using the advanced weaponry vs the Lanterns constructs (all of whom use creative ways to stop the villains, Abin uses a broadsword, Sinestro uses a miniature cannon, Asiria makes a frisbee like shield to deflect bullets and beams, Salaak creates a lasso to hold the villains and Mabi uses a pair of gigantic sledgehammers) but the weaponry has large amounts of raw power. Kanjar-Ro thanks the criminals for their business but he must go as he doesn’t pull off orange clothes well and an empire to run. He then whistles and a hover bike like vehicle bursts through as he escapes.

 

  Reveal hidden contents

 

  Reveal hidden contents

“You are one persistent little bugger, aren’t you”, Arthur marvels at the rock, vowing to find a way to break it. As the canzone continues we get a humorous montage of Arthur trying various methods to get the rock to break:

 

  • He uses a diamond-coated saw blade to try and cut through the rock but it chips off all the blade’s teeth instead.

  • He places the rock in between two sonic cannons in a controlled environment and blasts both cannons at full force, but nothing happens to the rock while both cannons are torn to pieces.

  • He fires a controlled laser at the rock hoping to pierce through it but it has no effect.

  • Angered, he takes out an ordinary hammer and tries to smash it, but the hammer humorously shatters upon contact.

 

  Reveal hidden contents

MODOK, taps into his psychic power, and creates a portal over the heroes as a giant emerald serpentine dragon flies out. MODOK introduces the dragon as Fin Fang Foom. Fin Fang Foom gleefully comments as he found his next meal as he spews a stream of acid, which the heroes dodge. Ms. Marvel uses her shapeshifting powers and elongates her fists and punches Fin Fang Foom while Howard The Duck fires blasts from his blasters as he and Ms. Marvel share a few quips. Nova, Wonder Man and Speedball combine their energy based powers (cosmic, photon and kinetic respectively) to encase and immobilize Fin Fang Foom but to no avail.

 

Jackie Chan: And the Oscar goes to...

 

  Hide contents

THE EPSILON SYNDICATE: UNION OF THIEVES

 

Guessing this was the one point clutch huh.

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