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Ethan Hunt

THE OSCARS Y6

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2 minutes ago, Ethan Hunt said:

TRAILER 

 

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from the director of Moon and Source Code

 

(All dialogues are voice-overs. The owner of each dialogue is left ambiguous.)

 

A lone tiger sleeps surrounded by lush greenery in the shade of an Indian jungle.

 

"I would never have accepted this job if I knew what I know now."

 

The ornate tails of peacocks rise gradually from the tall grasses around the tiger.

 

"You're naive, Miriam."

"What do you mean?"

"You should know what you're signing up for beforehand."

"I'm--I'm a photographer, that's all I'm--"

"Are you sure that's all you're here for?"

 

"Mary, Mary, quite contrary, how does your garden grow?"

 

The peacocks poke their blue-feathered necks out from the underbrush. The peacocks sneak closer to the sleeping tiger.

 

"With silver bells, and cockle shells, and pretty maids all in a row."

 

We can now see that the tiger is completely surrounded.

 

"There's something off about these peacocks, I don't know what it is..."

 

"We need to tell her what's happening!"

"Mackenzie Robinson knows exactly what's happening. She gave you this job, you mustn't question her."

 

"Mary, Mary, quite contrary, how does your garden grow?!"

"With silver bells and cockle shells, and pretty maids all in a row!"

 

The tiger begins waking up. It looks around and sees all the peacocks.

 

"I can't call anyone!"
"There's no signal here, you should have known better."

"She's not supposed to be in India! She's supposed to be in London!"

"You're evil! All of you are evil!"

"MARY, MARY, QUITE CONTRARY, HOW DOES YOUR GARDEN GROW?!"

The peacocks flare the crests on their heads. They spread their wings and dig their talons into the earth. The tiger tenses up, preparing to attack.

 

"I am the queen of the predatorsYou are the lowly mistress of the prey!"

 

The peacocks rush towards the tiger. Cut to black.

 

****

****

****

****

 

Naomi Scott

Daniel Kaluuya

Juno Temple

Alfie Allen

Jessica Henwick

Viviek Kalra

Golshifteh Farahani

with Himesh Patel

and Gwendoline Christie

 

****

****

****

****

 

YANG

 

 

****

****

****

****

 

June 9th, Y7

a One-Week IMAX Event

 

 

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2 minutes ago, Ethan Hunt said:

TRAILER 

 

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I'm so glad to finally reveal this! More information after the Oscars.

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3 minutes ago, Ethan Hunt said:

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Oh this will be a trip

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Chris Evans and Hailee Steinfeld walk on stage 

 

Evan: Music is a key component in life

Steinfeld: even more it is a key compnent in film

Evan: it can lift your spirits 

Steinfeld: or make you Cry 

Evans: these are the compositions we've been returning to ever since we heard them

 

The nominees are:

 

CRAIG ARMSTRONG, MOST WANTED MAN IN GREAT BRITAIN
DISASTERPIECE , BORRASCA

MICA LEVI, PARADISE ISLAND

THOMAS NEWMAN AND BENJAMIN WALLFISCH , SPARK A HERO'S PROMISE

JOHN POWELL, MASS EFFECT ASCENSION

 

and the winner is 

 

Spoiler

MICA LEVI, Paradise Island 

 

Mica: yo thanks guys. Really happy to have collaborated with Debra and the talented crew on this important film 

 

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17 minutes ago, Ethan Hunt said:

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Oh fuck yes I need this right now.

 

Sorry @cookie you've been dethroned as my most anticipated of the year.

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21 minutes ago, Ethan Hunt said:

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:ohmygod:

 

Not gonna lie, I think I just jizzed my pants

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Rian Johnson and JJ Abrams come on stage

 

Rian : sound is an aspect of film that often goes unnoticed 

JJ: yep

Rian: Great sound work deserves to be acknowledged and we're gonna do just that tonight 

 

The nominees for best SOund mixing are:

 

CHILDREN OF EDEN 
GATEWAYS 
MASS EFFECT ASCENSION 
SPARK: A HERO'S PROMISE
U.S.S SEAWOLF

 

and the winner is: 

 

Spoiler

MASS EFFECT ASCENSION 

 

Mass effect sound mixer guy: thanks guys for thinking i made cool sounds 

 

 

the nominees for best sound editing are 

 

BORRASCA 
GATEWAYS 
MASS EFFECT
SPARK: A HERO'S PROMISE
XJ-9:REBIRTH

 

and the winner is: 

 

Spoiler

GATEWAYS AND MASS EFFECT ASCENSION !!!!

