Travod Posted January 24, 2012 Share Posted January 24, 2012 Okay, I just think you're wrong. Quote Link to comment Share on other sites More sharing options...
4815162342 Posted January 24, 2012 Share Posted January 24, 2012 (edited) I honestly couldn't find anything memorable about TGWTDT's score, it didn't stick with me at all. In the end a lesser outing than the composers' work with TSN (which I found overrated).Anyways, congratulations to Alberto Iglesias for crafting the best "atmospheric" score of the year (TTSS) and getting a nomination for it. Edited January 24, 2012 by 4815162342 Quote Link to comment Share on other sites More sharing options...
FilmBuff Posted January 25, 2012 Share Posted January 25, 2012 I'm glad Dragon Tattoo got snubbed here. This film score was not memorable at all. The Social Network's score was also fucking garbage. I can't stand to listen to that techno garbage. Ughh... Quote Link to comment Share on other sites More sharing options...
JohnnY Posted January 25, 2012 Share Posted January 25, 2012 I'm glad Dragon Tattoo got snubbed here. This film score was not memorable at all.The Social Network's score was also fucking garbage. I can't stand to listen to that techno garbage. Ughh...TSN score wasn't techno. Electronic music is much more than techno. Quote Link to comment Share on other sites More sharing options...
Travod Posted January 26, 2012 Share Posted January 26, 2012 http://www.youtube.com/watch?v=OP96Bg5Av9Q Quote Link to comment Share on other sites More sharing options...
Kevin Bacon Posted January 27, 2012 Share Posted January 27, 2012 (edited) I'm not quite sure I understand the Academy giving Reznor's TSN score the award, and then snubbing his next score of a nomination when it makes the former sound like crap, but it doesn't bother me too much. Overall, this category is solid this year. I get new How to Destroy Your Angels and Nine Inch Nails this year, so as long as Reznor is giving me incredible music (with vocals!) I'm not complaining. Edited January 27, 2012 by Kevin Bacon Quote Link to comment Share on other sites More sharing options...
ddddeeee Posted February 9, 2012 Share Posted February 9, 2012 The International Film Music Critics will announce the winners of its Eighth Annual Awards on February 23, 2012.2011 Film CategoriesFILM SCORE OF THE YEAR• THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams• THE ARTIST, music by Ludovic Bource• THE GREATEST MIRACLE, music by Mark McKenzie• HUGO, music by Howard Shore• WAR HORSE, music by John WilliamsFILM COMPOSER OF THE YEAR• LUDOVIC BOURCE• ALEXANDRE DESPLAT• MICHAEL GIACCHINO• ALBERTO IGLESIAS• JOHN WILLIAMSBREAKOUT COMPOSER OF THE YEAR• LUDOVIC BOURCE• BRIAN BYRNE• THE CHEMICAL BROTHERS• MICHAEL RICHARD PLOWMAN• LUCAS VIDALBEST ORIGINAL SCORE FOR A DRAMA FILM• THE ARTIST, music by Ludovic Bource• JANE EYRE, music by Dario Marianelli• SOUL SURFER, music by Marco Beltrami• W.E., music by Abel Korzeniowski• WAR HORSE, music by John WilliamsBEST ORIGINAL SCORE FOR A COMEDY FILM• PAUL, music by David Arnold• THE RUM DIARY, music by Christopher Young• TORRENTE 4: LETHAL CRISIS, music by Roque Baños• A VERY HAROLD AND KUMAR 3D CHRISTMAS, music by William Ross• YOUR HIGHNESS, music by Steve JablonskyBEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM• CAPTAIN AMERICA: THE FIRST AVENGER, music by Alan Silvestri• DRIVE, music by Cliff Martinez• MISSION IMPOSSIBLE – GHOST PROTOCOL, music by Michael Giacchino• REAL STEEL, music by Danny Elfman• RISE OF THE PLANET OF THE APES, music by Patrick DoyleBEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM• DON’T BE AFRAID OF THE DARK, music by Marco Beltrami and Buck Sanders• HARRY POTTER AND THE DEATHLY HALLOWS PART 2, music by Alexandre Desplat• HUGO, music by Howard Shore• PRIEST, music by Christopher Young• SUPER 8, music by Michael GiacchinoBEST ORIGINAL SCORE FOR AN ANIMATED FEATURE• THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams• THE GREATEST MIRACLE, music by Mark McKenzie• KUNG FU PANDA 2, music by John Powell and Hans Zimmer• PUSS IN BOOTS, music by Henry Jackman• RANGO, music by Hans ZimmerBEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE• FROZEN PLANET, music by George Fenton• HOLD AT ALL COSTS: THE STORY OF THE BATTLE OF OUTPOST HARRY, music by Larry Groupé• JIG, music by Patrick Doyle• RUSSLAND – IM REICH DER TIGER, BÄREN UND VULKANE, music by Kolja Erdmann• THE WIND GODS, music by Pinar ToprakFILM MUSIC COMPOSITION OF THE YEAR• “The Adventure Continues” from THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN, music by John Williams• “George Valentin” from THE ARTIST, music by Ludovic Bource• “Captain America March” from CAPTAIN AMERICA: THE FIRST AVENGER, music by Alan Silvestri• “Final Round” from REAL STEEL, music by Danny Elfman• “The Homecoming” from WAR HORSE, music by John WilliamsGreat set of nominees. Loving the Real Steel and Williams love. Though they normally go nuts for Desplat and not nominating Doyle for composer of the year is laughable. Quote Link to comment Share on other sites More sharing options...
acsc1312 Posted February 9, 2012 Share Posted February 9, 2012 I'm still shocked Desplat wasn't there for EL&IC. I don't think I'll ever get over it. I am glad they recognized Korzeniowski for W.E. though. Quote Link to comment Share on other sites More sharing options...
Noctis Posted February 9, 2012 Share Posted February 9, 2012 Desplat should have gotten in this year for DH2. Easily his best work. Quote Link to comment Share on other sites More sharing options...
ddddeeee Posted February 12, 2012 Share Posted February 12, 2012 (edited) Desplat won the Grammy.....for The King's Speech. Edited February 12, 2012 by ddddeeee Quote Link to comment Share on other sites More sharing options...
Noctis Posted February 12, 2012 Share Posted February 12, 2012 Huh? That was a 2010 release. Quote Link to comment Share on other sites More sharing options...
ddddeeee Posted February 12, 2012 Share Posted February 12, 2012 Yeah it was still eligible though. DHII was clearly the much better Desplat score but at least it was nominated. Quote Link to comment Share on other sites More sharing options...
Noctis Posted February 12, 2012 Share Posted February 12, 2012 Doesn't really matter to me. It's not as if anyone remembers TKS' score. Quote Link to comment Share on other sites More sharing options...
4815162342 Posted February 12, 2012 Share Posted February 12, 2012 (edited) Grammy eligibility rules differ from Oscar rules Noctis.For the 2012 Oscars (aside from Foreign Language film which needs only to be released in its country of origin during the eligibility period), the film must have had a U.S. release between January 1, 2011 and December 31, 2011.For the 2012 Grammys, the music must have been released between September 1, 2010 and September 30, 2011. Edited February 12, 2012 by 4815162342 Quote Link to comment Share on other sites More sharing options...
acsc1312 Posted February 19, 2012 Share Posted February 19, 2012 I quite liked TKS score. It has a nice melody to it and fits well within the movie. The addition of Beethoven during the final speech was a nice touch as well. Quote Link to comment Share on other sites More sharing options...
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