 

Mass effect person: thanks guys. really had fun working on this movie

 

gateways guy: I'd like to thank Pete Doctor for the opportunity, The academy for the votes, and my family for the support 

 

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TRAILER 

 

Spoiler

We hear an orchestra begin to warm up over the film logos, which appear in a 60s esque style. The colors fade, and the camera fades into a large audience in a theater. Two adults, Lawrence and Mary Thompson (Michael Keaton and Amy Sedaris) are making awkward small talk to various patrons before the show starts, while Lawrence motions for someone, namely “their daughter,” to go and get ready. The camera pans slightly to a young woman, recognizable as Nadine Hallon (Thomasin McKenzie), who nods lightly. She weaves her way through the remaining crowds of audiences coming to their seats and finds a “stage hand only” door. Seeing an usher by the area, she pulls out a phone-sized device from her pocket that plays a recording, convincing the ushers that Lin-Manuel Miranda is in the audience.

 

As the usher gets distracted, Nadine slips through the door, leading to a large stairwell. At this point, the music goes silent.

 

The music starts on stage, and we see that it is a production of the musical CHICAGO. The actress playing Roxie Hart (a cameo from Jasmine Cephas-Jones) begins to sing its most famous song, “All That Jazz”:

 

 

 

(0:00-0:19) Roxie begins to sing as Nadine sneaks up the stairs, seeing a few guards staggered throughout the levels.

 

(0:19-0:22) In rhythm with the song, a piercing knife flies through the chest of two guards, causing them to fall and tumble down the stars, leaving a bloody trail.

 

(0:22-0:30): Nadine pulls out both knives, performing tricks with them in her hands. However, she winces at how many guards are there.

 

(0:30-0:44): In a side shot showing the full staircase, Nadine hurls a ball of smoke to the top of the stairwell, causing the guards at top to become unconscious and tumble down, knocking down the others as they fall down the stairs.

 

(1:07-1:22): Nadine jumps between stair ledges to avoid the guards falling in a domino effect, eventually reading the top of the stairs through, continuously in rhythm with the song.

 

(1:22-1:37): Reaching a door at the top floor, Nadine, ever so slightly out of breath, pulls out the device, revealed to be her EpsiTool, as she tries to get into the door.

 

At this point, the show continues from the floors below, and the camera follows Nadine arriving in the rafters. Seeing a man wrestle with some cables, Nadine quickly approaches him.

 

“It’s just a noisy hall, where there’s a nightly brawl, and…”

 

Nadine and the man look at each other briefly, walking around each other, guns pointed at the other. The man is dressed in all black.

 

Nadine: Hand over the bomb, now.

Man: Like hell I am, if I didn’t get my break, nobody can!

Nadine: Killing thousands of innocents? A little petty, don’t you think?

Man: We’re thespians, darling. Disproportionate reactions are in our blood.

Nadine: Hence the bodyguards I had to dispatch?

Man: Oh, there’s more where that came from. Perks of growing up in a family of billionaires. Get her.

 

(2:49-4:15) Several of the man’s guards surround Nadine, and she simply roles her eyes. In a single shot, Nadine dispatches and kills all of them, almost in a manner choreographed to the dance. From using a silencer gun to deliver rhythmic gunshots, flinging knives to slit multiple throats at once, or even bashing someone’s head into a spotlight. However, she is also careful in her kills to prevent blood from dripping out into the audience below and timing her louder shots with the music. After the fight is over, 12 bodies lie beside her, and she’s covered in a good bit of blood.

 

Nadine: So that’s it, huh Fred?

Man: How did you know my name?

Nadine: I just know the song. And I'm pretty lucky I guess.

 

(4:26 – 4:32) Nadine shoots Fred exactly in time with action in the song and on the stage.

 

Nadine: Only one thing left to do.

 

Nadine looks down, finding the bomb in the chandelier. Pushing on her EpsiTool, she find a hook that can pull it out. She smiles.

 

(4:38 – 4:58)

 

Nadine reaches the roof of the building and, taking her EpsiTool, contains the explosion in a small shell that at worst creates a few cool sparkler effects. She chuckles to herself and sees a helicopter arrive. The song ends in the show, and Nadine simply smiles as the helicopter comes down.

 

(4:58) Nadine: *turning to the camera and winking* That Jazz.

 

THE EPSILON SYNDICATE

A R T        O F        T H E        D R E A M

COPYRIGHT YVII HOURGLASS PICTURES ALL RIGHTS RESERVED

 

Edited by Ethan Hunt
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